Sentences with phrase «how narrative ideas»

Michael White discusses a story of trauma and abuse and how narrative ideas shape how he listens to the story being told.

Not exact matches

It also indicates that the presenter knows how to represent the idea and narrative visually.

Developing a buyer (or marketing) persona is a good idea for social media marketers who are unsure of how to create a compelling brand narrative.

That doesn't mean it's wrong (or right), but putting ideas into a compelling narrative is how business writers and strategists make a living.

Growing up I learned that the biblical creation narrative is meant to be a scientific explanation for how the world came to be, that the earth is 6,000 years old, and that evolutionary theory is a bogus idea invented by godless scientists.

She carried a very complex narrative that addresses common humanity and big ideas about how and why we communicate, while also exploring space travel and even an apocalyptic world in some ways.

My point is that a close reading suggests a multiplicity of ideas and beliefs that we are priviliged to witness while it's under construction, the Jerusalem controversy being one good example.Furthermore, the fact that we're able to understand that each of the synoptics significantly differ from each other and we can observe contrast and similiarity between them and John's gospel, as well as Paul's letters suggests a process that speaks loudly of how religious narrative develops in communities that seek the meaning of the «core events».

The toolkit walks through garden planning and resource management; what, when and how ideas; student and community involvement; long - term sustainability; plus many other narratives and links to resources.

That the Conservatives are ahead in framing the election year can be seen in how often ministers seem forced to contest Tory narratives — a debt crisis, the broken society, or the (ludicrous) idea that Labour has declared «class war».

These films contain aesthetic, narrative and / or thematic parallels that can erase decades of separation and show how ideas and styles echo across cinema history.

Also, the script seems like it was put together with only the set pieces in mind, almost like the writer thought up some hilarious ideas after going to an insurance meeting, but didn't know how to tie them together with a working narrative.

The simplicity of the premise, combined with a concerted lack of explanation as to the how and why of such a strange idea for a society existing, makes it feel like the concepts are woefully underdeveloped, leading to a lack of trust in the narrative due to having to put aside the myriad of questions that inevitably develop and halfheartedly go with the flow just to see where things will lead.

The Student Editions include: • Links to instructional videos, audio, or texts • Links to practice quizzes or activities • 12 assessments that include a total of 39 multiple choice, 2 true / false, and 2 sorting questions • Definitions of key terms related to each of the standards • Examples of how students can apply the standards to their reading and deepen their understanding of what they are reading • Excerpts from several high - quality texts, including: - «Harriet: The Moses of Her People» by Sarah H. Bradford - «The Narrative of Sojourner Truth» by Olive Gilbert and Sojourner Truth - «On Women's Right to Vote» by Susan B. Anthony - «Give Me Liberty or Give Me Death» by Patrick Henry • Accompanying Teaching Notes files The Teaching Notes files include: • Additional activities and writing prompts to help your students explore the standard • Links to additional resources • Ideas to differentiate the activities for students who need extra support or to be challenged further • Answer guides with correct answers, answer choice rationales, word counts, and DOK (Depth of Knowledge) levels

Will highlight students» areas of strength and weaknesses in key reading areas including: giving / explaining meanings of words in context, retrieving and recording information / identifying key details from fiction and non-fiction, summarising main ideas from one or more paragraphs, making inferences from the text / explaining and justifying inferences with evidence from the text, identifying / explaining how information / narrative content is related and contributes to meaning as a whole, and identifying / explaining how meaning is enhanced through choice of words and phrases.

You will experience how you can help children develop early language and literacy skills, such as expressing thoughts, ideas and opinions, having conversations with others, understanding narrative structure and elements and much more.

Included are three lessons and activities with examples to teach students how to gather ideas for personal narrative writing when they can't think

I could see that most narrative was an equation that balance, a zero - sum game, and that tragedy was special because you got more out of the equation that you put in, but I had no idea how to write like that.

Each one is achingly evocative and haunting, and though all the stories stand alone, main characters in one sometimes appear in the background of another; the idea being that no matter how solitary our lives may seem at times, we are a part of others» narratives as well - past, present, and future.

While the idea of creating art to represent How We Express Ourselves is not a new one, especially to those who teach in PYP schools, what is interesting about this exhibition of work is the personal narrative that accompanies each mask.

Drummond combines charming ink - and - wash illustrations with a succinct, smoothly flowing narrative that describes how Samsø transformed itself: «Some people had big ideas.

I would like to say I approached the research and writing of The Incarnations in an orderly and systematic manner, but the truth is that I pretty much began researching all of the narratives at once, with only a hazy idea of how they would be structured into a novel.

Alasdair had some interesting ideas about how to use animation in a way that served the narrative and using html to construct the layout of the comic so it would adjust dynamically to the dimensions of the screen.

I loved the idea of discovering something magical and was equally fascinated by Nesbit's narrative asides, most memorably this explanation of how Anthea is able to wake up early in the morning in the days before alarm clocks (I tried it as a kid — and it worked):

Truth be told the quality of both the writing and main narrative thread is all over the place, bouncing madly from genuinely beautifully written moments with emotional impact and outstanding twists sure to leave you with your jaw on the floor to scenes with clumsy dialogue and ideas that just didn't work out as well as I would have liked, though exactly how much of this inconsistency can be put down to translation issues is hard to judge.

