Sentences with phrase «how paintings and drawings»

His general avoidance of this activity points to his attention to how paintings and drawings speak to the sense of touch through the eye.

Thanks for being the best Mum, You taught me how to thread a needle, how paint and draw, how to sew in straight lines and how to make brooches out of old wooden curtain poles, you encouraged me to go to art school, fashion college and then St.Martins.

She can also draw on calligraphy to move between color and works on paper in black and white, as if taking stock of her own strengths — and as a reminder of how painting and drawing can still feed one another.

Not exact matches

It's about how you see things, your approach to life, and the creativity of your mind — it's who you are, not what you do, and she would always be an artist whether or not she ever painted or drew again.

I hadn't realised how much confidence I had lost but my life - drawing teacher was very encouraging and, little by little, I started to draw more and paint again.

From her early daycare days of finger - painting and messing around with sand, through coloring and cutting, and now up to learning how to sew and knit and make complex collages, she is drawn to create using color and materials and shapes.

Ever wondered how the old masters drew and painted so perfectly?

From rock - carved maps of Idaho's Snake River, to hand - drawn and painted Ptolemaic world maps predating the discovery of the Americas, to Landsat satellite images of the Great Wall of China, this colorfully illustrated history shows how maps for cities, subways, weather, and even «moral statistics,» such as crime and poverty have helped people navigate Earth — and conquer large parts of it too.

Explores how attitudes have changed throughout history, from early medical drawings, 19th - century paintings, anatomical models and cultural artefacts, to works by artists such as Damien Hirst, Helen Chadwick and Wim Delvoye.

It is easy to imagine how someone in prehistoric times might have placed their hand on a flat surface to apply body paint, and noticed the pattern left on the surface afterwards, leading to the making of hand stencils and then to drawing outlines.

I've personally always noticed the same effects from other types of creative activities like painting, drawing, and DIY projects but can see how coloring can be even more relaxing as there is no need to create anything from scratch and the ability to follow a pattern and template removes some of the need for active thought.

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Again, in the book, it's Peeta who has drawn Rue (using the same artistic skill that had him so amusingly camouflage himself in the first film), which affects the judges deeply so they mark him high, but none of this is alluded to in the film and so it's really not clear how or why the Rue painting is there and why it's significant.

But they've long since forgotten how to play and have come to assume that the little hexagonally patterned balls in their sacred cave paintings were just poorly drawn rabbits or possibly an extinct species of circle.

We're drawn into the lives of these characters and their immediate crises, but Shelton doesn't seem to know how to resolve the situations she's set up, as if she's painted herself into a corner with no clue what to do next.

It discusses how visual literacy encompasses all kinds of mediums — including illustrative content, drawings and paintings, moving images, maps, animations and multimodal media.

Students are made aware of how aerial perspective is used in art and then produce a drawing and a painting.

«Three year olds are eager to try and master new skills, such as how to climb up the stairs of the slide, how to propel themselves on a swing, how to paint, draw, or to build with blocks.

Then, you work with an architect to draw up the plans: where the doors and windows are placed, how big the garage will be, the type of wood that will be used for the kitchen cabinets, the specific tile chosen for the bathroom, and the color of paint for the outside of the house.

A collaborative reporting project drawing on the efforts of more than 20 news organizations and affiliated journalists paints a mixed picture of how the SIG program is playing out on the ground.

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* Sandbox style gameplay where you are free to choose your own goals * Intuitive communication of the game system * Organic art style drawing inspiration from shadow puppet animations and watercolor paintings * Serene soundtrack with ambience changing with the seasons * Relaxed experience where you can take your time and see how things progress at your own pace

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Integrating an understanding for how the hand works and studying this particular pose with the initial drawing, the rest of the job is a matter of pushing paint around until it looks right.

I have not been to art school, (couldn't afford it) but have instead learned how to paint and draw from books and videos.

How important is being able draw and paint representationally to the making of great art?

