Not surprisingly, despite the critical acclaim that this drew, there wasn't
a huge audience for the film in North America, where it grossed just over $ 900 thousand from a max theater count of 127.
Not exact matches
You have to give Trevorrow a lot of credit
for taking on «Jurassic World»: This was a
film meant to attract a
huge audience that could have easily made a lot of people angry if done incorrectly.
Heder's dead - on characterization struck a chord with
audiences and the small independent
film became a
huge hit, raking in over 44 million dollars and winning the MTV Movie Award
for Best Movie.
It's definitely not a
film for everyone and I would suspect it would be a
huge turn - off
for most
audiences.
«Drive» — The Elevator Scene
For a
film filled with many memorable moments — the opening action scene, the credits, Ron Perlman's
huge frickin'teeth, the masked slasher stalking scene, Christina Hendricks meeting a shotgun, Albert Brooks getting all knifey, the hammer and the bullet — the one that seemed to have the most lasting effect on
audiences was that elevator scene.
Who Framed Roger Rabbit helped bring animation back to the masses with its
huge success paving the way
for modern animated
films such as The Little Mermaid and Aladdin to be accepted by adult
audiences as much as they are by children, just as Walt Disney intended
for his animated
films such as Snow White and the Seven Dwarfs, Alice in Wonderland and Pinocchio.
For the Wachowskis, it's more debatable; lost in their own mythology, the sequels proved hugely disappointing, and audiences turned against them swiftly (the third film took less than the first one did worldwide, even after the huge bump for the seque
For the Wachowskis, it's more debatable; lost in their own mythology, the sequels proved hugely disappointing, and
audiences turned against them swiftly (the third
film took less than the first one did worldwide, even after the
huge bump
for the seque
for the sequel).