It is this idea of how much control player has over the flow of the game and, to an extent, its narrative.

Bringing in screenwriter Stephen Gaghan of Traffic and Syriana fame was in hindsight a big mistake because he either had no idea how to write a videogame narrative or didn't think a game deserved his best effort.

At one end of the video game narrative spectrum, there are the games that have an idea of how they should play and elements are deducted from the story in order to facilitate the gameplay elements.

In so doing, Melee's work suggests an underground or alternative narrative of how and why visual ideas develop; because Melee's language draws in such a large part from the private realm of domestic environments, his work elicits emotional responses that are both uncannily familiar and disarmingly strange.

«Slight Writing: Photography and the Legible World» explores how photography can be used as a tool of persuasion - a way to transmit not just the subject matter, but the ideas and narratives behind the subject.

This idea of casting a narrative shadow over the work extends to other elements of the show, including a newspaper that strings together loose visual associations relating to the sculpture, as well as materials instructing docents, preparators, and even interns on how to present the work to the museum public.

In the broadest sense their practice is concerned with the human condition and how it is mediated through the structures, narratives and technologies that govern lived experience, knowing that what constitutes this experience is shifting along with ideas about sovereignty, gender, matter and even sentience itself.

With this in mind, the four ideas I explore with this essay and the selection of work are: (1) narrative and iconographic themes, (2) spatial changes, (3) palette shifts, and (4) how the language and quality of shape change in relation to the experiences of hopelessness and then hope.

This selection of drawings and prints traces a range of subjects, including: «Ideas Generation», where artists use the immediacy of drawing as a means to prepare and refine a concept; «Systems, Architectonics and Abstraction», in which predetermined rules, structures and methods govern the form of the image; «Expressions of Anatomy», where intimate portrayals of the figure assume a central position; «Graphic Narratives / Surreal Legacies», featuring imagery from the fantastically bizarre to the comically illustrative; and «Historia», which examines how drawing has been used to question the role of photography in the mediation and construction of historical memory.

One of the points Maajid made was how movements require four elements in order to be viable: Ideas, narratives, symbols and leaders.

«This work, as with many others draws upon the artists» fascination with speed, clarity and vividness of language and how it can communicate narrative, image and ideas».

The exhibition of the same name at CCA is not a direct response to the narrative of this story, but, instead, stages a number of artworks that explore similar ideas of how our perceptual and physical behaviours are transfigured by objects, images, and new technologies.

Yet the critical debates around the work of Caro and the New Generation sculptors also levied pressure on the Greenbergian paradigm by foregrounding the experiential dimension of viewing encounters, demonstrating how critical and artistic investments in the Modernist art object became entangled with new ideas about the individual as well as perception, materiality, narrative, and experience.

Combining narrative films like «Body Double» and «A Short Film About Love» with experimental films, documentaries, and video art, the series demonstrates how the ideas of voyeurism, surveillance, and identity have been central throughout the history of cinema.

As an artist duo, how is it possible to frame an individual narrative beyond the conventional idea of the singular auteur?

This new study looks at three subjects: abstraction and drawing, how drawing came into its own when notions of art and the employment of media were radically challenged; drawing as narrative, borrowing and developing ideas on illustration, cartoon art, and the use of drawing with the moving image; and drawing as engagement, offering a visual description of our environment.

(22 December) NEW: A personal narrative of my research career, showing how my ideas about climate change have evolved since I was an undergraduate student (1978 - 1981) and placing my publications into this historical account.

Law firms, however, only want to see narrative text in cover letters, since this gives them a better idea of how well their job candidate can communicate in writing.

This rare 1991 interview clip captures Stephen Madigan interviewing Michael White about Gregory Bateson, Michel Foucault, the issue of power / knowlege and - how these ideas influence narrative therapy practice.

This quick, 5 - minute video can give you an idea of how some of the techniques of narrative therapy can be applied in real counseling sessions, specifically with children and families.

David Epston describes how the narrative therapy practice he and Michael White first created set out to be «dissentient» of ideas and practices supporting of internal state psychology and expert knowledge.

This key 2005 Michael White lecture outlines Jerome Bruner's ideas on the narrative metaphor and — shows how narrative therapy developed the structure of questions (through Bruner's ideas on the landscapes of action and identity)

This rare 1991 interview clip captures Stephen Madigan interviewing Michael White about Gregory Bateson, Michel Foucault, the issue of power / knowlege and — how these ideas influence narrative therapy practice.

Stephen Madigan highlights a few primary narrative therapy ideas including how narrative therapy theory hinges on the idea that conventional ideas of the self as a separate, singular, coherent and readable entity is a normative psychological construct — but it is not an established scientific truth.

We hope the guide helps you to negotiate the meaning of his ideas and how they relate to narrative therapy practice.

Ann Cattanach explains how children's stories and narratives, whether they are about real or imagined events, can be interpreted as indicators of their experiences, their ideas, and a dimension of who they are.