You'll be very surprised at
how modern the film is.
Not exact matches
@Sam Just visit the Creation Museum and you'll see
how the Bible matches up with
modern, scientific docu / mentary
films like «The Flintstones».
The
film talks about
how the issue of
modern slavery was first uncovered by the Sunday Times reporter George Arbuthnott, whose investigative journalism showed the true scale of the problem in Britain today.
This process of
film deposition is common for traditional semiconductors like silicon or gallium arsenide — the basis of
modern electronics — but Cornell scientists are pushing the limits for
how thin they can go.
Six of the more
modern films were analysed to see
how contemporary movies accommodate scale and clutter.
Learn
how to make
films that you're proud of and succeed as a filmmaker in the
modern world.
For such an action - packed
modern film, it's surprising
how little blood figures into this combat epic.
Beauvois
films the women toiling in the Limousin sun for extended periods of time throughout the
film, painstakingly painting the picture in the viewers» minds of
how hard it is to actually tend to a farm 24/7 without
modern technology.
If the abundance of agriculture may be too much for some tastes, the
film subtly reveals
how farming methods grew increasingly industrialized over the years: Just as the armies of the Great War employed
modern weapons like tanks and airplanes for the first time, so the Paridiers begin to use combines and tractors to yield more crops with less labor.
Haynes also commented on
how a
modern audience views all of Carol's female relationships versus
how people within that time period in the
film would have seen it:
New York's Museum of
Modern Art has created a YouTube series, «
How To See,» that features museum curators and sometimes the artists themselves delving into the work, Monitor movie critic Peter Rainer's pick for best
film of the year, «The Florida Project,» is available on DVD and Blu - ray, and more top picks.
Like a lot of adolescent protagonists in
modern coming - of - age
films, Christine talks too often and too blithely, but Marion is a formidable sparring partner: «
How did I raise such a snob?»
For a
film often described as kickstarting the
modern superhero trend, it's amazing
how it bears little resemblance to today's output.
Instead he stands on the threshold of what
modern America is turning into and spends the
film struggling to reconcile the conception of
how he has lived (as seen through his aging, dying father) and
how that may have to be adapted or abandoned to survive.
It makes for populist dystopian SF fare, and serves well as a provocative
modern - day blockbuster
film on reality TV shows that reflects in a mild subtle way on these diabolical hard times and
how gross the public's entertainment tastes have become.
Topics will range from thematic undercurrents and visual styles (I hope to show
how the
films develop a serious, even challenging visual language that both reflects and informs current traits of the
modern blockbuster) and will also touch on more subtle or obscure details that deserve heightened focus.
● SIGNATURE MOVE, by Jennifer Reeder, finds common ground between a closeted Muslim lawyer (Fawzia Mirza) and a free - spirited Chicana bookstore owner in this heartfelt and funny
film about
how modern romance can arise from a path steeped in tradition.
Based on the true story of the
film's writers (and real - life couple), Emily V. Gordon and Kumail Nanjiani, this
modern culture clash shows
how Pakistan - born Kumail and his American girlfriend, Emily, have to overcome the expectations of his family and their 1,400 - year - old traditions.
These
films have been chosen (and ranked) based on
how many laughs we think they are likely to generate for the
modern audience.
This episode of The
Film Comment Podcast explores
how we relate to older
films in the
modern era, and examines the culture that surrounds their appreciation amidst revival runs,
film festivals, and restoration efforts.
As she struggles to find balance between finishing her
film, attending to her mother, and raising her own teenaged daughter, Margherita is aided by her brother while she is forced to learn
how to let go in this moving, often hilarious meditation on
modern life.
«There's the essence of it being a Woody Allen
film, of course, but the style and
how modern it is makes him forever interesting.
Sean Baker, director of the critically acclaimed «Tangerine,» chats with Backstage about
how shooting an entire
film on his cellphone affected his relationship with his actors, and the
modern way he cast the visually stunning
film.
As Jurassic Park has become a
modern classic over the years, one of the constant compliments paid to the
film is
how the special effects used to bring the dinosaurs to life have aged surprisingly well.
I can only imagine
how exhilarating this must be for them by imagining one of the few short - lived
modern TV shows I care about («Freaks and Geeks», «Undeclared») getting passionately resurrected as a
film with all personnel onboard.
The new
film, The Man Who Invented Christmas, is an adaption of the non-fiction biography by Les Standiford on Dickens and
how «A Christmas Carol» created the
modern day traditions of Christmas.
Considering
how bad many
modern horror
films are, it doesn't seem sufficient to simply point out that Orphan is better.
«Brooklyn» Much has been said about
how relevant the
film's immigrant storyline is to
modern day political controversies, but at its core the picture beautifully portrays the journey of a young woman into adulthood.
The
film also shows
how he has effected
modern tattooing and his phenomenal influence on pop culture.
