Sentences with phrase «how old these movies»

They are public domain, that's how old these movies are.

Not exact matches

«Here is a company that has the best movies about how we've got to help one another and how racism is wrong and how we've got to take care of our toys,» said Glynndana Shevlin, a 58 - year - old who's worked for almost 30 years at Disney.
Yvette Vickers, a former Playboy playmate and B - movie star, best known for her role in Attack of the 50 Foot Woman, would have been 83 last August, but nobody knows exactly how old she was when she died.
The old Steve Martin movie, «Leap of Faith,» though intended to be a bit of a spoof on modern - day healing ministries, also reveals how some false teachers are simply in the ministry for the money and the fame.
Most of these folks will keep on watching the same old movie, (over and over again) and half way through they will still be wondering how it will end!?
Ever notice how famous actors (when you watch old movies or TV shows) were the extras or minor supporting roles in the cast?
My first movie in the cinema was «Aladin» and it was so exciting to wat h it on the big screen, I love the animations, the old drawings and how much effort was put into a single movie.
I also love how the Burberry gloss adds a nice extra glossy pink - a subtler version of Elle Woods - and while the movie might be old, glossy lips will never be.
Now you show everyone how much you love this hilarious holiday movie classic by sporting our Christmas Vacation Fun Old - Fashioned Family sweater that features the Griswold Family station wagon driving across the front surrounded by holiday glee and cheer.
Local news — Children experience those moments by watching the way their parents interact, how they share time through family game nights or movie nights... control,» Strickland said of older teens.
Hello im terrisita please feel free to call me terri im a 42 year old mom I would consider my personality to ve kind of open.I would say I have no problems Exspressing how I feel.Im drug and disease free I love doing all sorts of activities from indoor to outdoors shopping, movies, dining out or a...
Hi how are you today, I am an older man I like going to movies.
I am 34 years old, I am a data entry clerk, I am pretty quiet until you get to know me, I love going to concerts, country music is my love, I also enjoy going to movies, going to parks, working out, I know how to treat a man and now I am looking for the man that deserves me..
Hi I'm 44 yrs old looking for a woman with charm and respect hopefully she likes what I like which is eating right working out likes to watch sports must know how to cook and must be clean who likes to walk on the beach, travel, going to the movies or staying home cuddling together and no drama life...
Older Women Dating Younger Men Relationships Movies, How To.
HI, im shon 43 yers old Looking for nice girl to be with me Good, real girl, understanding, know how to cook Not only care about staff, that care about who and what i am I love movies, go to the swimming pool, just hung out with you
I do like how they've had to re-imagine some of the older movies to fit with modern times.
The Potter movies showed us their characters getting older in real time: unlike Just William or Bart Simpson, Daniel Radcliffe's Potter was going to grow up like a normal person and never before has any film — or any book — brought home to me how terribly brief childhood is.
When the 8 - year - old in the room predicts how your movie is going to end, this is not a good sign, my friends.
I didn't like the film, and felt it was very mediocre, and this is the perfect example of how a movie that uses old clichéd ideas to create a «new» thriller can turn out, it turns bad.
How can a movie that is over 70 years old be an entry on this list?
This is a serious movie with some serious things to say about how blacks were treated in the Old South but there's plenty of action to go along with the darker material.
I've had a 26 - year love affair with that film: I've seen the stage version and the Disney Hollywood Studios version in Orlando, I have the DVD, I have Belle - themed dishes (that my 18 - month - old daughter uses now, I swear)... and though I have no idea how many times I've actually watched the movie, it's enough that I know every single word by heart.
One of the weirdest things about the Pitch Perfect movies is how many characters are shown to be in their senior year in one film, who nonetheless return to perform in a college a cappella group a year later (and looking a year older).
It helps to have surprising nominations turn up to show how much the SAG loves a movie — Diane Kruger getting in for Inglourious Basterds, Tommy Lee Jones for No Country for Old Men, Joe Fiennes for Shakespeare in Love, Don Cheadle for Crash, and Dev Patel for Slumdog Millionaire.
No matter how they sliced their claims that movies are different from books, which the novelist especially attempted to put forward, Brooklyn is a blatant throwback to bad old Hollywood and its incessant glorification of «the girl» at the expense of the real women in the audience whose real world experiences of problems barred them from the easy bliss of the heroine.
It just goes to prove Roger Ebert's old saying — and one of my favorite quotes about film criticism — «It's not what the movie is about, it's how it's about it.»
