Sentences with phrase «how small artist»

«It also stands as a model for how small artist foundations can fulfill their mission by collaborating with museums in new ways.

Not exact matches

And whether it be equity, debt or royalty - based structures — from main street small businesses, to tech startups, to film producers and artists — it's fundamentally improving how businesses and individuals raise capital.

But for smaller artists, it can be difficult to wait for reimbursement without any idea of how much they will eventually be paid.

Artistic Interns have the opportunity to witness how a small non-profit presenting theater works by taking part in all aspects of administration from artist negotiation to audience services.

What I usually do — because I've done this before on a smaller scale — is go around talking to the scholars, the intellectuals, the artists, I seek their opinion and know - how on matters.

Blu - ray adds «The Music of Coco»; «Paths to Pixar: Coco»; «Welcome to the Fiesta»; «How to Draw a Skeleton»; «A Thousand Pictures a Day» travelogue through Mexico, visiting families, artisans, cemeteries, and small villages during the Día de los Muertos holiday; «Mi Familia»; «Land of Our Ancestors» in which Pixar artists lovingly construct layer upon layer of architecture from many eras of Mexican history, bringing the Land of the Dead to life; «Fashion Through the Ages»; «The Real Guitar»; «How to Make Papel Picado»; «Un Poco Coco» montage of original animated pieces used to promote «Coco»; «Coco» trailers.

Along with Clooney and Damon the cast is packed with Hollywood A-listers, including Bill Murray, John Goodman, Bob Balaban, Hugh Bonneville («Downton Abbey»), Cate Blanchett and Jean Dujardin («The Artist»), to tell the true story of how a small group of art historians and museum directors from across the globe became soldiers and

It's amazing to see how quickly these performances come together and what some of the artists were able to do with such a small performance space.

Book Marketing for the Reluctant Fiction and Nonfiction Author http://www.venturacountywriters.com April 20 - 21, 2013 Los Angeles Times Festival of Books University of Southern California SPAWN (Small Publishers, Artists and Writers Network) Booth # 201 Sat: 10am - 6 pm Sun: 10am - 5 pm http://events.latimes.com/festivalofbooks/ April 13, 2013 Ojai Wordfest Book Fair Libbey Park Ojai, CA Patricia will represent the SPAWN booth Small Publishers, Artists and Writers Network 10am - 5 pm http://wordfestbookfair.com April 12, 2013 Ojai WordFest / Foodie Friday Ojai, California Breakfast Presentation «How to Find the Onramp to Publishing Success.»

But it was from him - with his cool, long sideburns and aviator sunglasses, his packet of unfiltered Camels, and box of watercolor paints (and artist's paycheck)- from him we learned how to create beauty where none exists, how to be generous beyond our means, how to change a small corner of the world just by making a little dinner for a few friends.

Always make sure your cover artist gives you an example of your cover as small and gray, because that's how many readers will see it on e-ink devices.

Ian Collins, an arts journalist and author, recently wrote of how a book he published through a small imprint about the artists of Southwold sold 1,300 copies in two bookshops in the Suffolk coastal town.

Logic Artists, a game studio based in Copenhagen, is an exemplary case of how a small group of students can get together to start something big.

If you're wondering how Good Shepherd will be different for indies than Devolver itself, Wilson explains to GamesIndustry.biz,» [Good Shepherd] is borrowing from Devolver's core philosophies as to how we treat and work with artists, but it is also different in that it is being carefully built to be able to scale, whereas Devolver is committed to staying smaller and laser - focused on what it is inarguably the industry's best at.»

Described as a series of «speculative projects for game art students,» Finals Fantasy has gathered together a small group of notable artists, educators, and critics to challenge and expand how game design is taught.

To celebrate the series» 30th anniversary, here's another great history video from YouTube's Gaijillionaire, which explores Phantasy Star's 8 - bit origins, how the departure of programmer Yuji Naka and artist Rieko Kodama (who were both put onto a small platform game project called Sonic the Hedgehog) resulted in a very different Phantasy Star III, and lots more besides.