After tracing
how the discoveries of Turing's World War II decoding machine led to the
modern computer, Cumberbatch clarified that the Morten Tyldum - directed
film «is not a period drama» but is «utterly relevant» now because of its discussion of Joan Clarke's (Keira Knightley) plight in a male - dominated workplace, as well as Turing's secret homosexual status, for which he was punished by the British government and eventually triggered his suicide.
Horror Business is a series that will profile
modern horror directors through first - hand accounts of
how they got their
films...
From classics such as
How The Grinch Stole Christmas or A Christmas Carol to
modern films like Jingle All The Way or Home -LSB-...]
In her scenes with McAvoy, Buckley displays a warmth that's unlike anything in most
modern horror
films, her Dr. Fletcher becoming the
film's heroine and a timely reminder of
how important it is to care for the wellbeing of those around us.
Klausner explained that the
film is about «connection in the
modern world —
how we're more technically linked to each other than ever before, but we're in danger of losing the magic of direct, face to face human interaction, with all of its surprises and unknowns.»
Spike Jonze's return to the feature director's chair (and first time bringing a script he wrote entirely by himself with him) after a four year break is a thoroughly layered and personal
film that is at times about the awkward nature of new relationships after a break up (and
how we cope with that crushing in - between time), and at times about
how technology shapes our
modern world, and at times about
how we demonstrate and understand love and relationships changes with both time and technology.
The
film initiates an important dialogue about the current techniques used in
modern war, and in the same vein as THE HURT LOCKER and FULL METAL JACKET, illustrates
how war is constantly being redefined according to the technologies and methods in play.
But it indicates what much
film comedy has become: a slightly sourish cocktail of bad behavior, wry observation, and commentary on
how difficult
modern life can be, especially for characters who feel entitled to a better one.
Rare is the
modern film that understands the consequences of what it depicts and
how it achieves this to the level of First Reformed.
Even when, while watching, I noticed
modern «news reporters» on television got a lot of their interviewing technique from McCarthy... I'm not sure
how Clooney got away with it — some of the footage is cleaner than the rest and it's all supposed to be on television, but it presumably would have looked better — maybe he made it part of the black and white
film agreement... you're watching Good Night, and Good Luck and it's in black and white and so you're going to accept what follows.
Is this movie a realistic look at American
modern day warfare and
how it affects our veterans or will conservatives just call this
film liberal propaganda?
Special Features In Walt's Words: «Snow White And The Seven Dwarfs» - Hear Walt himself talk about Snow White Iconography - Explore
how this
film influences pop culture, art and fashion Disney / Animation: Designing Disney's First Princess -
Modern - day Disney artists discuss the design of Snow White and
how it influenced the look of some of your favorite Disney characters The Fairest Facts Of Them All - Disney channel star Sofia Carson reveals seven intriguing facts about Snow White And Much More!
As the pages turn faster, focusing on the
hows and whys of a major crime central to the plot, this concision and velocity make the
film feel like a
modern thriller.
At the same time, the
film becomes a more pointed investigation of exploitation in the
modern society and
how basic kindness could backfire when everyone is looking to make a buck off of someone else.
THE STORY OF THE GREATEST FAN
FILM EVER MADE tracks how the film made it in front of an audience, and the filmmakers modern day struggles to complete one final elaborate and expensive seque
FILM EVER MADE tracks
how the
film made it in front of an audience, and the filmmakers modern day struggles to complete one final elaborate and expensive seque
film made it in front of an audience, and the filmmakers
modern day struggles to complete one final elaborate and expensive sequence.
In spite of its occasional distractions, the
film is entertaining, informative and at the same time very frightening when you think of
how it explains
modern - day headlines.
It doesn't help that Chris Columbus directed «Harry Potter and the Sorcerer's Stone» (2001) and «Harry Potter and the Chamber of Secrets» (2002) because it affords him the liberty of repurposing ideas and techniques he learned on those
films, rather than thinking anew about
how a
modern movie with mythological characters should look and feel.
I wanted to make a
film about the world we are living in today - about feeling disconnected in our
modern world and
how we have lost our faith in community.
What and
how much was changed is going to have to wait until we see the original cut, but whoever's idea it was to add a
modern political viewpoint on Jack Finney's novel The Body Snatchers (now adapted to
film four times) had the right idea.
In part one of our talk, Walter takes questions from other leading sound designers Ren Klyce and Gary Rydstrom about his work, talks about
how documentary
film has affected
modern cinema style, discusses his work in Apocalypse Now and The Conversation, and ends the episode with a discussion of the use of music in The Godfather and The English Patient.
Coming soon, We will feature a new 12 minutes mini documentary
film about the
modern day Gili Trawangan island, with footage above and underwater,
how to get to the Gili islands, what activities to do on the island, -LSB-...]