Sentences with phrase «however as the comedy»

These issues can be overlooked however as the comedy is still hilarious and the games are extremely addicting and fun to play.

Not exact matches

What really got Scientology's goat, however, was the November airing on Comedy Central of a South Park spoof of Scientology, called «Trapped in the Closet,» in which a kid named Stan pays $ 240 for auditing and scores off the Bridge as an O.T. IX, which makes everyone think he is the reincarnation of L. Ron Hubbard.

However, the study's findings indicate that the stereotypical «Mr. Mom,» who leaves the workaday world to become a full - time homemaker as depicted in Hollywood comedy, remains rare, and that fathers have not taken on more child - care duties to the degree that mothers have taken on added work responsibilities.

However, it was her supporting turn in the R - rated comedy Bridesmaids that brought her a taste of mass adulation as well as an Oscar nomination for Best Supporting Actress.

Gelbart was probably best known, however, as the producer and frequent writer for the long - running and highly distinguished comedy - drama M * A * S * H.

In 2005, however, she attained her highest - profile exposure to date (and gained much - deserved respect as an actress) in the Andy Tennant - directed romantic comedy Hitch.

Before it gets to that point, however, Ed tv comes off as a fairly affable comedy that benefits substantially from McConaughey's charismatic turn as the central character - with the actor's strong work heightened by an impressive roster of supporting players (including Woody Harrelson, Martin Landau, and Dennis Hopper).

However, Langella maintained a busy schedule of stage work, and in the 1990s, finally scored a breakthrough screen role in the comedy Dave as the deceitful political puppet master Bob Alexander.

In this new comedy, however, those three kids hire a drifter (Tyler Labine) to serve as their single father when their real dad is sent to prison.

Cooper would find greater and greater success with comedy, however, landing a part in 2005's Owen Wilson comedy The Wedding Crashers that exposed him to a wider audience, as well as roles in 2006's Failure to Launch, and 2008's Yes Man.

As animation, it's substandard, primitive dreck; as comedy, however, it's gloriously subversive arAs animation, it's substandard, primitive dreck; as comedy, however, it's gloriously subversive aras comedy, however, it's gloriously subversive art.

The game - show climax is as exciting and riveting as one might've expected, however, and Starter for 10 finally (and ultimately) establishes itself as a perfectly watchable (yet far - from - memorable) romantic comedy / coming - of - age story.

However, word of Green's next film, Prince Avalanche, suggested a U-turn back to his indie drama roots, albeit with hints of his «second phase» as a comedy writer / director due to its star Paul Rudd being part of the Judd Apatow stable.

There is one scene outside the apartment that feels a little out of place however, as it perhaps goes a too far into the comedy vein and temporarily upsets the balance of the film.

However, it turns out that Green is now directing the majority of the show's six episodes, while Hill is wrapping up Observe and Report (pegged by me as the darkhorse classic comedy of spring» 09).

However, those insightful moments are few and far between, squeezing out silly shenanigans and gross - out moments to qualify as a comedy, and enough shots of Jackman-esque Australian actor O'Loughllin shirtless to make such a drab and underwritten character seem like he has some appeal romantically.

However, plot isn't important, as a screwball comedy like this is all about the dialogue.

The casting that has sparked the most curiosity, however, is Tom Cruise as Stacee Jax as it is a massive sidestep from his action hero norm (although his cameo as Les Grossman in comedy «Tropic Thunder» is an indicator of his versatility).

The film does rebound for an effective and uplifting final stretch, however, which ultimately does confirm Coming to America's place as a better - than - average comedy and a worthy followup to Murphy and Landis» first collaboration, Trading Places.

However, as much as we might be able to protect ourselves, when Bay plays the film for comedy — that's when he puts the steel - toed boots on and really drives it into your groin with a wallop, and the only reason the final hour of destructive mayhem seems easier to take is that the actors play heir roles with straight - faced seriousness.

Instead, director Jason Reitman and his Juno screenwriter Diablo Cody have devised a blistering study of sadness as some people's inevitable lot, however much it comes laced with the bracing black comedy that keeps Young Adult ever biliously on the boil.

However, what he hadn't quite done is go the distance into shamefully trite family comedies for all ages, especially one so lame, so the snickers turned into guffaws at Arnold's expense, to the detriment to his once vaunted status as the world's biggest action box office attraction.

However, as a comedy, it isn't particularly funny, or really all that engaging as a story.

However, the writers use this premise as a tool to introduce its audience to several wacky characters and five episodes in, it becomes a comedy about a group of people living in a cul - de-sac, rather than cougars preying on young men.

