It has the kind of cynical and darkly politically incorrect humor that is among my favorite (it made me laugh out loud the whole time) and an excellent script (which I wish I had written) that makes fun of
how ridiculous the characters are as they expose the worst in themselves.
Not exact matches
How terribly sad... we have fallen so far that we find ourselves in the
ridiculous position of propping up the oft - injured and rarely inspirational Jack Wiltshire... what's next, extending Walcott, Welbeck and Ramsey... can't you see that these players have nothing to do with winning and all to do with providing recognizable names to the plastic fans who frequent our overgrown library of a stadium... it's high time we rid this club of one of the worlds most incompetent and unsuccessful owners (look it up) and our fragile and spineless manager (much like our club) who can't bring in the best talent because he knows he can't live up to expectations that come with players of that ilk... think about it, he couldn't even handle Sanchez, who was largely a periphery
character in Barcelona
But the dumbed
character and inventory systems, coupled to the
ridiculous always - on connection and the breathtaking arrogance of the «you'll play
how we tell you to play» attitude makes playing this title a damned shame instead of a hell of a good time.
His
character is deadpan and oblivious to just
how ridiculous he is, which did create a nice contrast to Carell's over the top antics.
And any time spent thinking about
how ridiculous what they're actually talking about is, is still more entertaining than some of the antics the supporting
characters get up to, be it John Malkovich trying to kung fu a robot or a former Special Forces soldier complaining stress or all the running he was having to do, or dear God anything having to do with Sam's parents who offer nothing to the film but reminders why they shouldn't be in it.
Thor isn't the deepest or most interesting
character, but Hemsworth does his best to add credence to the
character, regardless of
how ridiculous his dialog gets.
Where Peter Berg's Patriot's Day took the action movie tack, focussing on law enforcement and an admittedly
ridiculous compound
character played by Mark Wahlberg, here the focus is very much on a single individual's own response to the events and
how they both physically and spiritually shaped him afterward.
I wanted to see
how long he could stick with his
character's
ridiculous southern accent.
While microtransactions have been a highly debated topic lately, in this instance, it doesn't seem as
ridiculous, as most Animal Crossing fans enjoy the game for
how long it takes to build special areas and manage other
characters.
Some of the questions are wonderfully
ridiculous, but others speak to
how closely fans have examined this film, and
how thoughtfully Peele constructed even the smallest details of the costumes,
character interactions, and scenes.
I got ta say, I love
how every DLC
character has their own backstory and
ridiculous reasons for entering the world of Runner2.
Even more impressive is
how the plot actually makes you care about these
characters; unlike the intro / outro clipshows most fighting games have to offer, MKX's story bothers to include things like
character development and heartfelt moments in between all the
ridiculous action.
The maddeningly - long cutscenes may have been
ridiculous and convoluted, but they were equally emotional, and for fans that grew up with Metal Gear Solid on the PS1, finally being able to revisit those
characters and seeing
how their stories ended was tremendous.
I'm not suggesting the developers kill a main Final Fantasy
character for no reason, but they should raise the stakes in the plots to help gamers feel their actions mean something, adding some realism by having real vulnerability, not invincible
characters who overcome every adversity no matter
how ridiculous.