Sentences with phrase «how issues of identity»

For example, lots of people write about how important it is to offer clients encryption, and how important it is to store files securely, and how equipment failures could interrupt the therapeutic process, and how issues of identity are hard to address in online working, and how online therapy removes non-verbal cues, and how misunderstandings can easily happen via text, etc., etc., etc..

While the works by these artists reveal traditional themes, including impersonation, reinvention, self - consciousness, vanity and the complex game of seeing a mirrored image, the exhibition will also explore how issues of identity and self - portrayal were bent in new directions in the 20th century as if refracted through a prism.

Identity and mental well - being — How to develop resilience in a 24 hour connected world and how issues of identity, self - esteem and mental health can be dealt with effectively.

Her book revolves around this dilemma as she writes about how these issues of identity affected her personal life.

Not exact matches

The twentysomethings below are some of my personal picks who are helping to determine how we talk about issues such as politics, culture and identity in the 21st century.

«For sure, the priorities are immigration, the control of borders, of Europe, (the issue of) cultural identities and the understanding of how the Italian society should move ahead in a globalized world,» Terzi di Sant «Agata said, following the Italian election result which pointed to a hung parliament where no one party or coalition gained a majority of the vote that would allow it to govern alone.

«It's one thing for a marketer to try to predict if people like Coke or Pepsi,» he said, «but it's another thing for them to predict things that are much more central to our identity and what's more personal in how I interact with the world in terms of social and cultural issues.»

When Facebook users in the United States encounter an ad for a candidate or issue, they'll soon be able to see the identity of the advertiser, its cost, how it was targeted, and what other ads the advertiser ran.

How will you grasp what Gadamer is saying if you are resolutely unprepared (as most philosophers are) to acknowledge the ontological mystery of a Being that speaks directly to us» that is, to our troubles, our innermost issues of identity and value?

Part of the reason conversation around immigration becomes so heated is because nationality is an issue of identity: who I am and how I see myself is deeply entwined with my country.

The issue here is how to relate particular religious vision about social reality and communal identity in a complimentary and a relational way in the midst of plurality of communities and religions.

The most notable recent contribution regarding the issue of Indian - Christian identity is found in the work of Sathianathan Clarke, who, in analysing a particular Dalit community, the Paraiyar, has pointed out just how complex this question really is, when he writes that

The curriculum they suggest, along with participation in the community of faith, is designed to shape Christian identity by an intense study of how groups and individuals created themselves as Christians as they responded to felt needs and wrestled with issues of ultimate significance in their age just as we do in ours.

One of the obvious difficulties with these suggestions is that the fundamental issue as to how the individual churches themselves have internalized different understandings of baptism as being a part of their existence and self - identity, an existence and identity which has very often been at least partially shaped as a reaction to the teachings propounded by other churches, has not been adequately addressed.

«When people buy products, it's about personal identity, social - context issues, vanity, how they look in front of friends,» Kelley says.

In 2015, the state Education Department issued further guidelines under the act to specifically prevent discrimination of transgender and gender - nonconforming students, along with suggestions on how to make them feel more comfortable at school, including the right to use the restroom and locker room in accordance with their gender identity, participate in gender - segregated activities in accordance with their gender identity, and adhere to dress codes in accordance with their gender identity and expression.

Don't judge it on how incredibly fast and loose it plays with a number of identity and social justice issues that don't appear to directly concern Hill or anyone else involved in the production in any way beyond exploitative amusement.

While she believes there is great work being done around these issues, Camacho Lewis feels like opportunity is missed when we don't think about how to differentiate those spaces for educators who may be at different stages in their awareness of race, class, and other lines of identity that intersect.

The issue of brand identity raises questions about how for - profit schools will sell themselves in the education market.

This webinar will explore how some educators are using those levers to create interdisciplinary units that integrate a variety of texts and learning methods to help students delve into social issues, including identity, cultural history, diversity, and civic engagement.

