Sentences with phrase «how little the movie»

I always in awe how our little movie review blog grew up into entertainment, technology and family travel resource.

It was the right decision by Hodge and Murray to focus more on the good than the bad, but in doing so, it only highlights just how little the movie has to say.

Not exact matches

I wondered how that movie was - it sounded a little, well, strange to me.

If animal products are consumed they ought best be organic, void of added hormones, free range vegetarian; if you have any doubt about how important it is to pay the little extra for organic dairy products, rent the movie «The Corporation.»

In her book, Waldman writes about how her son, up to the age of 7, gave her «movie kisses» that «last for a little longer than usual and involve a lot of twisting of the head and moaning.»

Movie stars» nurseries are displayed in magazines for all to see and you're wondering how you'll be able to afford an adorable baby's room for your little one.

Our friends over at SalsaLabs have launched a new online advocacy how - to site called Advocacy Unleashed, which sounds a little like a bad movie sequel about a vengeful community organizer but is actually a very nice collection of articles about our favorite field, digital politics.

Whenever I hear diet «experts» blather about how infrequent eating puts the body into «starvation mode,» a little movie plays in my head.

«First I'll go to yoga class and stand on my head, and then I'll have a smoothie, and then I'll meet my friend for a movie, and then...» The first step toward contentment is to notice how little you really need to be happy.

This dress reminds me a little of the gown Kate Hudson wore in the movie, «How To Lose a Guy in 10 Days.»

Imagine «Beyond the Black Rainbow» set against the pallid backdrop of «Mad Max: Fury Road» and you'll start to understand how this queasy little movie manages to keep us engaged for so much longer than it should.

While I am giving this movie a 1/10 I still highly suggest getting drunk with some friends to watch this, its funny to see how little people can understand such a widely available topic.

The biggest surprise in Shame is how distanced, passionless, and merely skin - deep the director's attention is - how little he cares about the subject of his own movie.

There's little doubt, as well, that the movie's many attempts at comedy fall hopelessly (and aggressively) flat, with Kubrick's decision to seemingly give Sellers free reign contributing heavily to Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb's atmosphere of almost aggressive triviality (ie the majority of this stuff is distressingly free of relevance or even laughs).

As a showcase for many of the finest actors working today, it proves how essential performance is, even in movies that on their surface demand little more than fitting into a latex suit and affecting a convincing grimace.

How could a movie about a little boy trying to find his song be complete without a superb soundtrack of rousing Mariachi tunes and heartfelt ballads?

Throw in Myrna Loy and you have a very fun movie with 3 actors at the top of their game.The film is about a test pilot (Gable) and his trusty mechanic (Tracy) who meet a girl (Loy) and how the strain of a test pilot's life affects them all.The film is a little long, but the action is well done.The acting is the main reason to watch this film, and if your are a fan of the big three, then you will have a good time.

The surprising part is how, once you get over the crude humor that the teen - movie genre demands, Get Over It is a nice little movie.

My favorite little thing about this movie is how the monsters somehow instinctively * know * that helicopters count for the most bonus points.

So how could a cheap little movie that is in many ways, as our Todd Ramlow pointed out, a commercial for «what happens in Vegas stays in Vegas» debauchery, become one of 2009's biggest pop cultural movements (apart from Twilight of course)?

Pompeii has moments were I see greatness in how the movie was filmed and times were it becomes a little embarrassing.

The movie doesn't so much enhance our understanding of the flying boy as it demonstrates how little thought went into crafting his back story.

There's little doubt that Stone does an impressive job of authentically establishing the movie's cut - throat world of high finance right from the outset, as the filmmaker, along with coscreenwriter Stanley Weiser, offers up a blisteringly - paced narrative that rarely pauses to explain exactly what the central character does or how all of this works.

This movie was based on Silent Hill 3, not 2, and the fact that he keeps carping on 2 reveals just how little he understands the series.

Jessica's angst isn't entirely persuasive, although the movie makes a little effort to explore her childhood and how she feels like an oddball among her more conventional family members.

The film has some issues like how I am not buying that Stone and Cooper have chemistry, it's a little clichéd that we know Brian and Tracy have feelings for each other and they try to get back together but then it's not going to happen because the husband loves her and Gilcrest still loves his watchdog Allison a dumb love triangle that just is terrible in movies.

Both have made much of how they spent time with families of the dead and with serving SEALs but, on this evidence, a little distance would have made for a better movie.