As I read this article it reminded me of how we artists can be quite an emotional lot.Sometimes we have trouble being practical.I certainly have mixed emotions about this subject.On the one hand it is always great to sell a piece of art but on the other five dollars doesn't seem worth the hassle.But the point I think many may have missed is that a five dollar work of art would definately be something you only spend a small amount of time on, like a half hour or less.That's $ 10 an hour to do what you love and isn't that what we're all looking for?My husband who's a bussiness man is always making me look at it that way, in terms of an hourly wage.I know that's not very artistic thinking but it sure does make sence in this materialistic world that we live in.

This week I took on 10 artists, putting them into a small group to personally manage how they implement their Facebook ads.

But today, at what is (at least, superficially) a more permissive moment, artists are being welcomed in and afforded some impressive leeway to rework how institutions operate — if only for a limited time, and, for the most part, at smaller venues.

As the founder of FAA indicated in an interview: There are a small percentage of artists who do very well on FAA and this is directly proportionally to how much promotion and work they put into their business.

I recently attended a screening of a great little documentary called IndieKindred, which follows the lives of several artists and shows how their small group of artists supports each of them individually.

You see, by examining how the blue - chip galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps artists who are represented by smaller galleries (or themselves) could glean some wisdom - after all, the galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.

He also discussed his work with small children, the impact artists have on shaping our world, and how images have changed in the digital age.

The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves in multitudes of directions — be it through artists» books, periodicals, and publications, in performance spaces, within gallery - like venues, or in public spaces as small as alleyways and as expansive as Times Square.

AfriCOBRA emerged out of the inquisitions of a small group of black artists into the nature of how best to express the aesthetics of culture, time and place.

Cézanne and American Modernism reveals how a small group of pioneering American artists championed the reclusive French artist as he gained international prominence in the years shortly after his death.

by R.Tufnell / White Columns / 320 W 13 enter onHoratio / thru 12/20 Betty Tompkins / Rines / 55 Gansevoort / thru 12/13 Dust, Dialogue, and Uncertainty: Slow knowledge in design thinking and practice / Pratt / 144 W 14 / thru 2/7 Opening12 / 4 Franscesco Clemente thru 2/2; All - Knowing Buddha thru 4/13; Etc. / Rubin Museum / 150 W 17 Ann Lislegaard / Murray Guy / 453 W 17 / thru 12/20 Spaced Out: Migration to the Interior curated by Phong Bui / Red Bull / 220 W 18 / thru 12/14 Sean Landers / Petzel / 456 W 18 / thru 12/20 Thomas Houseago / Hauser & Wirth / 511 W 18 (second NYC location) / thru 1/17 Willie Doherty / Alexander and Bonin / 132 10th Ave. @ 18 / thru 12/6 Susan Te Kahurangi King / Edlin / 134 Tenth Ave. / thru 12/20 Willard Boepple; Helen Miranda Wilson / Bookstein / 138 Tenth Ave. @ 19 / thru12 / 20 Batik d'Afrique / Cohen / 251 W 19 / thru 12/31 Ridley Howard / Koenig & Clinton / 459 W 19 / thru 12/13 Klaus Lutz / Kitchen / 512 W 19 / thru 12/20 Hugue Caland / Lombard - Freid / 518 W 19 / thru 12/20 Wu Jian» an / Chambers / 522 W 19 / thru 12/20 Christopher Williams / Zwirner / 525 W 19 / thru 12/20 Neo Rauch / Zwirner / 533 W 19 / thru 12/20 Barbara Chase - Ribold / Rosenfeld / 100 Eleventh Ave. @ 19 / thru 1/10 Lynette Yiadom - Boakye / Shainman / 513 W 20 / thru 1/10 Opening 11/21 Stephane Calais / Zieher Smith & Horton / 516 W 20 / thru 12/20 Nicolas Guagnini / Bortolami / 520 W 20 / thru 1/10 Opening 11/20 Small is Beautiful / Flowers / 529 W 20 / thru 1/10 Opening 11/20 Dylan Stone; Diana de Solares / Bienvenu / 529 W 20 — floor 2 / thru 12/13 Dan Miller / Ricco - Maresca / 529 W 20 — floor 3 / thru 12/6 Sui Park; Shonagh Adelman / Bibro / 529 W 20 — floor 4 / thru 12/13 Owusu - Ankomah / Skoto / 529 W 20 — floor 5 / thru 1/10 Pat Passlof / Harris / 529 W 20 — floor 6 / thru 12/20 Lisa Breslow / Markel / 529 W 20 — floor 6 / thru 12/20 Opening 11/20 David Goerk / Scott / 529 W 20 / floor 7 / thru 11/29 Cathy Diamond; Dana Gordon / Zarre / 529 W 20 / floor 8 / thru 12/5 Gladys Nilsson / Greenan / 529 W 20 — floor 10 / thru 12/6 Heri Dono / Rollins / 529 W 20 — floor 10 / thru 12/20 Andy Warhol / Kern / 532 W 20 / thru 12/20 Opening 11/20 Richard Serra thru 12/20; Franz West thru 12/13 / Zwirner / 537 W 20 Gabriele Beveridge / Dee / 545 W 20 / thru 12/20 Pier 54 (featuring 27 women artists, photographs by Liz Ligon) / 120 11th Ave. @ 20 / thru 12/13 Be Here How: J.Grubin; M.Hoferer; M.Kukla; D.Levine; I.Sunshine; S.York / 308@156 / 156 Fifth Ave @ 21 / thru 1/9 Opening 11/20