The guidance issued today by the Departments of Education and Justice adds another voice to an ongoing conversation about how gender identity is addressed, and expresses an interpretation of Title IX that is unsettled law.

Concerns include issues of how children will be transformed by this interaction, what role moral reasoning has in cyberspace, whether a deeper sense of identity is fostered, and how prepared the young are to manage the risks found online.

Instead of a sweeping law to help the afflicted few, how about a simple decision to let those who have «gender identity» issues use separate unisex bathrooms and private changing areas if they are not comfortable using the facilities that comport with the body parts they were born with?

In the next two posts, I will explore the issue of Catholic identity and mission and what truly constitutes a «Catholic» school — i.e., what's fungible, and therefore replaceable, and what's elemental and therefore not replaceable — and how this might impact our choice of Catholic school leadership?

Her background as a visual arts teacher informs her research on how students learn in and through the arts, art making and the development of voice and identity, and issues of access and equity in arts education.

Penguin Shorts will debut at the # 1.99 price and the nine launch titles will be A Guest at the Feast by Colm Toibin, a memoir of his days growing up in Ireland during the 1950s and 1960s; At the Hairdressers by Anita Brookner, a novella exploring issues of trust, betrayal and loneliness; Protection by Helen Dunmore, a story examining how far you would go to ensure your family's safety; The Happiness of Blond People by Elif Shafak, an examination of national identity and immigration; How To Set Up a Free School by Toby Young; How to Be a Rogue Trader by John Gapper; recipe title Perfect Christmas Day by Felicity Cloake; The Battle of Alamein: North Africa 1942 by John Bierman & Colin Smith, the first of a Great Battles series to be available through Penguin Shorts; and Great Battles: The Battle of Isandlwana by Saul Davhow far you would go to ensure your family's safety; The Happiness of Blond People by Elif Shafak, an examination of national identity and immigration; How To Set Up a Free School by Toby Young; How to Be a Rogue Trader by John Gapper; recipe title Perfect Christmas Day by Felicity Cloake; The Battle of Alamein: North Africa 1942 by John Bierman & Colin Smith, the first of a Great Battles series to be available through Penguin Shorts; and Great Battles: The Battle of Isandlwana by Saul DavHow To Set Up a Free School by Toby Young; How to Be a Rogue Trader by John Gapper; recipe title Perfect Christmas Day by Felicity Cloake; The Battle of Alamein: North Africa 1942 by John Bierman & Colin Smith, the first of a Great Battles series to be available through Penguin Shorts; and Great Battles: The Battle of Isandlwana by Saul DavHow to Be a Rogue Trader by John Gapper; recipe title Perfect Christmas Day by Felicity Cloake; The Battle of Alamein: North Africa 1942 by John Bierman & Colin Smith, the first of a Great Battles series to be available through Penguin Shorts; and Great Battles: The Battle of Isandlwana by Saul David.

Why Acuant Blog is a Top Computer Security Blog: As more and more of our data is stored in the cloud by ourselves and everyone we do business with, identity theft will become more and more of an issue; this blog covers the latest threats to you and your customers» identities and how you can prevent breaches.

JTD: What role does family play in your work, and how do you navigate between the specifics of individual family identity and the broader issues of cultural identity?

Catherine Opie is engaged in issues of documentary photography and in how aspects of identity and collective behaviors are shaped by architecture.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

5 P.M., Friday, April 24 ARTIST TALK: Patsy Cox 210 McKnight Art Center West (WSU School of Art and Design) On the Verge artist Patsy Cox's installations ingeniously represent the urban landscape, mixing issues of culture, race, and identity with commentary on how these factors play out in a metropolis.

The catalogue for Confronting Identities in German Art turns to art works, artists, and their audiences to explore how Germans of the past two centuries have confronted issues of identity, both individual and collective.

Wild Noise / Ruido Salvaje is an exploration of contemporary Cuban art from the 1970s to the present that looks at how Cuban artists both on the island and abroad have grappled with issues of identity, community, and the urban experience.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?

