Sentences with phrase «how small indie»

Here's how a small indie became my most anticipated game this fall.

This January I did a talk at the Central European Games Conference in Vienna about how small indie studios with tight budgets and little PR expertise can do PR on their own.

Not exact matches

About Blog iDevBlogADay was created by a small group of indie developers eager to share their know - hows with others.

Sure, it's a small, indie type film, but the action seems so over drawn and drawn out that you wonder how it would present over two or three acts.

I took into account the last two months (January 2018 and February 2018) to try and understand how Sony is building its monthly lineup and easily found out the couple for PlayStation 4 are built this way: a triple - A game and a smaller / indie / digital - only one.

HBO has continued to be good to him, with recurring roles on «How To Make It In America» and «Treme,» and after smaller parts in «Prom Night» and «The Next Three Days,» he's had more impressive parts in indie favorite «Starlet,» and stole the show as the deputy in horror sleeper «Sinister.»

* Asked how he feels about going from very small indie films to a massive, effects - driven fantasy / comedy, Green said: «Well, just like probably all of you guys like to see different kinds of movies every week — a little of this, a little of that — it's fun professionally to, like, get in the ring and design creatures and have guys in suits and puppets and just, y ’ know, bring in all this stuff... I remember when I was a kid, and if something like «Behind The Scenes of Return of The Jedi» would come on, I'd just be glued to the screen, wishing that one day I'd be able to get my hands dirty doing something like that.

Who responded (indie, trad published, hybrid, small press, etc.) and how many authors were interviewed?

[Indie = self - published or small - publisher, for the purposes of this post, because no matter how we're published, we're all... [Read more...] about Indie Book Fair 2012!

One of the problems I keep seeing with big publishing is you guys stick to current models and don't look at down the road or how something could help smaller bookstores (think a POD in an indie bookstore) or with books that aren't ordered as frequently.

The indie world is too small for negativity about how you're doing things if you're producing quality work.

Other than that, I'll go small press or indie until we see how things shake out in the industry.

Lauren Charles [00:09:12] Yes, a sell sheet, and in fact if you can walk in with something that has your title, the cover of your book, make sure that cover looks nice, make sure that it pops, and then, and I would highly recommend to anyone who's coming in, indie press, small press, anything like that, anyone who's coming into any level bookstore, you should be able to say with absolute certainty, this is how you can order my book, this is the discount I know you can get it at, and I know it's returnable, and I can even help you.

Our regional groups empower and educate indie authors and small publishers about how to succeed in publishing.

Each book customers purchase will pay Sony a small commission, similar to how Kobo cuts in indie bookstores all over the world.

So how do indie authors and small publishing companies contribute their assets and get themselves setup for this program?

The industry is notorious for its heavy investment in «this is how it's always been done» (and I say this as an indie author, an author who published with large and small presses, and someone who's worked in the industry in other areas).

You're thinking of going indie or small press, maybe, and wondering who your target reader is and how you might find him or her.

Now let's take a look at how much three independent booksellers are charging for the same e-book, via their partnership with the Google eBookstore: Alibris will sell it to you for $ 18.17, Powell's would like $ 24.81, and Joseph Fox Bookshop (a small indie in my hometown of Philadelphia) wants $ 27.95.

AuthorEarnings, a website that uses data services to determine Amazon book sales, has released a comprehensive report this week that tallies up how much indie authors, Big Five authors, small / medium press authors, and Amazon - imprint authors are currently making from Amazon.com sales.

There has been some good news from the smaller publishers, as indie publishing houses figure out how to compete.

While it is equally important to see how Big Five published authors are continually releasing their bestselling titles and earn a laudable status, several graphs signify the increasing popularity of eBooks not only published by indie authors, but for the ones done by small or medium publishers, and Amazon imprints.

The Daily $ Revenue to Authors from B&N's eBook Bestsellers chart reveals how indie - published titles account for 39 % and represent the majority group that outperforms the other groups: Small / medium publisher, uncategorized single - author publisher, Penguin Random House, Hachette, Harper Collins, Macmillan, and Simon & Schuster.