Life in the big city, with its bustling crowds and towering skyscrapers, is widely recognized as a key influence, but this exhibition reveals how American artists also canvassed the country, seeking inspiration from wide - open spaces and small - town culture across the United States.

Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?

This exhibition reveals how American artists canvassed the country, seeking inspiration from wide - open spaces and small - town culture across the United States.

In such images, the artist pays homage to the smallest detail that for many would go on unnoticed, confirming how keen of an observer Hockney truly is.

Anthony Huberman will discuss how The Artist's Institute and The Wattis Institute offer models for «paying attention,» slowing down, staying small, and making long - term commitments to artists and artworks.

The more you look, the more you see, and learn about the way an artist's mind works, how it moves around a painting — front, back and sides — touching and considering every point no matter how small, and leaving little signs.

The group aims to collectively examine how small - scale New York arts institutions are perceived and evaluated by audiences, artists and funders alike; to identify the challenges of operating in today's climate and revive discussions of those obstacles and inequalities which have persisted since the rise of the alternative space.

Panelists will consider how artists and cultural organizations in the neighborhood have aligned with small businesses, and discuss ways to strengthen the foundation of how cultural vibrancy is represented in a city - wide context.

I was an abstract painter when I left Yale, and I was really aware, partially because minimalist artists had helped me articulate this, how standing in front of a painting or sculpture felt different depending on whether it's symmetrical or asymmetrical, if it towers over you, or it's smaller than your head how all of those things affect bodily feeling.

The small size of our departments and our flexible schedule allows us to give students these opportunites to visit with artists in their studio spaces and have one - on - one conversations about how to make the transition from student to full - time studio artist.

Ms. Mehretu also shows with White Cube and the smaller and edgy Carlier Gebauer gallery in Berlin, an example of how some prominent artists are unafraid to straddle.