Perfecting his computer - based technique into what he calls «frictionless drawing», blue monochromatic works on display demonstrate how these abstract and vector - like gestures are meticulously transposed onto canvas using acrylic, tape, UV ink and spray paint.

This is characteristic of how Brown draws inspiration from her favourite painters and paintings, absorbing and changing images and ultimately making them her own.

The presentation considers not only how each painting conveys aspects of the subjects» identities as individuals and artists, but also how the selection and placement of sitters draws attention to the relationships and psychological connections between them.

Spanning painting, photography, graphic work, drawing, sculpture, video, documents, and the critical responses generated, the joint exhibition explores the idea that there are no clean boundaries between art, culture, and geography, and deconstructs how such notions are formed and disputed.»

So I learned how to draw and paint and slowly realized that I might have something to say in those mediums.

Kate and Clarity talk to him in his Brooklyn studio about the sociology of urban plein air painting, gentrification in New York City, and how being in therapy and drawing his «dream emotions» made him a better artist.

Through the process of close looking and considering how things work, we will deconstruct an inanimate object and reconstruct it in a new way through drawing or painting.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Marjorie Rawle examines how an exhibition at the New Orleans Museum of Art attempts to draw connections between the paintings of New Orleans - based artist Regina Scully and Edo - period Japanese landscapes.

Please visit our Alumni News for live updates on how our graduates are continuing their engagement with painting, drawing and sculpture.

At the South London Gallery, a constellation of film, photography, painting and archives show how artists were drawing on myriad forms of representation and storytelling to interrogate race, gender and sexual politics.

The Geoffrey Young Gallery is pleased to present «How Bad Do You Want It,» a large group show featuring the work of 21 artists — including local standouts Joan Griswold, Morgan Bulkeley, Walton Ford, Warner Friedman and Bart Elsbach — whose drawings, paintings, photographs and sculpture will open Friday, September 16th, 2005.

Drawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer cDrawing from the tradition of extreme craft — or the mixing of craft techniques like leather tooling, airbrushing, and stitching with art formats of sculpture, painting or drawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer cdrawing — Odom produces objects that aim to subvert gender roles and question how we stereotype queer culture.

Her work reveals a deep awareness, both intellectual and sensory, of how the body has been represented over time and across cultures — from antique and Hindu sculpture, to Renaissance drawing and painting, to the work of modern artists such as Henri Matisse, Willem de Kooning, and Pablo Picasso.

One of the things that wasn't that clear to me while at the Studio School was how perceptual painting and drawing could ultimately lead to abstraction in my own work.

Let your favorite instructors share their art techniques and show you how to paint and draw.

His immersive wall drawings and paintings often consider how text and bold statements can be used to inspire, communicate to the masses, and to bring communities of people together.

From his portraits and images of Los Angeles swimming pools, through to his drawings and photography, Yorkshire landscapes and most recent paintings — some of which have never been seen before in public — this exhibition shows how the roots of each new direction lay in the work that came before.

Needless to say, this tradition is dying — and not just because architects don't use compasses, or draw, any more (how do you represent computer - aided design software in a painting?).

Mika Tajima employs sculpture, painting, video, music, and performance, often drawing on contradictions in modernist design and architecture to consider how the performing subject (e. g., speaker, dancer, designer, factory worker, musician, filmmaker) is constructed in spaces in which material objects outline action and engagement.

JP: In the video, I had explained that I started making art by painting large works collaboratively with friends and that I had learned a lot by doing that, and I explained how I learned to make a sketch on a piece of paper of the size of a larger - scale drawing on a wall.

Joan Waltemath's paintings and drawings proceed from a deep understanding of how the body engages art — how their surfaces trigger our sense of touch; how their scale activates the edges of our peripheral sight.

Learn how to create digital drawings and paintings with the vector design, pixel - based texture, and retouching tools in Affinity Designer.

«My paintings and drawings provide a view of how these events have affected my outlook on the United States, my attitude, and my modes of self - expression as a young Black woman living in Brooklyn, New York.»