Sentences with phrase «how poets»

We help students understand how poets use lines and stanzas to build poems in distinctive ways.

With first - graders, we shift slightly to guide students in understanding how poets express feelings in poetry and appeal to the senses through language.

I show how poets have many choices about how to lay out a poem and explain that the key thing is allow time for the reader to appreciate each image.

This is a great way to help model a variety of styles of poetry reading as well as how poets hear poems in their heads.

Provides reading phase: opportunity to look in depth how poets: - Manipulate grammatical structures for deliberate effect - Use precise noun and verb choices to create atmosphere - Use High Level punctuation at the KS2 Greater Depth Standard for deliberate effect (Hyphens, dashes, commas to separate clauses and semi colon.)

In the paperback of Galileo (Cassell, # 8.99, ISBN 0 304 34462 1), James Reston recounts how poets featured the great man in odes and idylls, while aristocrats fêted him.

or even how a poet's hunt for words might arouse images at ease in sky.

and verse by verse looks at the language and structure of the poem and how the poet...

Guide students in discussing the details that converge about each figure and how the poet portrays the emotions of each person.

Talk together about how the poet approaches the topic using literary elements such as point of view, time period, and physical setting, and encourage students to refer back to the texts in their examples.

Oh, how a poet is a sap; he knew it.

That's how poet Jack Hirschman described West Coast artist Wallace Berman's photographs.

Asked about working in series, Craven comments:»... in a way for me it's like how a poet revisits a poem, and then wants to change a certain word or a comma or a fluctuation in a sentence or something but then doesn't.

And in 1955, years before these movements emerged, this is how the poet Frank O'Hara understood what Twombly was up to:

This is how the poet and art critic Bill Berkson defined the relation among the three painters in his «Introduction: The Searcher,» which was also included in the Oakland Museum of California catalogue:

Jane Freilicher is a poet's painter or at least that's how her poet friends from the 1950s have characterized her.

I was better at this once — «hearing» how the poet would have done it — but the problem with that trick is that one needs to forget one's own voice to make it work

Not exact matches

(2) How is what they do similar to and different from what poets do?

'» Then, with an unselfconscious humility, the poet witnesses to how he has received these words.

The first line suggests that a struggle might lie ahead, but in the second line we find out how delightfully easy the spiritual life is for the poet.

On National Poetry Day, poet, academic and chair of the department of apologetics at Houston Baptist University Holly Ordway explains how poetry... More

Have you noticed how people who live from the heart — a few great poets, inventors, liberators, etc — do n`t normally have a long and happy life?

But in order to add my two cents as well [Okay, okay — I know here comes the poet (ess)-RSB-, how about, «Gaining Insight into the Divide between Right and Rite»?

In his autobiography, in the midst of an explanation of how his work as a medical doctor facilitated his work as a poet, Williams said,

I did some research into how the word theopneustos was used in other Greek literature of the time, and without fail, it is used of poets and philosophers who seem to speak with a certain passion and urgency that makes people listen and obey what they are saying.

But when I saw Awakenings, Dead Poets Society and What Dreams May Come, I also saw how incredibly versatile he was.

How too do you distinguish the religious experience of Christians from that of a Romantic poet such as Wordsworth or from the mystics of other religions?

The Victorian poet Edward Fitzgerald was not convinced: if God created man, how could he find fault with his own handiwork?

I read poets, not Christian living curriculum, I read memoirs, not how - to books with fill - in - the - blanks.

«If the poet can say, «Everyone is drawn by his delight», not by necessity but by delight, not by compulsion but by sheer pleasure, then how much more must we say that a man is drawn by Christ, when he delights in truth, in blessedness, in holiness and in eternal life, all of which mean Christ?

If I understand him aright, it is one of Karl Barth's profoundest insights that there is: I say «insights» and I pause, recalling how Dr. Olive Wyon (a most experienced translator of German theology) remarked to me once in conversation that where Barth is concerned, for all the massiveness and intellectual power of his argument, one is in the end dealing with a poet rather than an exegete.

After all, in the poets love has its priests, and sometimes one hears a voice which knows how to defend it; but of faith one hears never a word.

This would be a theme for a poet who knew how to wrench the mouth open — without this condition it is at the most serviceable to a conductor of the ballet, with whom in our time the poet too often confuses himself.

Darling, she said as I returned to the underside of her breast, have you noticed how many poets talk to themselves, about themselves?

It is interesting to ask how Bob Dylan might be contrasted with Dylan Thomas, the tragic Welsh poet from whom he derived his stage persona (after leaving behind his family name, Zimmerman).

That is how there can be novelty and change, out of «the dearest freshness deep down things» (as the poet G. M. Hopkins so beautifully phrased it).

It does not mean that one lives every day simply as if it were one's last — a kind of crazy living «for the moment» rather than living «in the moment,» to use a distinction made by the dying poet Ted Rosenthal in his book and movie bearing the same title, How Could I Not Be Among You?

The poem is called Individuality, and the title is significant as it shows how philosophical the poet was in this poem.

If you have never read it (and, for that matter, even if you have), it is the tale of how an utterly talentless fin de siècle British «poet» who sells his soul to the devil in exchange for a quick journey one - hundred years into the future, to the reading room of the British Museum, where he hopes to find that his writings have at last been granted the appreciation denied them in his own time.

This is to say, so far, only that good poets can teach those concerned with intermediary theological reflection a great deal about how to form new contexts for old truths.

«The poet laureate of the Tennessee Jews» is how The New York Times recently referred to Skidmore College professor Steve Stern.

Griffiths is the editor of the Daily Mail's «Girl About Town» column, where she recently wrote about Judi Dench's love for Ed Sheeran and how the son of poet Amanda Eliasch is «taking the London social scene by storm» as a cross-dressing singer.

How could one man be genius, secular saint, pacifist, humanitarian, indifferent parent, jokester, poet, dreamer, musician, world saver, father of the bomb, loyal friend, flirt, and fraud?

In 1668 the poet John Dryden wrote how in the previous hundred years there were «more Noble Secrets in Opticks, Medicine, Anatomy, Astronomy, discover'd than in all those credulous and doting Ages from Aristotle to us».

Do you really think that poets are going to start writing things like: «How do I love thee?

Like the poet, microbes that make methane are taking chemists on a road less traveled: Of two competing ideas for how microbes make the main component of natural gas, the winning chemical reaction involves a molecule less favored by previous research, something called a methyl radical.

«The expense of spirit in a waste of shame» is how William Shakespeare described lust, but he was speaking as a poet, not a pragmatist.

RICHLAND, Wash. — Like the poet, microbes that make methane are taking chemists on a road less traveled: Of two competing ideas for how microbes make the main component of natural gas, the winning chemical reaction involves a molecule less favored by previous research, something called a methyl radical.

The complexities and wonder of how the inanimate chemicals that are our genetic code give rise to the imponderables of the human spirit should keep poets and philosophers inspired for the millenniums.

This beautiful book compiles interviews with influential women — from poets to scientists to business icons — on how they fought through adversity to enact change in their communities and the world at large.