Sentences with phrase «human contact at this time»

Not exact matches

Symbols still maintain contact with the deep sources of life; they express, we may say, the «lived» spiritual... they disclose that the modalities of the Spirit are at the same time manifestations of Life, and, by consequence, directly engage human existence....

At the same time, it is evocative, suggestive, allusive, and indicative of that which is more than such human experience, contacts, and situations.

So, human behaviour is quite dismissive or at times impolite, once a contact is made.

In Maum's charming and funny mix of romantic comedy and acid social critique, trend - forecaster Sloane accepts a job at a showy tech firm, but instead of initiating luxury electronics, she finds herself advocating for less screen time and more human - to - human contact.

They thrive from human contact and attention, so this isn't a breed to be kept alone for hours at a time.

At times, we release young California sea lions that have become accustomed to human contact and northern fur seals that are pelagic, out near the Farallon Islands via boat.

Black is the Day, Black is the Night is a conceptual exploration into the many facets of human identity using notions of time, accumulation, memory and distance through personal correspondence with men serving life and death row sentences in some of the most maximum security prisons in the U.S., all of which had served between 13 - 26 years at point of contact.

The details are at once forensic and a reminder that everything that was once new gets worn down by time and accident, imprinted by human contact and use.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

But at the same time it means they have to have to ability for violence, to be able to withstand any pressure... [T] hat type of tension is part of our day - to - day animal existence, part of what it means to be a human and alive and to be able to survive and to depend on instinct and stay in contact with feelings.»

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