Easily the best frat boy comedy since Animal House, Neighbors crams its visually arresting 96 minute running time with as much deeply flawed
human comedy as possible.
He crams those visually arresting minutes with as much deeply flawed
human comedy as possible.
Not exact matches
The bad news is that
human society is a never - ending
comedy of errors in which our hopes and dreams play out
as farce.
Queen Christina is now an A-III,
as are Of
Human Bondage and Gay Divorcee, described
as «dated musical fluff» and «a lighthearted musical
comedy with no real substance beyond its charming songs and dances.»
As many a TV situation
comedy has demonstrated,
human finitude can be very funny, and Auden heightens the humor by suggesting that the humdrum is caught up in salvation history.
If we engage in the «de-mythologizing» of the Revelation to St. John the Divine,
as we must also «de-mythologize» the creation stories in the book Genesis in the Old Testament, we realize that what is being said is that
as human existence and the world in which that existence is set has its origin in the circumambient, everlasting, faithful Love that is nothing other than God — we recall Wesley's hymn, quoted a few paragraphs back, that «his nature and his Name is Love», and Dante's great closing line in The Divine
Comedy about «the Love that moves the sun and the other stars» — so also the «end» toward which all creaturely existence moves is that very same Love.
Yeah, vulgarity for the sake of vulgarity strikes me
as uninteresting, but raunchy
comedies are compelling when they treat their flawed characters like
human beings we can observe and understand.
Jon Negroni: Yeah, vulgarity for the sake of vulgarity strikes me
as uninteresting, but raunchy
comedies are compelling when they treat their flawed characters like
human beings we can observe and understand.
As the TV evangelist repeats pious Amens, many of us in the viewing audience are likely to look upon the «cure» as a part of the human comedy that we don't understan
As the TV evangelist repeats pious Amens, many of us in the viewing audience are likely to look upon the «cure»
as a part of the human comedy that we don't understan
as a part of the
human comedy that we don't understand.
For example, he says, Honoré de Balzac's The
Human Comedy was released in serial form
as a work of «popular» fiction, but has since attained the status of a classic.
It's a Boy Girl Thing is a 2006 romantic
comedy film directed by Nick Hurran and written by Geoff Deane, starring Kevin Zegers and Samaire Armstrong and Dating is a stage of romantic relationships in
humans whereby two people meet socially with the aim of each assessing the other's suitability
as a
Dating is a stage of romantic relationships in
humans whereby two people meet socially with the aim of each assessing the other's suitability
as a This hit
comedy chronicles the foibles of disgruntled office workers — led by deluded boss Michael Scott — at the Dunder Mifflin paper company.
Dating is a stage of romantic relationships in
humans whereby two people meet socially with the aim of each assessing the other's suitability
as a An index page listing
Comedy Tropes content.
What Netflix's Autism
Comedy Atypical Gets Right About Dating While on the Spectrum Dating is a stage of romantic relationships in
humans whereby two people meet socially with the aim of each assessing the other's suitability
as a
But where Sightseers was merely incompetent, We're The Millers seems to take delight in
human misery
as an end or source of humour in itself; it doesn't use pain or suffering to deepen the characters, it simply offers it
as a benchmark of modern
comedy.
Following an unlikely appearance
as a football player in The Replacements (2000) and a turn
as the son of Old Scratch in Little Nicky (2000), Ifans» role
as a socially challenged forest dweller turned opera - loving socialite in the eccentric
Human Nature provided audiences with abundant laughs and a further glimpse into the quirkiness of a truly unique actor.Of course the ever - eccentric Ifans was only warming up, and after supporting roles in such efforts
as The 51st State, The Shipping News and Once Upon a Time in the Midlands Ifans once again took the lead in the 2003
comedy Donnie Deckchair.
As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himsel
As an uberfan of the so - bad - it's - good masterpiece The Room and a solid admirer of The Disaster Artist, The Room co-star Greg Sestero's tell - all book about the making of mysterious vampiric figure Tommy Wiseau's «Tennessee Williams style melodrama
as told by an alien who has apparently never seen normal human beings interact» drama - turned - dark - comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation, as well as portraying Wiseau himsel
as told by an alien who has apparently never seen normal
human beings interact» drama - turned - dark -
comedy - after - initial - audience - reactions - full - of - howling - laughter, I was a bit reserved in my excitement when I found out that James Franco was going to direct the film adaptation,
as well as portraying Wiseau himsel
as well
as portraying Wiseau himsel
as portraying Wiseau himself.
Some of the biggest and brightest stars in British
comedy appear in this performance film, which documents a revue staged by John Cleese of Monty Python
as a benefit for the
human rights group Amnesty International.
I get that it's supposed to be a black
comedy; I get that it's Eisner's characters and situations
as filtered Miller's sensibilities; I even get that The Octopus [Samuel L. Jackson] is supposed to an evil,
human version of Wile E. Coyote / Yosemite Sam, while The Spirit is The Roadrunner / Bugs Bunny.
That sound alone makes Landline skew more toward
comedy than drama, but it's also
as heart - stoppingly
human and sympathetic
as any tearjerker.
Aside from these momentary lapses and some third - act stuff that wants us to take the characters far more seriously
as human beings than we're capable of doing, «The Campaign» is an effective vulgar
comedy about two idiots competing with each other.
And the marvel is that she never loses her innate femininity, even when performing some very outlandish physical
comedy — like turning her Lily Garland character into a
human barbell so lover boy Bruce Granit (Andy Karl being absurdly macho) can do his bicep curls
as the 20th Century carries the two of them from Chicago to New York City in 16 hours.
