Sentences with phrase «how little screen»

While Oscar Isaac and Benedict Wong lend able support, those expecting to see more of them may be disappointed at how little screen time they have.

Not exact matches

How can these little frogs hiding behind computer screens face the real world going around offending other people?

No matter how big the lump in your throat when you first see that positive test result, be prepared for an even bigger one when you meet your little one on screen!

And I know how much is made my grandmother's day each morning when our little boy's smiley face popped up on her screen!

So, if they feel this way about seeing your little one on your phone's screen, imagine how bothered they will be if they had to see your baby on your hip and in person.

I love doing crafts and activities with them but it's also important for kids to learn how to entertain themselves without using a screen (phone, tablet, etc.) These whimsical Lottie Dolls are a fun collection designed to empower little girls to go on adventures, imagine, explore and have fun.

«These guidelines provide recommendations for monitoring patients with chronic pain on long - term opioid therapy, such as frequent visits and urine drug screening, but provide little guidance on how to actually address concerning behaviors.»

How could a non — rocket scientist put together a revolutionary new rocket in so little time and beneath everyone else's radar screens?

Next, download a tracking app, like Moment, that can help give you a reality check about just how much of your waking life you're actually spending staring at that little screen.

I stalked a few other blogs looking for their guest posting policy, thought about how I wanted to run things on the little screen time I'd have as a new fourth - time mom, and came up with the following tips to solicit guest posts for your blog.

I love how comfortable it is and the cute little screen print.

Your blog is my absolute favorite - the format, the photos - it all creates a little corner of happiness in my day - And I can't tell you how much I appreciate not having to chase a pop - up around my screen to explore your lovely blog!

It's amazing how much time we spend on this little screen!

The real enigma isn't the glimmering, matter - warping nature of Area X, despite how intoxicating it looks on screen — it's the darkest part of the human heart, that desire to break ourselves open, even if it's just a little bit, in rebellion against our animal instincts toward self - preservation.

Though obvious from start to finish - it's little more than a Public Service Announcement - there are a few moments in this that are thought - provoking: how these starlets balance their «jobs» and personal relationships (Silguero's boyfriend is clearly bothered by her sleeping with so many other people), how they regard each other (none of them likes Belle Knox, the famous Duke student who turned to porn) and especially how they view the difference between «on - screen performing» and «real - life romance» (I found the scene of the one girl awkwardly trying to get a male waiter's number to be completely adorable).

They discuss how much or how little the on - screen film credits can reflect the work a screenwriter actually does on a project, the complicated system of arbitration, and what it's like to both rewrite someone else's work and be rewritten yourself.

Badged up, with half a cup of coffee in me and the printed press screening guide — rendered mostly useless by a dozen last - minute schedule changes — stuffed into my backpack, I head into my first screening of the day: The Lesson, a contrived, slightly smug little Bulgarian number lightened by fitful bursts of suspense and black comedy, and directed in the kind of serioso handheld style that is traditionally associated with the Dardenne brothers, because they're the only ones who know how to pull it off.

Ellie — How does a character with so little screen time make the top 10?

Audiences may get frustrated by how little anger Mildred and Richard Loving display on screen, but it all leads up to a stirring climax that hit this pundit like a hammer.

Raising her big - screen stock considerably from last year's soggy showcase in «Breathe,» the British actress doesn't softly edge around the ways in which Sawyer herself can be a jagged little pill, while the script serves ample evidence of how personal and professional relations with men have made her armor up over the years; even Foy's candid expressions of terror come with a terse, practical edge.

Sure, star Taylor Kitsch comes up short whenever he has to bring a little gravitas to the story of war and romance, but he's charismatic in the many light - hearted moments, and from Stanton's years at Pixar (where he helmed Finding Nemo and Wall - E), he's learned how to build stories and characters carefully, and to fill the screen with images that delight the eye.

The Ottman commentary is a little more fun, even if they fall into lapses of silence (more so in the early stretch), and there's a lot of discussion of the new footage and why they trimmed it, and a great bit about how they had to cancel a test screening because someone tweeted about being in the auditorium.

Kidman, fresh off an Oscar nomination for «Lion» and currently wowing TV watchers in HBO's «Big Little Lies,» stars in a whopping four projects to be screened at Cannes: Coppola's highly anticipated adaptation of «The Beguiled» and Yorgos Lanthimos» «The Killing of a Sacred Deer,» both co-starring Colin Farrell, plus John Cameron Mitchell's sci - fi rom - com «How to Talk to Girls at Parties» and a glimpse of Sundance TV's second season of Jane Campion's «Top of the Lake» starring Elisabeth Moss.

