Through seven short examples, he shows
how social objects bring people together by giving them a reason to talk to each other.
Not exact matches
Related:
How the Significant
Objects Social Experiment Proved the Economic Value of Storytelling
I am a passionate Darwinian in explaining why we exist,... but if we lived our lives in a Darwinian way, that would be a very unpleasant society in which to live... One of the reasons for learning about Darwinian evolution is as an
object lesson in
how not to set up our values and our
social lives».
The cards provide a good opportunity to study
how everyday
objects were used to spread political, religious and
social propaganda.
There were a range of
social effects as well: children were seen to be negotiating items with other children, which is quite a higher order thinking skill; they were modelling behaviour on others, so they could actually see
how children were playing with some of the equipment and then being able to join in (so it was a lot more inclusive, they were able to see
how some of the children used some of the equipment); and they were really working together, using teamwork skills and creating these different
objects and structures and stations to play around in the school playground.
Research has shown that dogs look to their owners to determine
how to react to an unfamiliar
object, a phenomenon known as
social referencing.
How do you turn a product into a
Social Object?
And as you two share a late - night cab back to her place, you're thinking about
how Saul Bellow is the
Social Object here.
How does one build a useful service around
social objects?
And I'll also ask my favorite question, one more time: If your product is not a «
Social Object»,
how on earth do you manage to stay in business?
As much sense as it makes, if that's all a
social object is, then
how exactly do you make such a thing indespensible?
-LSB-...] was interesting about the door handle was it became a sort of
social object when one individual mentioned «
how much they liked the handle» it inevitably started a -LSB-...]
As y ’ all will know, I'm fond of talking about «
Social Objects» and
how they pertain to «Marketing 2.0».
How long before every
social object has at least one «Like» in the new -LSB-...]
Rachel wrote, «if that's all a
social object is, then
how exactly do you make such a thing indespensible?»
If I had one big insight from the last year, is
how The New Marketing has everything to do with
how your product or service acts as a «
Social Object».
Instead of first focusing on traffic, think about
how you can create value and get my attention through
social objects.
Emerging in the early 1970s, Austrian artist Franz West (1947 - 2012) created
objects that serve to redefine art as a
social experience, calling attention to
how viewers interact with works of art and with each other.
Using a process that recalls radical forms of art that employ detritus and everyday found materials, Jones reveals the
social discrimination at play in
how value is assigned to different cultures and the
objects that represent them.»
Her continually expanding narrative and installations generate a space for Perret to engage these different histories and explore
how objects function within and influence the
social systems they inhabit.
She explores
how our psychological structures, belief systems,
social values and rules are manifested as physical
objects around us.
She explores the possibilities of performance art as a way to continue her research on the relationship between people and
objects, and to further investigate the commoditization of culture, assimilation, and
how cultural meaning is transformed in the multicultural urban environment and is absorbed into new
social contexts.
We're adapting
how we connect to one another and also constructing new roads for sharing, filtering, and ranking relevant
social objects.
Using mass - produced materials, such as aluminum, chipboard, and Plexiglas, Gillick creates modular
objects that he arranges in site - specific installations to explore
how evidence of our
social, political, and economic systems are embedded in the built environment.
In the undulation of data fluxes, Datumsoria as well implicates that the politics of the real no longer only lies in the sphere of actual bodies and
social sites recognized in the form of the traumatic and abject subject as the predominant contemporary experience and
object of artistic inquiry but also alludes to
how grasping this new reality of bits and bytes is as ethically imperative as it is epistemologically fundamental.
In assembling an archive rather than producing art
objects, Chan stresses the collaborative community - oriented process involved in the project, and shows
how, in the face of
social, political, and environmental collapse, there might be an antidote to the alienation of contemporary life in such collaborations.
This curated exhibition of new work by our current 3D Design students will explore
how today's most pressing challenges — such as
social and economic inequalities, rampant material consumption, and environmental degradation — can become subjects for critical and poetic reflection in design
objects.
Cox considers connections between
objects and behavior, and specifically
how we depend on certain
objects as a means for combating feelings of
social inadequacy.
Social Objects and Homeless People So I've been thinking some more about Jyri's Five Principles of
Social Objects, especially
how they apply to gapingvoid:
I'm also interested
how you would approach a case when the context does not favor the introduction of a new
social object.
I remember thinking that creating
social objects (or indeed
object ideas) would be a struggle if you had an uncool mass market brand, but I reckon this interview shows
how Costco managed it with a hotdog (about 2/3 of the way down the page):
This is a post that should make those in marketing sit up and talk about the changes in
how they do their jobs (alas, that makes this post a «
social object»).
Hinged between the poetic and the political, his juxtapositions of images and
objects question
how people cope with economic and
social exclusion in different environments.
So many artists are in some way playing with the way in which people find value in
objects and
how objects give value to
social relations: Rirkrit Tiravanija, Meschac Gaba, Urs Fischer, Isa Genzken, Jeremy Deller, Rosemary Trockel, David Hammons, Thomas Hirschhorn, Doris Salcedo, Jimmie Durham, Gabriel Orozco, Mark Manders, Robert Gober, Kara Walker in her last show... I think the question is, who doesn't?
Immersive installations, paintings, sculptural
objects, photographs and videos by forty artists reveal
how the universal language of this transnational game can define beauty, make
social statements, create a sense of community and express a shared passion.
I appropriate familiar
objects and
social events, which are universally recognisable within specific cultural contexts (games, souvenirs), to invite audiences to take a look at the society that they live in, often revealing underlying belief systems, drawing audiences into a series of questions that ask «
how do we come to know what it is that we know» — Yara El - Sherbini, 2015
This array of
objects gives the exhibition an intimate quality, revealing much about
how women — and men — lived their lives during a time of great
social upheaval and artistic innovation
The exhibition brings together artworks, design
objects, and architectural proposals to trace
how computers transformed aesthetics and hierarchies, revealing
how these thinking machines reshaped art making, working life, and
social connections.
Learn
how to think of marketing as «
social objects» that talk to and through people, shifting from a world of impressions to expressions.