However, if you're a fan of British absurd comedy such as Brass Eye or Look Around You, then you'll feel right at home.

However, like all Edgar, Frost and Pegg collaborations, the shackles of convention are forcefully removed as they take this ordinary and somewhat touching coming of age drama and lead it down the action / sci - fi / comedy path.

Language: English Genre: Comedy / Action MPAA rating: R Director: Edgar Wright Actors: Simon Pegg, Nick Frost, Martin Freeman Plot: The top cop in London is too good at his job, so he is sent to a quiet country village where crime is nonexistant, however, not all is as it seems.

Ruffalo, however, was nominated for best actor in a comedy for his performance as a bipolar father in «Infinitely Polar Bear.»

What follows however, isn't really effective as a comedy about middle - aged men taking stock of their lives.

Finally, however, Bullz - Eye was able to pin down a time to chat with Miller about his work in the new teen comedy, «Senior Skip Day,» while also discussing his turns in «10 Things I Hate About You,» his famous HBO «One Night Stand,» his status as a character actor, and his intake of narcotics (or lack thereof) during the «80s.

Daltry Calhoun turns out to be a pleasant surprise, however, as it's more a light - hearted drama than it is an obnoxious comedy.

However, surprisingly, there are just as many comedies lined - up between May and August that will be looking to attract audiences of all ages.

However, the key to the movies status as a comedy classic is of course, Steve Martin's go - for - broke performance as the oblivious title character, a fool of galactic proportions who greets every triumph and obstacle with misguided enthusiasm, childlike optimism and a mile - wide gormless grin.

However, THR has word that Linklater has decided to depart the project, opting to focus on That's What I'm Talking About, his long - gestating 80s - set college comedy that will act as a spiritual follow - up to the director's iconic Dazed & Confused.

However, for those too young or not as Disney crazy, it is still fine family entertainment, and it also works as a good romantic comedy date movie fit for all ages.

What begins as a somewhat promising mix between «Grumpy Old Men» and «Ocean's Eleven,» however, quickly turns into a pedestrian, paint - by - numbers comedy that wallows in its own genericness.

However, along came more enlightened times, and the classic Western gave way to comedies like Blazing Saddles (1974), as well as iconoclastic variations on the theme a la Little Big Man (1970) and Dances with Wolves (1990).

However, as much of an actors» director as Cassavetes has been known to be, there's only so much he can do for the likes of bikini bombshell Kate Upton and perpetually - smiling male model Taylor Kinney (Zero Dark Thirty), whose inability to emote like normal humans sucks all the air out of the comedy whenever they appear on screen.

However, these scenes are a healthy respite from the many laugh - out - loud moments, so it's hard to gripe too much, when there are as many genuinely clever laughs to be had in watching Borat as in any Hollywood comedy in recent memory.

However, as far as trying to be a truly good movie, this fits - and - starts comedy (please excuse the pun) comes up a little Short.

However, while the constant cameos (a notable one by Miley Cyrus as she sings «Wrecking Ball» is one of my favourite scenes) assists in the absurdity of the comedy, this along with the enlightening lessons the protagonists receive feels contrived and a little forced.

What frustrated throughout however was that the film was very clearly marketed as a comedy.

However, these laughs do come few and far - between, you'd need to be the most forgiving of comedy fans to not view Bringing Down the House as another misfire of a movie.

It is, however, more - or-less on par with Paul Blart: Mall Cop 2, a comedy which - in a bizarre piece of synergy - also co-stars Neal McDonough as a terrorist who takes over a hotel.

However, he manages to score some great physical comedy spots and has excellent chemistry with co-stars Emily Mortimer, Jean Reno and Clive Owen in a pleasant cameo as British agent 006.

Early Stateside rumblings, however, suggest that's just what might happen, as Miramax's marketing campaign goes out of its way to portray Mike Leigh's unruly, bittersweet comedy as the cutest thing since -LSB-...]

I use the term «comedy» loosely, however, as there's nothing particularly humorous about this film.

What many don't realize, however, is that «Shaun» was their sophomore effort (their first project together, the television series «Spaced,» already secured their cult status on the other side of the pond), and so while the stakes are just as high with the release of the action comedy, «Hot Fuzz,» it's foolish to bet their futures on it.

However, as an unintentional comedy it certainly has its moments and a surprisingly high number of them at that.

What's most impressive about «Abbott and Costello Meet Frankenstein,» however, is the feel of the film (aided immeasurably by Frank Skinner's score) and how successfully it straddles the comedy and horror genres of the era, offering as many chills as guffaws.