Its brilliant colors and startling characters spring from the screen and remind us how very, very tired we are of simpleminded little characters bouncing around dimly in 3 - D.

The film was screened in various international film festivals, and the first jokes that came to critics» minds were how the film could've actually used a little trim.

Meanwhile, on the big screen, he's made such movies as G - Force, Head of State, How High, The Longest Yard, Little Man, Are We There Yet, First Sunday and Jay and Silent Bob Strike Back.

I bring this up not because I'm presenting some original idea, but in looking back at Walken's early work, it's quite shocking to see how little he behaved like a human, and what made him such an arresting screen presence.

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Combat demands just a little extra attention when you need to «purify» your yo - kai in fights later in the game, but the process for dispelling that status effect boils down to being nearly identical to how Soultimate attacks are performed — complete a small minigame on the lower screen.

Exclusive to the Blu - ray are a horrendously slow and unfunny alternate opening sequence and closing sequence, a 12 - minute behind the scenes featurette that essentially has the cast talk about how funny and great each other is and a short bit that gives a little more screen time to Beth's eccentric suitors.

She lends this film's incarnation of Reeves a life force just by standing up there on screen and demonstrating how one woman falls in love, succumbing to a combination of manly charm, little - boy - lost looks and sexual flattery.

Players can zoom in and out on the detailed cartoonish world with ease, and no matter how many enemies are on screen there's little to no noticeable slow - down.

The day after the screening, I sat down with Bill Holderman, the film's director / producer / co-writer as well as Erin Simms (co - writer / producer) to talk a little bit more about the idea behind the film and how they both got their start in the industry.

The Bad Girls of Film Noir are hanging out in a separate entry (visit them over here) but there are plenty of other releases this week, not the least of which is the Coen Bros.'s A Serious Man (Universal), a serious (and seriously funny) meditation on little themes like the meaning of life and why are we here and how can we know God's purpose, and is as funny, heartbreaking, questioning, trying, exasperating and sincerely inquisitive a portrait of the human condition as you'll find on screen.

Like most modern blockbusters, Age of Ultron runs a little long, but fortunately there's not too much padding and its new characters grab shares of screen time in direct proportion to how entertaining they are.

«So, we started to think a little about how we could use those digital screens that attract children in a way that it was not all about playing, but as a series of content that entertained them and at the same time educated them.

«Our children grow up surrounded by technology, but too many have little idea how it all works - their knowledge is only screen - deep.

In chapter after chapter, the author, a professor of English at Emory University, rails at how little they know, how little they read, and how their fascination with screens (television and computer) fails to produce learning.

It will be screened at The Little Theatre on November 30, and it explores how different cities have privatized their schools, and the impact that move had on their public schools.

I like the way the system is organized, as well as little touches like how the interface hides many of its onscreen controls until it detects your hand approaching the screen.

Locking the screen orientation through software like this is easy once you know how to do it, but from a user experience perspective it can be a little confusing to change the functionality of a hardware button after it's been established.

Okay, maybe it's a little too early to say for sure just how good the 10.1 - inch Acer Iconia Tab A500 is, but the specs — 1 GHz Tegra guts, 1 GB RAM, 16 GB storage 1280x800 LCD screen, 2MP and 5MP front and rear - facing cameras, etc. — put it up there with the elite guard of Android tablets.

Unless you understand a little bit about how the eyes respond to lit screens in different lighting situations, however, it may not make much sense to you.

While multitasking takes a little while to get used to (whenever I hand the PlayBook over to someone new to try they always have difficulty figuring out how to return to the home screen and switch between apps), once you get the hang of it, it's pretty intuitive.

Fortunately, that's where this little Kindle Fire Tip on How to Change Your Screen Timeout comes into play.

So, whilst the little reference to how this will link to you Blackberry for mail etc etc (one could see it being a decent sized screen for the Bberry?)

Admittedly, the Samsung stand at IFA was extremely well - lit (to the detriment of product photos and screen glare), so we have no way of telling how things will deteriorate in poor light, but it performed admirably in this little road test.

While it took a little longer to acquire a solid fix (about 30 seconds to a minute or two), we liked how much of the map we could see on the Infuse's screen.

QSlide lets you open up little mini apps on top of your desktop and manipulate how transparent they appear; QuickMemo lets you draw on the screen with your finger; and LG's cool new KnockOn feature lets you turn the screen on and off with a double tap of your finger.

This may seem off the pace a little compared to some tablet devices but considering how bright the screen is, it's a totally reasonable score.