Sentences with phrase «how social objects»

Through seven short examples, he shows how social objects bring people together by giving them a reason to talk to each other.

Not exact matches

Related: How the Significant Objects Social Experiment Proved the Economic Value of Storytelling
I am a passionate Darwinian in explaining why we exist,... but if we lived our lives in a Darwinian way, that would be a very unpleasant society in which to live... One of the reasons for learning about Darwinian evolution is as an object lesson in how not to set up our values and our social lives».
The cards provide a good opportunity to study how everyday objects were used to spread political, religious and social propaganda.
There were a range of social effects as well: children were seen to be negotiating items with other children, which is quite a higher order thinking skill; they were modelling behaviour on others, so they could actually see how children were playing with some of the equipment and then being able to join in (so it was a lot more inclusive, they were able to see how some of the children used some of the equipment); and they were really working together, using teamwork skills and creating these different objects and structures and stations to play around in the school playground.
Research has shown that dogs look to their owners to determine how to react to an unfamiliar object, a phenomenon known as social referencing.
How do you turn a product into a Social Object?
And as you two share a late - night cab back to her place, you're thinking about how Saul Bellow is the Social Object here.
How does one build a useful service around social objects?
And I'll also ask my favorite question, one more time: If your product is not a «Social Object», how on earth do you manage to stay in business?
As much sense as it makes, if that's all a social object is, then how exactly do you make such a thing indespensible?
-LSB-...] was interesting about the door handle was it became a sort of social object when one individual mentioned «how much they liked the handle» it inevitably started a -LSB-...]
As y ’ all will know, I'm fond of talking about «Social Objects» and how they pertain to «Marketing 2.0».
How long before every social object has at least one «Like» in the new -LSB-...]
Rachel wrote, «if that's all a social object is, then how exactly do you make such a thing indespensible?»
If I had one big insight from the last year, is how The New Marketing has everything to do with how your product or service acts as a «Social Object».
Instead of first focusing on traffic, think about how you can create value and get my attention through social objects.
Emerging in the early 1970s, Austrian artist Franz West (1947 - 2012) created objects that serve to redefine art as a social experience, calling attention to how viewers interact with works of art and with each other.
Using a process that recalls radical forms of art that employ detritus and everyday found materials, Jones reveals the social discrimination at play in how value is assigned to different cultures and the objects that represent them.»
Her continually expanding narrative and installations generate a space for Perret to engage these different histories and explore how objects function within and influence the social systems they inhabit.
She explores how our psychological structures, belief systems, social values and rules are manifested as physical objects around us.
She explores the possibilities of performance art as a way to continue her research on the relationship between people and objects, and to further investigate the commoditization of culture, assimilation, and how cultural meaning is transformed in the multicultural urban environment and is absorbed into new social contexts.
We're adapting how we connect to one another and also constructing new roads for sharing, filtering, and ranking relevant social objects.
Using mass - produced materials, such as aluminum, chipboard, and Plexiglas, Gillick creates modular objects that he arranges in site - specific installations to explore how evidence of our social, political, and economic systems are embedded in the built environment.
In the undulation of data fluxes, Datumsoria as well implicates that the politics of the real no longer only lies in the sphere of actual bodies and social sites recognized in the form of the traumatic and abject subject as the predominant contemporary experience and object of artistic inquiry but also alludes to how grasping this new reality of bits and bytes is as ethically imperative as it is epistemologically fundamental.
In assembling an archive rather than producing art objects, Chan stresses the collaborative community - oriented process involved in the project, and shows how, in the face of social, political, and environmental collapse, there might be an antidote to the alienation of contemporary life in such collaborations.
This curated exhibition of new work by our current 3D Design students will explore how today's most pressing challenges — such as social and economic inequalities, rampant material consumption, and environmental degradation — can become subjects for critical and poetic reflection in design objects.
Cox considers connections between objects and behavior, and specifically how we depend on certain objects as a means for combating feelings of social inadequacy.
Social Objects and Homeless People So I've been thinking some more about Jyri's Five Principles of Social Objects, especially how they apply to gapingvoid:
I'm also interested how you would approach a case when the context does not favor the introduction of a new social object.
I remember thinking that creating social objects (or indeed object ideas) would be a struggle if you had an uncool mass market brand, but I reckon this interview shows how Costco managed it with a hotdog (about 2/3 of the way down the page):
This is a post that should make those in marketing sit up and talk about the changes in how they do their jobs (alas, that makes this post a «social object»).
Hinged between the poetic and the political, his juxtapositions of images and objects question how people cope with economic and social exclusion in different environments.
So many artists are in some way playing with the way in which people find value in objects and how objects give value to social relations: Rirkrit Tiravanija, Meschac Gaba, Urs Fischer, Isa Genzken, Jeremy Deller, Rosemary Trockel, David Hammons, Thomas Hirschhorn, Doris Salcedo, Jimmie Durham, Gabriel Orozco, Mark Manders, Robert Gober, Kara Walker in her last show... I think the question is, who doesn't?
Immersive installations, paintings, sculptural objects, photographs and videos by forty artists reveal how the universal language of this transnational game can define beauty, make social statements, create a sense of community and express a shared passion.
I appropriate familiar objects and social events, which are universally recognisable within specific cultural contexts (games, souvenirs), to invite audiences to take a look at the society that they live in, often revealing underlying belief systems, drawing audiences into a series of questions that ask «how do we come to know what it is that we know» — Yara El - Sherbini, 2015
This array of objects gives the exhibition an intimate quality, revealing much about how women — and men — lived their lives during a time of great social upheaval and artistic innovation
The exhibition brings together artworks, design objects, and architectural proposals to trace how computers transformed aesthetics and hierarchies, revealing how these thinking machines reshaped art making, working life, and social connections.
Learn how to think of marketing as «social objects» that talk to and through people, shifting from a world of impressions to expressions.
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