Of
Human Hearts and No time For
Comedy are available
as manufacture on demand (MOD) DVDs through Warner Archive.
George and Davis do little
comedy routines, down to the ape delivering a giant middle finger
as a way to troll his
human handler.
Instead of yuck, we get something wonderful: a scrappy
human comedy that takes an honest path to laughs and is twice
as funny and touching for it.
The film didn't do much on release, and it's not hard to see why — starting out
as a sweet quirky
comedy and devolving into something with a much sourer heart and quite the pessimistic streak (at least
as far
as humans are concerned) it's a film that is difficult to categorize, and therefore sell, without disappointing the audiences who show up expecting something a bit more straightforward.
It would have been easy to continue beating the dead horse or make a full - blown
comedy that, while humorous, does not portray Tommy
as a
human being with notable flaws.
Östlund's method,
as always, is to stage the
human comedy in miniature: Nearly every scene is presented
as an impeccably framed tableau, a tactic that effectively transforms characters, extras and audiences alike into participants in a grand sociological study.
Johnson stars
as the
human astronaut, and he seems to be having a good time, but this harmless, humdrum animated
comedy never demonstrates any imagination beyond its premise, and there's nary a laugh to be found.
The man looks downright igneous, more rock formation than
human man; at first, this is played off
as a source of expected
comedy.
Are these scenes
as successful
as the
human comedy that has preceded them?
And that's also why the film works so well
as a
comedy; for the most part, it is a
human one.
Directed by the versatile Leo McCarey, a master of improvisation and slapstick
as well
as a keen and sympathetic observer of
human folly, «The Awful Truth» is a warm but unsparing
comedy about two people whose flaws only make them more irresistible.
Henson Alternative is now launching its first feature film: The Happytime Murders, described
as a neo-noir puppet crime
comedy mystery film, taking place in a world where puppets co-exist with
humans, but are seen
as second - class citizens.
«Twin Peaks» attention to the most bathetic moments of
human existence is strangely comforting, even
as a
comedy of manners in an apartment complex's anonymous hallway gives way, with one twisted doorknob, into a ritualistic horror show.
PAUL SCHEER is most known
as a star of the FX series «The League» and also
as the co-creator and one of the stars of the cult MTV sketch series,
Human Giant
as well
as the Adult Swim action -
comedy series NTSF: SD: SUV::.
Despite the lack of discipline, Apatow is trying to stretch himself, to say something about
human nature: his insight here is less about
comedy than about adult life
as a succession of equivocations and betrayals.
In this dark
comedy that portrays bloodsuckers
as wise but melancholy figures, Tilda Swinton and Tom Hiddleston play eternal lovers who have learned to tolerate the predictably disappointing limitations of the
humans with whom they must share this planet.
Both men were born in Brooklyn, started
as stand - up comedians, and became famous for writing distinctly Jewish
comedies, works steeped in neuroses and observational
human humor.
Comedy and laughter in this film finally serve
as the glue of
human relations, the foundation of community.
In fact, most scenes tended to go completely against the grain, where one scene played for silly
comedy while the next ended up being dark, brooding and excessively violent in a way that loses the audience sympathy and ability to identify with any of the characters
as human beings.
A
comedy with just
as many moments of sadness, disaffection and humiliation
as there are laughs, the film never shies away from awkward
human strangeness.
Becker's impressively batshit
comedy attempts to ring laughs out of everything from debilitating / hilarious facial paralysis, tanning accidents, jetpacks, and perhaps most insanely, a subplot involving Bernie Mac (in, tragically, his final performance)
as a superstar puppeteer with a weird
human - sized puppet suit that allows him to manipulate real people (in this case Williams)
as if he were an enormous puppet.
However,
as much of an actors» director
as Cassavetes has been known to be, there's only so much he can do for the likes of bikini bombshell Kate Upton and perpetually - smiling male model Taylor Kinney (Zero Dark Thirty), whose inability to emote like normal
humans sucks all the air out of the
comedy whenever they appear on screen.
Because of this, Colossal is uniquely fascinating, this kaiju
comedy secretly an emotionally crushing monster of a relationship melodrama that's
as intimately
human as it is cathartically humane.
Walsh is probably best known
as one of the founders of the Upright Citizens Brigade, and he's also appeared in supporting roles in tons of films (Elf, Bad Santa, Role Models, Mystery Team, Cyrus, every
comedy Todd Phillips has ever done) and television shows (Childrens Hospital, Outsourced, Party Down,
Human Giant, Reno 911!
Wes Anderson «s «Moonrise Kingdom» seems like an odd choice to open the 65th Cannes Film Festival, with its deadpan Americanism, retro - set timeline and movie - star cast; at the same time, Anderson is clearly influenced by the New Wave, both cinematically and personally, he's a distinctive authorial voice
as a director (which is the essence of auteur theory) and while his films are defined by near - silent moments of
comedy and
human frailty, there's also something mournful and wounded about them.
Suicide Squad director David Ayer helms this fantasy / action /
comedy that stars Will Smith
as a
human cop who gets a new partner: an Orc, played by Joel Edgerton.
It's being described
as a «high - concept
comedy» in which extraterrestrials set the
human race a moral test by selecting one individual and giving them the power to do anything they wish.
An absurd horror
comedy, the film offers no dialog at all, just grunts,
as humans — devolved into ape mentality — go about their poop - throwing, territory marking, television smashing daily existence.