Sentences with phrase «how odd the film»

However, no matter how odd the film gets, Mikkelsen keeps it grounded, making this film one to see for anyone who just wants to watch the actor be awesome.

Not exact matches

On the other hand, I really enjoyed seeing the odd, feral - looking beauty Mireille Enos (of TV's «The Killing») as Pitt's on - screen wife; I wish she had more to do in the film than hunker onboard an aircraft carrier with their kids, hoping the zombies won't learn how to swim.
The picture transfer is fine but given how new the film is, the odd frame suffers from a print that looks a little dirty at times.
Wanda lost her accent, Vision was actually Paul Bettany for a minute, Peter Dinklage had an odd cameo; there were a few strange choices that might have kept this film from being perfection, but you have to imagine how incredibly difficult an undertaking melting all of these storylines together must have been.
We started with one of this year's Razzie firsts, THE EMOJI MOVIE being the first animated film to vie for the worst picture award before moving on to the industry's love - hate relationship with Rotten Tomatoes; Adam Sandler's opinion of his fans; how Wilson has dealt with a steady diet of bad films for the last 38 years; the odd timing of FIFTY SHADES FREED's release; and who the Razzies consider to be fair game.
In one of the film's odder scenes, she tells Max, rhapsodically, how Charlie almost beat the number - one boxing contender («He was beautiful,» she says).
Although the movie becomes too odd and open - ended in its final moments, it's hard to resist just how engrossing this film is.
And that's all I'll say of the plot, as one of the principle pleasures of the series is seeing how creator Noah Hawley (Bones, The Unusuals) has taken the odd tropes of the Coens» film and reassembled them in surprising ways and satisfying ways.
The great video label Milestone has produced a great DVD set built around the half - hour documentary, adding as many surviving films (a few even restored) as possible to show just what happened, how this led to major production in Hollywood and how the truth is disappearing as the town seems to want to forget for some odd reason (speculation would require a new documentary) and we even see one of the final studios before it itself disappears.
For a film that covers 20 years so hastily, it's odd how enervated One Day is.
Not to say these lessons can't or shouldn't be learned individually, but it's more than a little odd for a film to argue that it takes a village to cure the crazies given how exceedingly difficult it is to locate many organic relationships therein.
Things are gonna happen in the film where, as I said before, that I feel a sense of how these two — they're quite an odd couple, really.
Mathieu Amalric, Jodie Foster, James Franco and Guillaume Canet are among the actors - turned - directors who've had films featured at the festival in recent years, and it could be that their ranks are joined this time around by Ryan Gosling — the star, who featured at the festival in «Drive» and «Only God Forgives,» has stepped behind the camera for odd fable «How To Catch A Monster,» and it could well be a dark horse to feature somewhere in the lineup.
How I Live Now is a jumble of interesting elements that don't come together, resulting in a sporadically interesting, but mostly odd film.
In an odd way, because there are a lot of moving parts here — and, for one example, Rachel's room wouldn't look out of place in a Wes Anderson film — the most surprising thing about the film is how unfussy and (at least emotionally) uncluttered it is.
All of these things contribute to the film's greatness, and the film's own lack of pretension only amplifies this fact, in an odd recapitulation of how the use of sound amplifies emotion throughout the film.
The reason I am still doubtful about how much you will like it, is because it is such an odd film that I wouldn't be surprised if a lot of people left the cinema not caring for it much.
It's an odd in - the - middle film and I still can't be completely sure how the Academy has responded.
The debate as to whether portraying horrific acts, specifically torture, is classed as endorsing it has somehow taken wind and become the lead talking point (especially odd since surely nobody would suggest Argo endorses military coups, or that Django Unchained endorses violent revenge, no matter how racist the person may be), and it has distracted many from discussing the film on any other level.
Indeed, in comparison to films and books it seems odd how videogame «heroes» so often translate into «person who kills a lot of other people.»
For those who don't have time to watch the video, here's more on Sarno, and on how Obert, then a magazine writer, heard about this odd character and decided to seek him out — with the resulting encounter triggering his decision to shoot the film (his first):
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