The calm was broken with the 11th - hour revelation, emanating from science fiction addicts with long memories, that
a huge canvas by Glenn Brown borrowed heavily from a 1974 Pan book jacket by Anthony Roberts, for a novel called Double Star.
The Cy Twombly painting that had been on the wall was moved to the museum, and Edye was getting accustomed to «Let a Thousand Flowers Bloom,»
a huge canvas by Anselm Kiefer.
I ask a bloke who is standing sceptically (or so I imagine) in front of
a huge canvas by the Turner prize nominee Hurvin Anderson at the Ferens.
Not exact matches
The
canvas is
huge — NYC at the end of the millennium, ravaged
by the AIDS epidemic, Reaganism and homophobia; It covers loss, death, religion, politics, homosexuality, gender ambiguity, spirituality and on and on and on.
On that second day I walked to Chelsea alone and did my own kind of praying in front of
huge canvases painted
by a pregnant woman from Brazil.
A
huge black
canvas on which moonlit figures on a beach await execution is the centrepiece of a new exhibition of works
by Luc Tuymans at David Zwirner gallery, London, from Friday January 30 to Thursday April 2 (all prices on request).
They range from a
huge collage of
canvas strips
by Mark Bradford to Mark Grotjan's abstraction, Billy Sullivan's sketches in the style of David Hockney, and Chris Vaseli's direct take - off on Paschke himself.
Even critics otherwise sympathetic to advanced painting in the 1950s were made apoplectic
by Newman's
huge, minimally inflected
canvases — fields of monochromatic paint with a vertical stripe or two — and they have provoked vandalism from the time of his first solo show at the Betty Parsons Gallery in 1950.
Other highlights: One of Brian «Hey I'm In Every Group Show This Summer» Belott's sock - and - glass works; a
huge Chuck Webster painting; two of Gina Beavers's sculptural
canvases, paired next to mid -»50s photographs of female dolls
by Morton Barlett; and a beautiful little Forrest Bess mountain landscape from 1968.
Abstract Art,
Huge Abstract Painting, Original Abstract painting, Contemporary Modern Fine Art, Blue
Canvas Art,
by Henry Parsinia 48x36
In A Passage to Another World
by Akira Tatehata, who curated the Japanese Pavilion which featured Kusama at the Venice Biennale, he writes «Pink Dots Let Me Rest in a Tomb of Stars is a
huge picture constituted of sixteen
canvases.
«Here is a
huge body of work created
by an enormous, original imagination, working in surprising idioms, and a range of materials from
canvas and paint to metallic and mirrored constructions.»
Along with works created on
huge raw pieces of
canvas, the exhibit included abstract work
by the artist, done with ink on mulberry and Japanese paper.
There will be hyperpigmented
canvases by British - Nigerian Yinka Shonibare MBE, of the Young British Artists generation; animal - skin sculptures of the female form
by the Swazi artist Nandipha Mntambo; portraits
by the queer South African photographer Zanele Muholi; the 2013 Venice Biennale's Angola Pavilion installation
by photographer Edson Chagas (winner of that year's Golden Lion award); an ebony bust
by Soweto - born Mohau Modisakeng; a
huge dragon sculpture in rubber and ribbon
by the Cape Town — born Nicholas Hlobo; and sheets made of 1,150 tiny glass beads
by American artist Liza Lou, who has a studio in Durban, a South African city around 800 miles from Cape Town.
Hurvin Anderson's
huge canvases of foliage and trees are at once familiar and overlaid
by complicated memories of other places — Jamaica and Trinidad.
Quite an unusual one but in 1973 Gerhard Richter held an exhibition at the Seriaal Gallery in Holland where he painted a
huge version of his Rot - Blau - Gelb series on small
canvas panels arranged in a 10
by 10 grid.
There is «Ton of Tea,»
by Ai Weiwei, a
huge cube of expensive Pu'er tea that resembles a Chinese Donald Judd, and «Diary,
by Zhang Huan, a
canvas based on a Cultural Revolution - era photo of a man in a Mao suit holding a book.
The interest he provoked in collectors was such that he was given a second in November that same year, in which he unveiled his now infamous broken - plate paintings - big Neo-Expressionist landscapes made
by painting over fractured pottery glued to
huge canvases.
Influenced
by the events of the Arab Spring, the artist, who was born in 1970 in Addis - Ababa and works in New York, has again filled
huge canvases with skeins upon skeins of architectural plans, city maps, darting lines and free - flowing, undulating attacks of ink that are more powerful than ever, abstractly suggesting wild rivers, treacherous mountains and bombed - out landscapes.
Carole Caroompas realigns the myth of Rapunzal and her crumbling castle in a
huge and complex
canvas; accompanied
by Ron Athey's hair towels made of woven wigs - quite the untraditional handicrafts.