Meckseper's confrontation of contemporary consumer display vitrine structures with the historic underpinnings of Hoetger's, Brancusi's and Mies van der Rohe's work, illustrates
how early Modernism, German Expressionism and the avant - garde developed into a form of political and aesthetic resistance to the mainstream.
Not exact matches
One can always marvel at
how much of
early Modernism is still out there, as with a booth just for Giorgio Morandi, but has one then succumbed entirely to the market?
But there was this place in between
early American
modernism and the New York School that had not been touched — except for Irving Sandler's first chapter of his first volume that he wrote on the New York School, The Triumph of American Painting, in which he mentioned
how crucial was the role of the AAA to the establishment of American abstract art.
It was basically tied to the history of
early Modernism —
how colors relate to each other,
how the image relates to the picture plane, what the picture plane means.