The Hybrid Publisher Criteria was prompted by a conversation with the Authors Guild during BookExpo 2017 in which the Authors Guild expressed interest in understanding
how hybrid publishers are different from publishing service providers.
Mark has posted a more detailed outline of
how hybrid publishers differ from vanity or subsidy publishers on the BookWorks site Discussion Forums, where he will also answer member questions.
See additional considerations below for more information about
how hybrid publishers differ from other author - subsidized models.
Most people have seen right away
how the Hybrid Publisher Criteria can be used by prospective authors as a tool to weed out these bad actors.
Not exact matches
It's up to each
hybrid publisher to figure out, and explain,
how it performs each function.
In a session immediately following this panel,
hybrid author Dana Beth Weinberg, who helped author the resulting report, said one thing
publishers need to take away from this data is the need to rethink and restructure their contracts with authors, not just their tangible book contracts, but in a more social realm in terms of
how they perceive of and treat their authors.
So
how do you tell if you're just being sold a bill of goods by a
hybrid publisher?
While new
hybrid publishers are popping up (and traditional
publishers experimenting as well), authors are left trying to figure out
how to proceed through the maze.
-- Joanna Penn The reality is, whether you're going to DIY your book, work with freelancers to do the parts you don't know
how to do, work with a
hybrid publisher, -LSB-...]
Yet, there is still a good deal of confusion around
hybrid publishers and
how to differentiate a reputable
hybrid publisher from a vanity press.
Another self - publishing frontrunner, Hugh Howey, who breaks his silence after a survey done by Digital Book World shows
how self -
publishers earn comparing
how 1.8 % of them only made $ 100,000 with 8.8 % of traditionally published authors and 13.2 % of
hybrid authors.
If this is becoming the new norm,
publishers asking for more rights, paying smaller advances, taking forever to make a decision on buying a manuscript, and delivering less marketing and promotion then expecting authors / agents to pick up the slack, I'm not sure
how I'm going to keep convincing my
hybrid authors to stay the course with traditional
publishers when they are making more money self - publishing.
I keep thinking that after the initial conversation you have lined out, I would have a lot of questions about where an agent saw my book going and
how they might help me navigate the question of whether I want to be a full - on traditionally published author or a
hybrid, both because I don't want to get stuck with low royalties at a
publisher that isn't promoting my work and because I work very quickly and I'm not sure if one
publisher could keep up with me.