However, no matter
how odd the film gets, Mikkelsen keeps it grounded, making this film one to see for anyone who just wants to watch the actor be awesome.
Not exact matches
On the other hand, I really enjoyed seeing the
odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do in the
film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn
how to swim.
The picture transfer is fine but given
how new the
film is, the
odd frame suffers from a print that looks a little dirty at times.
Wanda lost her accent, Vision was actually Paul Bettany for a minute, Peter Dinklage had an
odd cameo; there were a few strange choices that might have kept this
film from being perfection, but you have to imagine
how incredibly difficult an undertaking melting all of these storylines together must have been.
We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated
film to vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans;
how Wilson has dealt with a steady diet of bad
films for the last 38 years; the
odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.
In one of the
film's
odder scenes, she tells Max, rhapsodically,
how Charlie almost beat the number - one boxing contender («He was beautiful,» she says).
Although the movie becomes too
odd and open - ended in its final moments, it's hard to resist just
how engrossing this
film is.
And that's all I'll say of the plot, as one of the principle pleasures of the series is seeing
how creator Noah Hawley (Bones, The Unusuals) has taken the
odd tropes of the Coens»
film and reassembled them in surprising ways and satisfying ways.
The great video label Milestone has produced a great DVD set built around the half - hour documentary, adding as many surviving
films (a few even restored) as possible to show just what happened,
how this led to major production in Hollywood and
how the truth is disappearing as the town seems to want to forget for some
odd reason (speculation would require a new documentary) and we even see one of the final studios before it itself disappears.
For a
film that covers 20 years so hastily, it's
odd how enervated One Day is.
Not to say these lessons can't or shouldn't be learned individually, but it's more than a little
odd for a
film to argue that it takes a village to cure the crazies given
how exceedingly difficult it is to locate many organic relationships therein.
Things are gonna happen in the
film where, as I said before, that I feel a sense of
how these two — they're quite an
odd couple, really.
Mathieu Amalric, Jodie Foster, James Franco and Guillaume Canet are among the actors - turned - directors who've had
films featured at the festival in recent years, and it could be that their ranks are joined this time around by Ryan Gosling — the star, who featured at the festival in «Drive» and «Only God Forgives,» has stepped behind the camera for
odd fable «
How To Catch A Monster,» and it could well be a dark horse to feature somewhere in the lineup.
How I Live Now is a jumble of interesting elements that don't come together, resulting in a sporadically interesting, but mostly
odd film.
In an
odd way, because there are a lot of moving parts here — and, for one example, Rachel's room wouldn't look out of place in a Wes Anderson
film — the most surprising thing about the
film is
how unfussy and (at least emotionally) uncluttered it is.
All of these things contribute to the
film's greatness, and the
film's own lack of pretension only amplifies this fact, in an
odd recapitulation of
how the use of sound amplifies emotion throughout the
film.
The reason I am still doubtful about
how much you will like it, is because it is such an
odd film that I wouldn't be surprised if a lot of people left the cinema not caring for it much.
It's an
odd in - the - middle
film and I still can't be completely sure
how the Academy has responded.
The debate as to whether portraying horrific acts, specifically torture, is classed as endorsing it has somehow taken wind and become the lead talking point (especially
odd since surely nobody would suggest Argo endorses military coups, or that Django Unchained endorses violent revenge, no matter
how racist the person may be), and it has distracted many from discussing the
film on any other level.
Indeed, in comparison to
films and books it seems
odd how videogame «heroes» so often translate into «person who kills a lot of other people.»
For those who don't have time to watch the video, here's more on Sarno, and on
how Obert, then a magazine writer, heard about this
odd character and decided to seek him out — with the resulting encounter triggering his decision to shoot the
film (his first):