Sentences with phrase «human bodies of flesh»

Not exact matches

If your business model revolves more around river tours and large bodies of water, the mighty kraken, complete with lots of morbid jokes about your service to the creature, ferrying tourists to feed its unending hunger for human flesh, may do a better job of making your employees feel like they are part of something greater.

It is a claim that God's grace is mediated through the material: in the incarnation, God became human flesh and dwelt among us; in the Passion, it was Christ's body that was crucified; in the Eucharist, Christ is truly present in the elements of bread and wine; as we partake of these elements, approaching the altar with our bodies, eating and drinking, we become the very body of Christ; and in the eschaton, it is this very materiality of creation that God will transform and glorify.

While Paul's thought is by no means always clear, and perhaps from letter to letter not always exactly the same, it is nevertheless certain that his concept of resurrection can be clearly distinguished from that of the traditional «bodily resurrection».27 Paul does not speak in terms of the «same body» but rather in terms of a new body, whether it be a «spiritual body», 28 «the likeness of the heavenly man», 29 «a house not made by human hands, eternal and in heaven», 30 or, a «new body put on» over the old.31 In using various figures of speech to distinguish between the present body of flesh and blood and the future resurrection body, he seems to be thinking of both bodies as the externals which clothe the spirit and without which we should «find ourselves naked».32 But he freely confesses that the «earthly frame that houses us today ’33 may, like the seed, and man of dust, be destroyed, but the «heavenly habitation», which the believer longs to put on, is already waiting in the heavenly realm, for it is eternal by nature.

This body here and now is composed of many human members, of flesh and blood, but it is a spiritual body because it is animated by the spirit of Christ.

Human beings after death were, to the early Hebrews, still bodies, attenuated leftovers and shadowy replicas of the flesh, and these existences beyond the grave the Old Testament called rephaim — that is, shadows or ghosts.

Yet another extension of significance is the use of flesh in reference to the human body as a whole (Lev 13:13; 16:4; 2 Kings 6:30).

Articles of clothing are bound to move in ways you didn't intend, flesh is bound to be exposed in ways others may not entirely appreciate, and you may very well be left feeling exposed when, honestly, any woman who is feeding another human being with her body should feel emboldened.

Basically, this ever - growing understanding of human mental function notes that all ideas and concepts — including hard - to - grasp ones like personality and trustworthiness — are ultimately anchored in concrete situations that happen to flesh - bound bodies.

Dir Clive Barker (Andrew Robinson, Clare Higgins, Sean Chapman, Doug Bradley) From the disturbed imagination of gifted British fabulist Clive Barker comes a Faustian pact with a difference, involving a mysterious puzzle - box, a painful rebirth and the diet of human flesh needed to put the skin back on the flayed muscle of jaded sensualist Frank's resurrected body.

Time and body - image issues stoke her desire for revenge, however, putting her on a collision course with Momoa's Miami Man, a brilliant sketch artist who's also a fearsome, unsympathetic consumer of human flesh.

While humans evolved to eat a wide range of foods, cats have bodies that are highly specialized — their bodies really only «know how» to pull nutrition out of animal flesh, which is why cats eating even the most varied of vegetarian diets will develop nutritional deficiencies without proper supplementation.

Flesh and blood Videogames — even the most grotesque, violent ones — have a tendency to overstate the resilience of the human body.

Nick is definitely an able bodied human when it comes to hacking through waves of flesh - eating bad guys.

The works on view reflect the different approaches to realism deployed by artists, such as the application of color to imitate skin or flesh, using casts from real bodies, dressing sculptures in clothing, creating moveable limbs and automated bodies, or incorporating human blood, hair, teeth and bones.

Without applying the actual body, or making intentional markings with the ink, her large scale monoprints on paper appear to carry traces of human figures and faces — the weight of bodily flesh and quality of a spirit - like presence.

Over the past three and a half decades, Marina Abramovic's astonishing oeuvre, with pieces in which she performs feats of extreme endurance or mortification of the flesh, has laid bare — perhaps more than any other artist has done — the human body's strengths, limitations, vulnerabilities and complex bouquet of meanings.

In this mother - to - daughter relationship, the artist plays the role of The Sculpture, of marble skin and human flesh, becoming increasingly more alive, discovering the malleability of her own body, a creature that yearns to reconnect with her roots and crawl back into her mother's womb, the quarry.

As part of theRenew scheme, York Art Gallery was awarded # 100,000 to create a collection of contemporary fine art with a focus on flesh and artists» responses to the human body, inspired by and providing a contemporary feel to their excellent collection of works by William Etty.

For Lee Bul, humankind's fascination with technology ultimately refers to our preoccupations with the human body and our desire to transcend flesh in pursuit of immortality.

In reality, I felt her paintings were too easy and glib in their mottled flesh, and just not serious enough about the challenge of depicting the human body with blobs of pigment on canvas.

The more fully fleshed - out pieces are exciting as images that metaphorically embrace the further reaches of human possibility, from death and decay of the body to the mind's experience of transcendental beauty.

This sizeable show explores 700 years of attempts to capture the beauty and even the strangeness of the human body in sculpture — and what it means to inhabit one in the flesh — through more than 120 works from artists working in medieval Europe up to our global present day.

Curated by Vincent Honoré and Nicoletta Lambertucci, the premise of Networked Flesh moves beyond human corporeity in the digital era and is more concerned with empowered bodies that operate through networks to «perform, transform, transcribe, reconfigure or reinvent» and brings works together that view fluidity within a context of positive potential.

The human figure and the very particular figure of her husband created a challenge to one of the core aspects of her approach in the studio — that of doubt that haunts every brush stroke, and something new to her work happens in these portraits that is different than the encounter with landscape: in the first portrait of Bill, in the hospital, the overworking or overthinking becomes a powerful expression of the drama of the human body pushed to the limit of survival, where «overworking» is an embodiment of flesh itself in flux.

«The philosophy of our people is that we regard the earth as the human body; that stone is our bone, water is our blood, land is our flesh and forest is our hair and our arteries.