I spent years being afraid of scary movies as a child, a fractious home life left me more than a little bit emotionally frail, but it was movies like Evil Dead 2, The Return of the Living Dead, and Creepshow that showed me that no matter how many heads get lopped off, it's always easier and more fun to laugh than to cry.

It's a little iffy to think about how Segel wrote his own role, a character that is charming and has women throw themselves at him throughout the entire movie, and this knowledge gives the impression of narcissism from Segel.

Glenn Kenny on how, forty years ago, a little movie filmed on Martha's Vineyard changed everything.

Unfortunately, there's little in the way of deep contemplative thinking in this prequel X-Men movie, which looks at the how young Jimmy Logan turned into the immortal bladed - knuckle fighter he is today.

I would implore anyone who ever wrote it off as a soulless remake to dig a little deeper with a rewatch, because you might just be surprised at how great of a modern horror movie it truly is.

Much like Guardians of the Galaxy the movie hints at stories that go beyond the typical superhero status quo, and while there are plenty of little hints as to how Strange's escapades fit into the bigger story, for the most part the filmmakers do a fine job of keeping things enjoyably self - contained.

I invoke Kurosawa not out of elitism but to suggest how little Marvel's films — which are, essentially, war movies — have in the way of a vision.

I was stunned at how little there was to like about this movie.

Recently, Edgar Wright opened up a bit about why he left the Ant - Man movie, explaining that he «wanted to make a Marvel movie» but Marvel didn't want «to make an Edgar Wright Movie,» and it sounds like he's still a little frustrated with how that whole thing went movie, explaining that he «wanted to make a Marvel movie» but Marvel didn't want «to make an Edgar Wright Movie,» and it sounds like he's still a little frustrated with how that whole thing went movie» but Marvel didn't want «to make an Edgar Wright Movie,» and it sounds like he's still a little frustrated with how that whole thing went Movie,» and it sounds like he's still a little frustrated with how that whole thing went down.

And in regards to director Joe Johnston, he said that this would be a little bit of The Rocketeer, lots of October Sky, and a little bit of the ship designs that Johnston did for Star Wars, alluding to how this is the perfect movie for him to direct.

The disc is packed with extras, including some deleted scenes that add very little, a blooper reel and a featurette detailing how Wonder Woman fits in with Batman and Superman as a DC flagship character that are all fairly throwaway, but there are a few neat production featurettes that detail how director Patty Jenkins approached making what could have been a potential disaster given the negativity towards the DCEU's previous movies, and also interesting effects details about the lighting, costumes and the chosen colour palette that may not sound like much but actually prove to be quite enlightening about the whole filming process.

Tell you what, let me know what you think of the documentary and I can tell you how much / how little of this movie you will like.

Reportedly they spent $ 20 million in getting her services, which was also very risky considering the subject matter is not one that lends itself to being a blockbuster, and the fact that they are releasing it at a slow period for movies as at a time when it will probably not be in the hunt for the Academy Awards at the end of the year, there was so little going for it that it's astonishing at just how good it really is.

We do have a little to go on from how Wan has described the movie in interviews, saying: «The spirit that I'm going for is like a classic sort of swashbuckling action adventure, sort of high seas adventure story.»

What's most refreshing about Captain America is how little it resembles a standard superhero movie.

In case you missed the first five movies (and to show you how little the plot actually matters in these films), the opening credit scene summarizes them all in the span of one blaring pop song.

Adults can get a kick out of how the movie tweaks the ever - so - familiar formula, while kids can marvel at the thrilling heroes» journey and feel a little less alone in the world.

It's a little odd because the Directors Guild actually has arbitration rules meant to settle these kinds of disputes, so I'm not sure how far this goes in an actual court, but the suit was enough to get TIFF to pull London Fields from the lineup, mercifully sparing unsuspecting audiences from this garbage movie.

But Frozen River may have enough pure suspense to break that jinx, which is strange when you consider how little money is actually at stake in the movie: Hunt really manages to inflate the value of a dollar, making you feel every nickel and dime.

It's difficult to understand how a movie about fast cars, tough guys and feisty women could be so little fun to watch.

It also would help if a movie about storms knew at least a little something about how storms work.

So positive was the praise that it even changed Smith's minds on critics and how they help little movies like this get found.

On the one hand, it's a little disappointing that Tom Cruise has selected Christopher McQuarrie to helm another Mission: Impossible movie, given that one of the coolest things about this ongoing espionage series is how it's continually passed the directorial baton, allowing a different big - name filmmaker to put their own distinctive stamp on the M: I brand with each new entry.