Not exact matches
Described by Schools Week
editor, Laura McInerney, as «a cult must - have among education
professionals», the
book explores what wise leaders do, and
how they can create an environment where staff flourish.
Publishers employ
editors and artists who have particular notions (based on
professional experience with what sells and what doesn't) about
how your
book should sound and look to appeal to specific reader tastes.
I'm spending four days with a group of
professional writers here on the coast, teaching them
how to write blurbs for their covers letters to
editors and to give
editors help when a
book sells.
Just this morning I learned that a detailed review of «
How to Get Your
Book Reviewed» (written last year by Fiona Ingram) has been reprinted in the newsletter of the
Professional Editors» Group in South Africa!
Most authors recommend using a
professional editor in order to make your
book the best it can be, but the cost will depend on the level of your writing,
how long the
book is,
how much editing it needs and the
editor you choose.
That's what being a
professional writer means: you are a CEO, a small businessperson, and you need to learn not only
how to write a great
book but
how to reach out to your customers whether they're agents,
editors, reviewers, or readers.
You don't have to spend a lot of time or money on
books telling you «
how» to write (that takes practice and a
professional editor's detailed feedback to highlight your strengths and problem areas — contact Midnight Publishing to schedule an editing consultation today!).
But rather than segregating self published
books, what I would rather see is an education of the public to differentiate between the terms vanity publishing (which I think most folks agree is generally bad and awful and will never lose its stigma), self - publishing (which often connotes work that has not been properly vetted by people who know
how to judge a good product) and indie publishing, which is a term that those of us who use it are hoping will come to mean quality — work that has been vetted by independent
editors and formatted by people who give a damn about putting out a
professional product that rivals anything put out by New York.
Consider getting something like a manuscript evaluation from a
professional and experienced
book editor, which offers suggestions for the level of editing you'll need, along with
how to publish the best
book you can.
No matter
how good you might be at writing a
book, every writer needs a
professional editor.
If somebody put a gun to my head (as Jim Cramer says, I'd first tell them to take that gun away from my head, but then) I'd go for a
professional editor, and one who sits in a major publishing house seat and actually sees
how the market responds to things and then shepherds
books through the system accordingly.
But if you find that your
book is still not performing
how you want it to, you can considering working with a
professional editor who will make sure your
book is putting is making a compelling first impression.
Editor Jessi Rita Hoffman explains
how to craft
professional and compelling back - cover copy for your
book.