Sentences with phrase «how race relations»

From how race relations affect dating to the best words to use in a first message, the blog provides an exhaustive analysis on how people are using the site to find dates.

Not exact matches

Today, staffers of all races at LendUp communicate through a «Black Lives Matter» Slack channel, which has also inspired a book club focused on race relations, and how it affects companies.

«The commission will be looking closely at this research and will be writing to police forces with the most concerning statistics to gain a better understanding of how they are meeting their obligations under the Race Relations Act.

I know Diane Abbot (who I respect as our first black female MP) and other senior feel it's racist whenever we talk about immigration — but do we honestly think closing down any discussion has led us to a good place in terms of race relations and tolerance and looking closer to home, how many senior Black or Asian people work in Labour HQ or in Team Corbyn?

Voters are roughly split in their opinion of how de Blasio is handling city race relations, with 47 percent approving and 44 percent disapproving — a split roughly within the poll's margin of error.

Half a century later, how do we view Dr. King's legacy and what is the current state of race relations -LSB-...]

This inventory then allows Duhig to assess how many people were present in the site, give a basic description of each one according to «the big four» — race, sex, age, and stature — and tell of any family relations between them.

If you lived through that time, it is incredible to contemplate how much has changed (and how much hasn't) over the years, not only in race relations but in attitudes toward women.

But that's just how good Jordan Peele's directing debut is, a thoughtful satire on race relations about a young black man who discovers things aren't what they seem when he visits his white girlfriend's family in the country.

How much better can a debut feature realistically get, and why discredit one of the greatest films ever made about race relations by attributing it to Humpty Dumpty?

Blige spoke about «the power of the human spirit,» and admitted that she «didn't realize how vain [she] was until [she] had to play a character like Florence» in «Mudbound,» a searing look at race relations in the South during World War II.

At the recent press day, Tarantino and his actors talked about the advantages of shooting in 70 mm, how a Tarantino set differs from other movie sets, how Leigh and Russell played off each other while chained at the hip for 4-1/2 months, why Russell remained in character after his character met his demise, the decision to stay close to the script, Tarantino and Jackson's take on race relations in America, why a period film affords a filmmaker the opportunity to comment on the present in ways a present day film does not, what their filmmaking adventure was like for the veteran actors who have been with Tarantino from the beginning, and why Tarantino doesn't mind dancing on the edge of political correctness.

«Given the environment right now socially, you'd think [academy voters] would be more conscious,» said Gil Robertson IV of Los Angeles» African American Film Critics Assn. «There seems to be little thought or consideration on how «Selma» in particular really does provide an opportunity for people to have some real dialogue about race relations.

You won't find much subtlety in the solid period - piece drama «Marshall,» but you will find plenty of crowd - pleasing courtroom theatrics, some wonderful performances from the main players — and yes, all sorts of reminders of how far we've come in terms of race relations since the early 1940s, and how very, very far we still have to go.

MaryAnn Johanson: Dee Rees's marvelous film is of course a terrific look at racism in the rural South in the 1940s: I particularly love how it shows how its two WWII veterans, one black and one white, are changed by their experiences of race relations in Europe and in the US Army during the war, that they discover that the way things have been in America are not automatically the way they must be, that their world could be better and fairer.

Thinking more broadly, if desegregation and integration were really such a disaster in terms of American race relations, how is one to explain the plethora of statistical and anecdotal evidence suggesting a dramatic liberalization in racial attitudes during the past four decades?

Just think about the kinds of national, state, and tribal leaders these students will become and how far our state will have progressed in race relations,» Juneau said.

100 years from now it will be interesting to see how much progress we have made when it comes to race relations.

You can read an extended Q&A on BookPage.com, in which the author tells us how she stayed passionate about a project for 18 years; why she chose to write about race relations in the South of the 1950s; and how she feels about using the «N» word in historical fiction.

Featuring portraits of subjects ranging from civil rights icon Malcolm X to staunch segregationist George Wallace, as well as powerful politicians, ordinary citizens, young idealists and elderly pacifists, the photographs question how Americans understand race relations, their own identities and the identities and civil rights of others.

Her work studies the ramifications of both the digital and corporeal realms, with a focus on how biology, particularly in relation to gender or race, is frequently politicized.

Punchbag added further complexities to questions of raced, gendered and cultural identities raised by Glenn Ligon's Skin Tight: Muhammed Ali Text (1995)[Figs.85 - 86], a punchbag and text piece which specifically sought to address «how black men have used boxing to confront issues of black American identity» and «the construction of masculinity in relation to questions of violence, the commodification of black subjects, sexuality and resistance.»

At the core of the photographs — almost all of which will be on view at Pace Gallery — is the question of how Americans understand race relations and their own identities, and, by extension, the identities and civil rights of others.

Focusing on the years from 1963 to 1984, Soul of a Nation explores how artists responded to the fundamental changes in race relations and American cultural identity during the period.

«Climb out of the trenches and show how you, in fact, deliver effective services in some of the most difficult sectors and parts of the country and in relation to some of the most intractable problems, and without regard to race gender or other.»

The report looks at what has been achieved under the five dimensions of reconciliation shown in the image above — race relations, equality and equity, institutional integrity, unity, and historical acceptance — and makes detailed recommendations on how we can progress reconciliation into the next generation.