Sentences with phrase «how much dialogue»

This Witcher 3 gameplay video also shows how tough combat can be, and how much dialogue we can expect in the game (a lot).

Jill: It varies depending on what type of book, how much dialogue there is, whether the pacing is fast, etc..

(You can also predict the order in which they get killed off, based on how much dialogue each one has.)

(I don't know how much dialogue is taken from the novel.

just how much dialogue goes on between our gaffer and those int ones?

Not exact matches

Oddly enough, although the dialogue is rarely funny, the show is rife with background details suggesting how much potential is wasted here.

Although few formal partnerships exist in the blogging community, it's interesting to see how much constructive and informed dialogue occurs.

And how much easier such dialogue should be where there is a common understanding of so much of the gospel message.

What spoke to me through this story, is how much this pastor knew the people in his church (you and I have the same definition of church, however I'm using the word here as it applies to this group of people I feel the problem in many churches today (and why dialogue during sermons wouldn't go over well) is that the pastors do not take the time to invest in the people they are trying to teach.

But actually requiring a dialogue, question and answer, interactive discussion about a text of Scripture, which then leads to brainstorming about how everybody can go out and put it into practice in tangible ways, and then actually going out and doing it, requires too much for most people.

This is much to be regretted, not for any reasons of personal ambition, which I abjure completely, but because in the cause of postpartisanship (if not postmodernism) I believe a participant from the Culture 11 group (may it rest in peace) would add immeasurably to the depth of the dialogue going on within the administration, mixing it up with the likes of Susan Rice and Samantha Power (reminding them there was a free election in Iraq on Saturday), or with Lawrence Summers (recalling to him, since he failed so conspicuously in stimulating the women at Harvard, how one might do better with the economy).

I agree that much of the dialogue and debate surrounds how we define «vision».

There had been a number of allusions to this, but, in the earlier Dialogues, Margaret had been mainly concerned to bring out how our participation in the «passage of nature» gives us a bare sense - awareness which is much richer than that presupposed in other empiricist accounts, notably the sense data account.

In this dialogue, Beth tells us about self - care as the foundation for happiness, having a schedule as a way to avoid stress, why she doesn't believe in the idea of work - life balance, and how her routine has changed since becoming a mother, as well as her newfound love for weight training, the adaptogens and herbs she incorporates into her everyday potions, beauty, motivation, sustenance, and much more.

You may not assume that talking with your kids will work, but you'd be surprised by how much of a positive difference an open dialogue can make.

are nothing new in recent American political dialogue (I remember one of my school classmates calling Walter Mondale a Red in 1984, and Joe McCarthy was alive and well during the 2008 election), but it's astonishing how much they resonate 20 years after the fall of the Berlin Wall and the obvious triumph of capitalist economics.

Decisions on how much to charge tenants are made by registered social landlords, following dialogue between local authorities and housing associations.

It will be interesting to see how much Schneiderman's new job, which brings with it the potential to greatly increase his national profile, affects the dialogue at the top level of state politics in New York.

While the Governor's promise of dialogue on tolls in 2015 is a positive sign, I remain disappointed that Rockland County residents have been offered little information to date on exactly how much Tappan Zee tolls will actually rise.

They've never named it, never caught it, never really understood how much that inner dialogue is running their life.

Your attitude, your beliefs, your internal dialogue, and your goals all impact how much weight you lose, whether you maintain your new weight, and your perception of the weight loss experience.

The most popular dialogue that middle - aged guys engage in is about going «high - rep», how we no longer try to lift as much as possible and how we now lift to stay in shape.

Perhaps you've had some sessions with an Inner Bonding facilitator and felt how much easier it seemed to stay with your strong emotions and stay in the dialogue process, but it's just not the same when you are alone.

While Tarantino's dialogue borders on the verbose at times, Di Caprio dispenses his words with an instinctive sense of just how much weight he needs to give to each one to get the most out of them.

I love how much is said in this film with almost no dialogue.

She knows how to let body language say as much as the dialogue, and how to capture all the tiny nuances of real emotions.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

The dialogue and sparks seemed to flow so effortlessly I often wonder how much of it was improvised between them or if they stuck pretty closely to the script.

But upon further reflection, I'm not sure how much of that reaction was due to the fact that I could still recite almost all of the film in my head (much of the dialogue is the same), that I will always love its songs (except for the new ones, which added nothing), and that Condon knows his way around a lavish musical.

