Sentences with phrase «how public memory»

This multi-media and immersive presentation weaves together personal history with collective memory, contributing to our understanding of how public memory has been and might continue to be framed.

Not exact matches

You know how public bettors are... they generally have the memory of a hummingbird.

Cuomo has yet to specify how the state will pay for one of the largest public works projects in recent memory and won't release a complete financial plan for the bridge.

In one of his first public addresses made at the AAAS 2015 Forum on Science & Technology Policy, he recounted a fond memory about how the first tie he ever bought was for his STPF fellowship.

«We're planning to use these results as a basis for future studies to better understand how reducing these risk factors may possibly lower the frequency of memory complaints,» said author Fernando Torres - Gil, a professor at UCLA's Luskin School of Public Affairs and associate director of UCLA's Longevity Center.

The none detail that is missing, and that would make this article complete is an estimate of how long it will be before the new memory technology will be affordable and available to the general public.

Students discussed the importance of remembrance and how memorials — often found in public spaces — create a collective memory.

One particular memory that I have is [former professor and Ed School alum] Thomas Payzant's story of how he had never been a principal before becoming the superintendent of Boston Public Schools, a position he held for 11 years.

Ultimately, this trajectory sheds light on how charter school reformers mobilize and erase local history and public memory in the service of their work.

In his latest body of work, produced during his residency at the German Ministry for Foreign Affairs, he focuses on how power can be used to influence individual and public perception, change collective memory and subsequently the official course of history.

The process of collection and the subsequent display in a gallery setting demonstrates how personal memories are subject to commodification in the age of the internet and raises questions related to the boundaries between private and public.

Comprising an immersive installation occupying the entire gallery, A fire circle for a public hearing develops Maheke's ongoing engagement with the potential of the body as an archive in order to address how history, memory and identity are formed and constituted.

Drawing from her personal memories of the effects of Alzheimer's on family members, heroic stories of public figures coping with the disease, and research conducted with neurologists and geoscientists, Biggs raises fundamental questions about how we become — and how we lose our sense of — who we are.

Domènec's work is articulated around issues such as the distance between utopias and social reality; speculation about the public dimension of architecture and the ideological precepts that determine it; socio - historical mechanisms and how they are interfered with; and about what conditions memory and oblivion.

Drawing from her personal memories of the effects of Alzheimer's on family members, heroic stories of public figures coping with the disease, and research conducted with neurologists and geoscientists, Biggs raises fundamental questions about how we become --- and how we lose our sense of --- who we are.

Featuring borrowed and commissioned works by artists from Jamaica, Queens, and beyond, the exhibition and related public programming explored how memories can be recaptured and preserved through actions, objects, and reframed tales.

His work engages the public domain, memory, and myth, and how these topics are mediated by complex social, economic, and urban landscapes.

By photographing private and public collections, artist Ángela Bonadies explores how memories are preserved, both individually and collectively.

John Barnabas Lake and George P. Perez, Sometimes Photography 808 Projects, 808 Santa Fe Drive May 12 through June 1 Opening reception: Saturday, May 12, 6 to 10 p.m. Artist - Led Gallery Tour: Wednesday, May 16, 7 p.m. Photo Show & Tell: Saturday, May 26, 11 a.m. to 2 p.m. Slide, Slide, Slide Altering Workshop: Tuesday, May 29, 7 p.m. John Lake and George Perez collaborate on an interesting upending of the photographic medium that invites public participation while delving into the human side of photography and how it orders our memories.

Organized by SFMOMA's Deena Chalabi, Dominic Willsdon, and Stella Lochman, «Public Knowledge» addresses recent shifts in the Bay Area resulting from the technology industry boom and how those changes affect cultural memory.7 The boom has led to rising socioeconomic inequality, pushing families from their traditional communities and pricing out cultural spaces.

My job skills include the ability to sort medication, how to tell them apart on sight, working with a sometimes demanding public, and a strong memory that has helped me stay on personal terms with nearly everyone who walked into my pharmacy.