Along with that, how do you differentiate an indie versus small publisher?

But I think what Cedar was referring to is how there are some reviewers go out of their way to diss indie and small press published authors for spelling and grammar errors and never say a word about them in traditionally published works.

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I know for a fact there are small, indie publishers out there who, instead of writing off Baen's model, are figuring out how to structure their company to make that model work for them.

One of the small press publishers showed on a post yesterday how their data, based on usa today figures that include ebooks, is showing how «the indie game is about over» since legacy guys are pricing $ 1 - $ 3 over the holidays and their increasing % of ebook sales.

Question: How much does the origin of a new book by an unknown author, whether from a small press, academic press, Big Five publisher, or indie publisher, affect your choice to purchase?

And that is what this site is about — reaching out to successful Indie Authors, no matter how small, and hearing their story.

I am interested in knowing more data points about audio, how its growing and looking at indie / small / medium / big 5 publisher.

Still nitpicking here, this time WRT the market shares: Is there any way to quantify how much of the Small Medium Publisher / Single — > Indie market share can be attributed to re-classification of the publishers to Indie?

So, it's got nothing to do with us as indie publishers, and everything to do with how astronomically expensive it is for a corporation to make even one small change.

In all my dreams about getting published by a «real publisher» (before I realized how much smarter it is to go indie), I never even dared to dream as big as I've done for myself in 2013... and I also realized that what I've achieved this year is small - time compared to what's possible now with a career as an author.

Over the last six going on seven years, Smashwords introduced our free ebook printing press, Meatgrinder, which made it possible for any writer anywhere to publish an ebook in minutes; we opened distribution for the first time to major retailers and library partners that were previously inaccessible to self - published authors; we developed sophisticated yet easy - to - use publishing tools that help writers and small indie presses publish with pride and professionalism; we worked to actively educate our authors and publishers how to leverage best practices to publish with greater success; and we've been fierce (but friendly!)

About Blog iDevBlogADay was created by a small group of indie developers eager to share their know - hows with others.

Seeing as to how this is a small, indie studio, it's not going to be about being a blockbuster, it'll just be about selling enough to make a profit.

I'm always amazed at this small indie dev and how they manage to make their games look better than most bigger dev's games.

I've mentioned it before, and hopefully I'll have occasion to do so again, but it's amazing how many great Xbox Live Indie Games come from Japan given the 360's small presence in that country.

The talk also covers 5 typical pitfalls in indie games PR and 5 future trends that will shape how to do PR as a small game studio in the future.»

I've already declared a dozen times how much I love indie games, be it for their creativity, their courage of many small devs who leave their jobs to follow their dreams, or for the many possibilities big developers don't explore but they do.

This course is intended for small developers, indie developers, students, freelancers and hobbyists who would like to learn more about how to create cohesive and appealing visuals and how to make them work within production requirements and technical limitations.

to help other small studios to reach and grow their communities, and raise gamers» awareness of indie games and how to help them.

Today they recently launched a new update for their backers that features two new videos that give a great look at the development process and how each member of a small indie gaming team...

While many other titles such as The Crew and Disney Infinity found themselves in the same position at Microsoft's booth, it was interesting to see how companies allotted their physical space to accommodate what — on paper — seems like an equal interest in smaller, more interesting indie exclusives.

With all the talk about how popular Yo - kai Watch has become in Japan — it was the country's most popular game in 2015 — and all the comparisons to a small indie franchise known as...

Notable successful indie titles such as Braid and Limbo show how it is possible for small studios with limited budgets to develop compelling games.

That's not to say I hate indie titles but with so much time dedicated to smaller studio pieces it really began to highlight just how little Microsoft had in their exclusives bank for this E3.

This is a huge difference between a smaller indie title and a AAA game from Activision, especially in terms of how they treat their user base.

Indie games like Minecraft and Fez have had a huge impact in the west, but how is small - scale development faring in the home of Sega, Sony and Nintendo?