How a filmmaker behind soul - searching movies exploring one's sense of self through their 20s and 30s, respectively, decided to make a broad comedy about kooky 70 - year - olds robbing their neighborhood bank as his third picture is truly anyone's guess.
Between its single - word title to how that word is rendered in an inappropriate Old English Gothic font on the poster, it makes fantasy - inflected, bodice - ripping promises the movie itself doesn't even try to -LSB-...]
It's the kind of old - fashioned yet multi-layered movie that Hollywood filmmakers seemed to have forgotten how to make in 1991, when well - written, carefully structured screenplays often appeared to have gone the way of manageable budgets.
with great sequences, including movies within the movie (these are more introductory sequences for our cast), a smart banter between different religious figures on how Jesus should be portrayed, and some beautiful imagery (the film is shot by Roger Deakins of «Skyfall» and «No Country for Old Men»).
The movie is the directing debut of Leigh Whannell, who wrote the previous two «Insidious» films (as well as «Saw»), so he knows how to deliver shocks - even if most of them are the same old «jump scares» of just having something suddenly appear in the frame.
Consider this a big old spoiler warning: click away now if you don't want to know how this movie ends.
Maybe George and his be-linered eyes are too distracting, maybe I'm not a 10 year old child, or maybe this movie gives us an over-complicated idea of what the future looks like and how to get there, but all I know is that I came away with a headache.
More than once, we get to see that old movie trope where anyone, no matter how big, will immediately pass out if you sneak up behind him and smash a vase over their head.
It opens on a mock - instructional film on «How to Take a Bath,» shifts to a submarine trapped at the bottom of the sea where a lumberjack (Roy Dupuis) inexplicably appears, shifts to his story of a feral forest adventure and a damsel in distress, who finds herself transported to an exotic nightclub out of an old Hollywood movie, and so on.
It's nice to know he's out there breathing new life into old action franchises especially when movies like A Good Day to Die Hard show just how tired they can become.
by Ian Pugh It's an age - old problem: how do you make a movie (or write a book, or stage a play) about the broad and ultimately philosophical subject of death?
For me, it's the former rather than the latter... but, then, I'm just slightly older than the generation who swore by those toys that were more than met the eye; not that I'm not curious to see how the animated series translates to live - action, but, frankly, I'm much more psyched to find out if the writers of «The Simpsons Movie» can pull a rabbit out of their hat and come up with a flick that's better than, say, the last three or four seasons of the show.
- Rooted in Reality - Filmmakers and cast reveal how they broke away from old tropes and traditions to create a dynamic and realistic 21st century monster movie.
You'd be forgiven for not remembering (or, depending on how old you are, even knowing) that «Spotlight» wasn't the first newspaper movie starring Michael Keaton.
Drew's Review: In case you were wondering, yes - I decided that immediately after a «2009 in Review» article all about how I never go to the movies anymore and have reconnected with older cult films, my first review of 2010 would be of a movie currently in theaters.
There are two possible effects that come from lifting the title of a respected movie classic: on the one hand, it can be perceived as an audacious, assuring wink to savvy viewers that you're aware, as a filmmaker, of your movie's debt to hallowed classics of the medium; on the other hand, it can serve to accentuate how much more desirable revisiting older, better films would be, than to sit through a pretty bad new one.
The Dolby Surround soundmix is sharp and workmanlike — like the movie that it decorates, nothing remarkable, nothing jarring — while a feature - length commentary provided by Hackford and screenwriter Thomas Rickman is difficult to sit through, not for the fact of any dead spots (there aren't any), but for the way that Hackford likes to talk about how race was an issue in the Old South as though everyone else is an idiot.
For a movie whose villain is a blind old man, Don't Breathe sure knows how to stack the odds against its hapless heroes; every passing minute seems to bring an insurmountable new obstacle.
That was also how old Chalamet was when he was cast in his first big studio movie, «Interstellar.»
I wan na watch this now, im pree immature, but how old are you meant to be to see this movie, i think im old enough but imma not sure
Lam's «On Fire» movies are classics of Hong Kong cinema and hugely influential around the world and while Lam, like may old guard directors, seems to be struggling a bit with how to best employ modern technology and techniques his signature style is still on full display here.
But the sum total is a clutter of nostalgia (how about those old movie theaters with the opera - house architecture?)
How was a movie about a precocious, 11 - year - old who's helping to raise his little brother and his immature mom also a film about the mom trying to assassinate their next - door neighbor because he's molesting his stepdaughter?
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