2010 Order to see, Galerie Praz, Delavallade, Paris, France In the Company of Alice, Victoria Miro, London, Great Britain Whitney Biennial, New York / NY, USA 2009 We Are Sun - kissed and Snow - blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris Artists of Conflcting Tales: Subjectivity (Quadrilogy, Part 1), Burger Collection, Berlin, Germany Cave Painting PSM Gallery, Berlin, Germany Mrs. MacGruder, Benson Keyes Arts, Hello, curated by Michele Maccarone, Southampton / NY, USA Cave Painting: Installment # 1, Gresham's Ghost, Curated by Bob Nickas and Ajay Kurian, New York / NY, USA 2008 Pretty Ugly, Gavin Brown's Enterprise, New York / NY, USA Blasted Allegories, Kunstmuseum Luzern, Works from the Ringier Collection, Luzern, Switzerland ESTRATOS, Contemporary Art Project, Murcia, Spain Future Tense: Reshaping the Landscape, Neuberger Museum of Art, Purchase, New York / NY, USA 2007 XXS (Extra Extra Small), Sommer Contemporary Art, Tel Aviv, Israel Painting as Fact - Fact as Fiction, de Pury & Luxembourg, curated by Bob Nickas, Zurich, Switzerland The Third Mind, Palais de Toyko, curated by Ugo Rondinone, Paris, France Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland 2006 Panic Room, Deste Foundation, Athens, Greek Painting Codes, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy 2005 Lyon Biennale, Lyon Translation, Palais de Tokyo, Paris Interested Painting, Gallery 400, University of Illionois, Chicago / IL, USA Down by Law, Whitney Museum of American Art, New York / NY, USA 2004 Huts, Douglas Hyde Gallery, Dublin, Ireland 2003 Utopia Station, Venice Biennal, Venice, Italy Breathing The Water, Galerie Hauser & Wirth & Presenhuber, Zurich, Switzerland Game Over, Grimm Rosenfeld, Munich, Germany Dirty Pictures, The Approach, London, Great Britain Dreams and Conflicts, Venice, Italy, 50th Venice Biennale, Venice, Italy 20th Anniversary - Welcome home, Gavin Brown's enterprise, New York / NY, USA 2002 Five Years, Jousse Enterprise, Paris, France From the Observatory, Paula Cooper Gallery, New York / NY, USA Urgent Painting, Musee d'Art Moderne de la Ville de Paris, Paris, France 2001 Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield / CT, USA Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London, Great Britain Extended Painting, Monica de Cardenas, Milan, Italy Invisible Museum, Memphis / TN, USA Victoria Miro Gallery, London, Great Britain How is Everything?

New York - based artist Park McArthur will exhibit a series of small photographs of various thresholds and corridors, illustrating how architecture and placement can complicate and possibly bar the accessibility of a place.

Organized by the Fruitmarket Gallery, Edinburgh, this exhibition brings together 50 of the artist's small «test» pieces to examine, for the first - time, how Hesse's experimental practices and working method in the studio informed her larger sculptures.

They aim to collectively examine how small - scale New York arts organizations are perceived and evaluated by audiences, artists, and funders; identify the challenges of operating in today's climate; and revive discussions of obstacles and inequalities which have persisted since the rise of the alternative space.

Eva Hesse - Studiowork, organized by the Fruitmarket Gallery, Edinburgh, and curated by Briony Fer and Barry Rosen, brings together 50 of the artist's small «test» pieces or prototypes, to examine how experimental practices and working methods in the studio informed Hesse's larger sculptures.

The first publication to focus exclusively on Irwin's trajectory during the 1960s, this book explores how the artist moved from creating small - scale abstract paintings to temporary installations that responded to the specific circumstances of a given site.

And sometimes you can tell how interested the artist is in his or her own painting by how he or she handles the smaller moments.

This richly illustrated catalogue and its five revelatory essays show how a small, forward - thinking group of artists translated similar concepts into a variety of approaches based on their specific cultural context.

Focusing on material stored by Tomie in her studio - home, Miyada found notebooks of studies that were virtually unknown, even in the art circuit, containing small collages that reveal how the artist's pictorial experimentations began.

Joshua Nathanson How To Thrive Video projection, 1080 X 1920 pixels, 50 seconds in length and running on a loop with sound 2017 Courtesy of the Artist and Various Small Fires, Los Angeles.

Join artist Charlie Tefft and Art Alliance to learn how to transform thrown pots into animal shapes, as well as how to sculpt small clay figures.

(1:00 - 5:00 PM) Join artist Charlie Tefft and Art Alliance to learn how to transform thrown pots into animal shapes, as well as how to sculpt small clay figures.