Punchbag added further complexities to questions of raced, gendered and cultural identities raised by Glenn Ligon's Skin Tight: Muhammed Ali Text (1995)[Figs.85 - 86], a punchbag and text piece which specifically sought to address «how black men have used boxing to confront issues of black American identity» and «the construction of masculinity in relation to questions of violence, the commodification of black subjects, sexuality and resistance.»

Performa 17 demands close considerations of today's most pressing social issues, tackling the multiplicity of African identities, how performance is shaped by the built environment and vice versa, and how Dadaism remains salient in the subversive consciousness of contemporary artists.

Mike Watson on how the Italian artworld is responding to issues of migration, race and identity; Laura Oldfield Ford's psychogeographic walk through London's financial district; Maria Lind on Renate Lorenz and Pauline Boudry's futuristic film about sexual difference; Sam Jacob on David Blandy's Hercules on the Underground and London's Crossrail project; Jonathan Grossmalerman on the millennial beauty flowering in the dirt of Bushwick borough; Jonathan T.D. Neil in favour of a better redistribution of money in US museums» budgets; Lucas Ospina on the growing pains of an artist; and Bill Clarke on Toronto off - space 8 - 11.

It will examine how they use their art to respond to the urgent social issues that have arisen out of technology and our online identities — focusing on gender, sexuality and the obsession with celebrity culture.

In Takndare's work, issues of Papuan people and identity take centre stage, focusing on how indigenous Papuans have transformed as a result of political changes.

A Professor of History and an artist herself, Painter frequently explores issues of racial and gender identity and how they have figured into the history of America and the West.

The exhibition will look at how performance is employed as a medium for addressing issues of identity and self - representation by female artists from Pakistan.

The panel will also explore issues surrounding, but not limited to: politics and material use; themes of displacement, migration, and dislocation; identity construction and otherness; and the relationships between labor, domesticity, and gender and how these issues are integrated into a movement towards highly experimental projects that challenge traditional notions of craft.

Durham focuses on the foundation of US identities, but he avoids reducing the issues and keeps us asking what the term Native American — which was only popularized as an «ethnic» or racial identity in early - 19th - century US — really means and how it can limit the imagination of non-Native American audiences.

Pop - art may have been one of the first contemporary art movements to appropriate consumerist imagery, but Kruger's postmodern conceptual art - which also appeared on billboards and T - shirts - was the first to explore and analyze how the mass media presents, distorts and objectifies issues concerning identity, sexuality and the portrayal of women.

Beginning on the 2nd of June, one of the most important living contemporary artists, Georg Baselitz — who almost singlehandedly showed a generation of German artists how to engage with national identity and issues of art after the Second World War — has a new exhibition at Dachau Castle entitled «Mit Richard unterwegs» (On the way with Richard).

Featuring more than fifty artworks ranging in date from the early 1930s to our own time, Portraits and Other Likenesses from SFMOMA demonstrates how artists interested in issues of identity have negotiated a vast array of European, African, and American visual - cultural forms to redefine what it means to make a portrait.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

Maybe you're smarter than the predominant opinion among experts — but two questions need to be asked: (1) to what degree is your view of the evidenced biased by your ideological identity (you clearly have a very strong ideological identity on this issue) and, (2) how could you possibly state a certainty about such a counterfactual in such a highly uncertain context?

Conversations about repatriation of powers when caught up in issues of «national identity» (for the nationals of the UK) tend to ignore how we function as a society.

* The name of the case, the identity of the party we represent, and how to bill the time; * The issue that needs to be answered; * The facts of the case I think are most pertinent to the issue; * The procedural posture of the case and how the work product will be used — for a motion to compel, for a response to a motion for summary judgment, for an evaluation letter to the client, etc. * Whether I think the issue has been researched at any other time in the office, and how to find the old research; * The result I want to reach, i.e., what I'd like the answer to be, if possible.