(remix) music video by Danger Mouse and Jemini; deleted scenes and alternative takes, five in total, including an alternative ending (9 min) with a less subtle conversation between Richard and Mark, but a haunting final image of Richard with Anthony; images from Anjan Sarkars graphic novel animation matched to actual dialogue from the films soundtrack (the scene where Herbie first sees the elephant); In Shanes Shoes (24 min) documentary featuring the premiere at the 2004 Edinburgh Film Festival, interviews with Shane Meadows about run - ins with violent gangs in his youth, and on - location clowning; Northern Soul (26 min) also made by Meadows in 2004, and starring Toby Kebbell as an aspiring wrestler with no actual wrestling experience or talent - this comic short is as amateurish as its protagonist, and serves only to show how much better Dead Mans Shoes is.

I like how Cronenberg pays so much attention to detail here, and there are always great characterisations and powerful dialogue sequences in his films.

Rating: 4/10 — somehow grabbing an extra point just by virtue of how barmy it all is, Once Upon a Time in Venice is a low - brow crime caper that contains way too much bad acting, way too much bad dialogue, and way too much bad everything else; but somehow it's a movie you can laugh with instead of at, and it's a movie that has to be seen to be believed... on so many levels.

I liked the discussion of how a certain actor was conveying so much with his eyes that his deathbed soliloquy got whittled down to a single line of dialogue; it's these signs of cultivated wisdom that make Affleck easier to listen to than your average Park City protégé.

I also love how much of the story is told through facial expressions, relying on as little dialogue as possible.

With dialogue that deftly explores serious questions, such as how much if anything do wealthy countries owe the poor and oppressed of the world, «Black Panther» draws energy from Coogler's sense of excitement at all he's attempting.

Much of his dialogue is too on the nose, but Csokas knows how to play the part devilishly well.

He talks about how this film is a fairytale and how he loves the little girl he cast and how honest she is in her complete inability to be anything other than herself (and, damnably, how much he let her ad lib her dialogue and thus alter his film).

Too earnest to ironically indulge in the narrative's familiar pulpy beats and too uncertain about the strength of this material to play it straight, Fleischer aims for a muddled middle, jazzing up Beall's faux - hardboiled dialogue with slow - motion shootouts and shaky HD - cam pursuits that only remind us of how much better Public Enemies turned out.

Leonard Maltin mentions how some would consider these shorts as getting stale due to the lack of dialogue, but counters that claim with his own (and this reviewer's) marvels at how much can be said without words.

I was surprised at how much of the film is dialogue free.

It is stunning how terrible the dialogue is for much of the movie, and a lot of the time the plot doesn't make sense.

The Shallows shows how much can be accomplished with very little dialogue.

Thomas» breakdown feels like an attempt to illustrate a statistic, in the same way Good Kill's awkwardly offhand dialogue about how much a bombing run costs could've just as easily have been spoken directly into the camera by an expert in a suit.

Although I enjoyed the addition of series newcomers Charles Dance and Theo James as a father / son pair of vampires with conflicting ideas on how to save their race, the story is generic, the dialogue isn't much better, and the CGI is incredibly inconsistent.

It's an impressive technical achievement, and I also appreciated how much emotion is conveyed by the central characters, particularly in the (numerous) scenes that feature absolutely no dialogue.

Blank stares and expectant pauses punctuate much of the dialogue to demonstrate just how off Amanda and Lily are, and while we certainly aren't meant to view their pursuits as noble, we are encouraged to empathize with them with a capacity that the characters themselves lack.

While Spectre is peppered with terrific car chases and some brilliant hand - to - hand combat, much of its quieter moments are plagued with limp dialogue from a script that can't quite decide how to balance the bad one - liners with serious romantic intent.

There is so much to love about this movie, from the two leads playing off each other perfectly, to the exquisite filmmaking including fantastic dialogue with long - takes, to how deeply layered the screenplay is touching upon popularity, alcoholism, parenting, relationships and plenty more.

David Koepp and John Kamps» script works best when director Koepp allows the rhythms of the dialogue to dictate the pacing and when he leads Gervais into some genuinely poignant moments of revelation — regarding himself and how much he's been missing while he wastes his life.

Since every word and idea of every conversation is expressed with clarity (there is no show - off obscurity), anyone who finds it too talky is not listening; in an age when too much dialogue is monosyllabic sound bites, are we forgetting how to listen?