Sentences with phrase «how exhibitions work»

Not exact matches

Traditionally artists are used to selling their work through exhibitions and galleries, so how do paintings and prints translate into sales online?

«This exhibition is just the beginning of our work in telling the story of New York's colonial history and how our settlement by the Dutch has shaped not only our local character but aspects of state and even national character that we think will surprise and delight our visitors,» said Deputy Commissioner of Cultural Education and State Museum Director Mark Schaming.

He spent 10 painstaking years working out how our blood really circulates: 17th - century physician William Harvey deserves his own London exhibition

During the AVS 61st International Symposium & Exhibition, being held Nov. 9 - 14, 2014, in Baltimore, Md, Patricia Favero, an art conservator at The Phillips Collection, will explain how collaborating with art scholars and scientists aids her explorations of great works of art.

About Blog Furtado Figurative is a Sculpture Gallery of Melanie Furtado which provides sculpture classes, how to sculpt articles, art Courses, demonstrations, events, Works in Progress and Exhibitions including Human Figure, Anatomy, Skull, Portrait, Realism, Clay Sculpting.

By now, students are keenly aware of how much work goes into high - quality projects and resist jumping into a new team or envisioning the next public exhibition.

Teacher asks Kara Blond, Director of Exhibitions at the world - famous Smithsonian National Museum of Natural History, for expert tips on how to stage an exhibition of student work.

Our showcases and exhibitions provide an inside look at how student work evolves our collective teaching practice.

This issue looks at the how exhibitions ensure engagement within and outside the school community, prepare young people for 21st work and citizenship, and serve as a fulcrum for school transformation.

While the idea of creating art to represent How We Express Ourselves is not a new one, especially to those who teach in PYP schools, what is interesting about this exhibition of work is the personal narrative that accompanies each mask.

July 1, 2015: HOW I SEE IT is a sensory touch exhibition that presents local artists» specific tactile works of art so that the pieces can be experienced by the -LSB-...]

Uglow acknowledged interest in such interactions in a 1991 interview in BOMB, telling Alain Kirili how, when installing his own work for an exhibition, he found that:

A chronological recounting of the artist's short career came next, followed by the story of how he began making the type of work he is best known for, and finally some information about upcoming institutional exhibitions overseas.

This exhibition, which bears the title «Inconsiderate Fantasies of Negative Acceleration Characterized by Sacrifices of a Non-Consensual Nature by the Legendary Survival Research Laboratories,» will be SRL's first art - world solo show, and will feature eight of their kinetic sculptures alongside video documentation of other work, much of which looks at how technological objects can overpower their users.

Through dynamic spreads, you'll discover the Berlin - based studio Hort's transformative campaign for Nike; Base's responsive, flexible logo for Munich's Haus der Kunst museum; how design agency Bond worked with ArtRabbit, a website and app that catalogs contemporary art exhibitions, on a clever identity rollout; and how John Haslam, managing director of bespoke paper company G.

[I had an interest] in all the concepts regarding practice, materials, conceptual engagements and all the issues that relate to the actual work itself and then the issues related to how works create a contextual environment for the viewer when they're installed in an exhibition space.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

As I teach, judge, visit exhibitions and look at work in books or across social media, I see bits and pieces of paintings that cause me to think about how a particular effect or even a type of brush stroke could impact my own work.

Three works were included in You Are Looking at Something That Never Occurred, a group exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction.

Roger Brown is featured in Art AIDS America Chicago, an exhibition that includes over 100 contemporary works to explore how the AIDS crisis forever changed American art.

How do you perceive and experience working on exhibition making in this area of the world?

Organized by Ellen Lupton, senior curator of contemporary design, and Andrea Lipps, assistant curator of contemporary design, the exhibition includes work by more than 65 designers and teams and reveals how sensory design can solve problems and enhance life for all people, including those with sensory disabilities.

The humours is an international group exhibition that brings together new and recent works to consider how artists employ strategies of comedy and absurdity.

This exhibition is the first of its kind to explore how shared values and interests have inspired artists from different cultures and times to create distinctive, powerful works that speak to their experience of the West as both a destination and a home.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintings.

Featuring 28 works by 19 artists — both black and white — the exhibition explores how visual perspectives of blackness «have been influenced at particular historical moments by specific political, cultural, and aesthetic interests, as well as the motives and beliefs of the artists.»

The item highlights several of the key themes and works in the exhibition and considers how the BxMA will delve into areas of Matta - Clark's practice that have only been briefly explored in previous surveys of the artist's work.

In this exhibition of 26 works, her sculptures and installations consider «the ways in which the legacy of history bears on the body, and how this history both shapes and guides the way society conceptualizes identity.

The exhibition shows how studying the work of Seurat changed the way Riley perceived the world.

Hiram Butler Gallery is please to present Joseph Havel: How to Draw a Circle, a solo exhibition of new works by Joseph Havel.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

Featuring 145 pieces from 1970 onwards, the exhibition explores how artists have included themselves in their work.

A day after the opening of the current Luc Tuymans exhibition in London, DAMN ° had the chance to sit down with the Belgian artist and discuss his work, as well as how it is being a painter in the early 21st century.

We discuss the brand new paintings in his recently opened exhibition, Grass and Trees, Alex's interest in «fancy painting,» and how one develops style and technique in their work.

Elena Pinchuk, Founder of the ANTIAIDS Foundation: «The works we have managed to pull for the exhibition with a symbolic title Where There's a Will, There's a Way represent a story of how art community have been reacting to the AIDS epidemics.

The exhibition includes over 80 photographs, demonstrating how his practice as a photographer has been shaped by his work as a critic and vice versa.

The Daily Telegraph's review of Tillmans's critically acclaimed solo exhibition at Tate Modern in London in 2017 described how the work «broadcasts his questing, restless desire to innovate and do things differently.»

So this exhibition of around a hundred of his works, with a focus on Davis's mature period (1921 — 64), is something of a homecoming for the artist, who had a habit of going back to where he came from: The show emphasizes how motifs from earlier works tended to resurface in later pictures.

«ANNE TERESA DE KEERSMAEKER: WORK / TRAVAIL / ARBEID» This Belgian choreographer's five - day «exhibition» in the atrium of the Museum of Modern Art was a model of how to translate dance from the set format of a theater to the open spaces and schedules of a museum.

The exhibition features the artist's bold and experimental work challenging traditional assumptions about figuration and abstraction, and works that reveal her interest in how paintings function in a given room.

Simmons discussed her new body of work and exhibition «Kigurumi, Dollers and How We See», open March 7th at Salon94, that uses Japanese Kigurami dolls to explore these themes on a human scale.

In 2009, the Musée Matisse in Le Cateau - Cambrésis presented a brilliantly conceived exhibition titled «Ils Ont Regardé Matisse» (They Looked at Matisse) that examined how 15 abstract painters, Francis and Kelly among them, in the U.S. and Europe responded to the work of Matisse.

This November, VMFA presents a groundbreaking exhibition that examines how Johns mined Munch's work in the late 1970s and early 1980s as he moved away from abstract painting towards a more open expression of love, sex, loss, and death.

Space One Eleven presents Multiple Methods: A Print Exhibition; From traditional printmaking processes to digitally derived art, this exhibition explores how artists are using the print process to produce tExhibition; From traditional printmaking processes to digitally derived art, this exhibition explores how artists are using the print process to produce texhibition explores how artists are using the print process to produce their work.

Consisting primarily of Saar's sculpture and installation work, this exhibition explores the ways in which the legacy of history bears on the body, and how this history both shapes and guides the way society conceptualizes identity.

The exhibition is able to unfold, through so much original material, just how crucial the frequent critical dialogue and encouragement coming from Freilicher was in forming and supporting the daily lives and work of these poets.

Gallery artist Enrique Chagoya's work will be featured in the upcoming exhibition How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, at the Schindler House and the Luckman Fine Arts Complex from September 9, 2017, through January 14, 2018.

Showing work from the past three decades, the exhibition will highlight the photography, sculpture and installations of Zoe Leonard, whose work asks viewers to re-engage with how they see.

In celebration of Dada's 100th anniversary in 2016 and the centennial of Duchamp's Fountain in 2017, the exhibition examines how artists have incorporated commonplace household items into their work, removing them from the context of the home in ways that subvert the mundane experiences of daily life.

Six works by Wolfgang Tillmans spanning 2000 - 2012 were included in You Are Looking at Something That Never Occurred, a group exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction.