Sentences with phrase «human dimensions work»

Most unsettling, though, was the conviction with which both researchers presenting human dimensions work * responded — utterly unconcerned, it seemed, with the suggestion that the results of their hard work may not, in the end, be terribly meaningful.

Not exact matches

The human dimensions should also be considered: This means IT security and program managers should work alongside senior operations and business managers to ensure all approaches are in sync and fully functioning.
The whole divine - human experience of God's taking on human nature in one person is an exemplar of suffering that works itself out in multiple dimensions of obedience.
Play's transcendent dimension, its experience of the meeting of the holy and the human spirit, is fully understood as transcendence only in light of the Spirit's further definitive work on Lewis's behalf, his introduction of Lewis to the person of Christ.
Culture analysts, psychologists, sociologists and others who probe the content and the dimension of human society have worked diligently to define the concept of transcendence.
«Work,» the authors write, «is much more than just a need to keep busy or bring home a paycheck... [It] is a fundamental dimension of human existence, an expression of our very nature.»
If the views of these theologians are correct, then the good accomplished in redemption lies in a different dimension from the goad realized by human effort, and we can not sustain the thesis that the work of redemption involves as an integral aspect a process in this world, and the actualization of love in this life.
Once the exceptional, but fundamentally biological, nature of the collective human complex is accepted, nothing prevents us (provided we take into account the modifications which have occurred in the dimensions in which we are working) from treating as authentic organs the diverse social organisms which have gradually evolved in the course of the history of the human race.
Brand also asked about the seeming divide between science and religion, to which McGrath replied: «For me, science is great but it doesn't help us find that extra dimension - there's something special about human beings, we don't want to just know how things work but what they mean».
Lutter worked with Ashley Dayer, assistant professor of human dimensions in Virginia Tech's Department of Fish and Wildlife Conservation, to survey landowners to supplement a wider NRCS Conservation Effects Assessment Project (CEAP) assessment.
Dr. Alfredo Dubra: The work in Vivek's lab is very synergistic and collaborative with ours and one of the main examples is the fact that since we can now see blood vessels and capillaries noninvasively in humans, we can now take advantage of some of the really advanced mathematical tools developed by Vivek and his team to actually quantify those blood vessels and have the shape in three dimensions.
«Her expertise, particularly in the area of the human dimensions of climate change, will be quite valuable as the committee begins its work
I felt the need of bringing the concept of «work» to a more human, ethical and sustainable dimension; my wish was to give back to the concept of work its natural noble meaning.
Between parallel dimensions and random teleportation, there are a few moments of genuine surprises, like the missing gyroscope and earthworms, but they entail ridiculous plot holes about how human anatomy works.
Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.
The works, of a scale that is dictated by the artist's own dimensions, have an almost human presence.
«The Illusion of Light» brings together works by contemporary artists who, from the 1960s to today, have explored the physical and aesthetic, symbolic and philosophical stakes of an essential dimension of human experience: light.
As such, the body does not follow a narrative, but rather activates the work to generate a displacement towards the exterior, revealing the height, distance and tension between the human scale and the dimensions of the building, while directing our attention to the landscape around the museum.
Working with clay enabled the artist to connect to the human body without the interruption of the brush, and he responded to the visceral act of pushing, squeezing, and shaping the form as he considered it in three dimensions.
Oceans brings together the work of over 20 artists who explore the cultural, political, and biological dimensions of the oceans, examining the effects of human - made issues, such as climate change and rising sea - levels, and reimagining human's relationship to the planet.
With this latest work, Hershman Leeson gives a new biological dimension to the concept of «alter - egos» and what it means to be human.
All of the works on display reference the human presence or absence depending on the way you look at it, not in a romantic domain but in an active participatory dimension.
Each work, created by artists with disabilities, is described as it «quietly wrestles with the many dimensions of human living in the present,» including textile works, intimate portraits, paintings and weavings.
Friedman's recent works have included collaborations with choreographers and dancers Susan Marshall and Silas Riener, extending her work into a visceral and flexible dimension, exploring material sculpture, the human body, and the relationships that can exist between the two.
The group exhibition «Tidalectics» presents 13 artists whose distinctive works cast oceanic perspectives on the cultural, political and biological dimensions of the oceans, examining the effects of human - made issues, such as climate change and sea - level rise, while reimagining human and «more - than - human» relationships.
Figurative works by Francis Bacon and Alberto Giacometti, which explore the human body and add a psychological dimension by means of painting, are followed by works of Josef Albers, Piero Manzoni, and Lucio Fontana that emphasize the support as such in its three - dimensional character and material quality.
Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 286
79, p. 41 (another example illustrated as Working Model for Draped Reclining Mother and Baby) Jacob D. Weintraub, ed., Master Sculptors of the XX Century, New York, 1987, no. 58 (another example illustrated) Angela Dyer, ed., Henry Moore: The Human Dimension, London, 1991, no. 113, p. 136 (another example illustrated) Alan Bowness, Celebrating Moore: Works from the Collection of the Henry Moore Foundation, London, 1998, p. 46
Now along comes a show that aims to prove it: «Roy Lichtenstein: Inside / Outside» marshals 120 works to demonstrate, in the words of MCA director Bonnie Clearwater, that «Lichtenstein studied how the human mind comprehends space in two and three dimensions... [his] methods in fact... reflect an interest in phenomenology.»
Flood - Paddock's work seeks to expose the emotional dimensions of inert objects and what they reveal about human interaction.
Occupying a suite of former military structures in the Presidio of San Francisco, Home Land Security brought together works by contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security.
Serra uses material to investigate weight, balance and the relationship with space, often dividing environments as interventions with the human form, the artist's work often reflects the temporal nature of art via the patina of rust adding a fourth dimension; that of time, the temporal aspects of object and body.
2016 These Strangers... Painting and People, Stedelijk Museum voor Aktuele Kunst, Ghent, Belgium Los Angeles: A Fiction, curated by Gunnar B. Kvaran, Thierry Raspail, and Nicolas Garait, Astrup Fearnley Museet, Oslo, Norway; traveled to Musée d'art contemporain, Lyon, France Route to (Re) Settlement, curated by Cecelia Stucker and Kimberly Light, Mann - Simons Site, Columbia, SC A Shape That Stands Up, Hammer Museum at Art + Practice, Los Angeles, CA 30 Americans, Cincinnati Art Museum, Cincinnati, OH Non-Fiction, curated by Noah Davis, The Underground Museum, Los Angeles, CA Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Intimisms, James Cohan Gallery, New York, NY Nothing Compares to You, Works from the Collection of Martin & Rebecca Eisenberg, Riverview School, Cape Cod, MA Making & Unmaking, curated by Duro Olowu, Camden Arts Centre, London, UK Dimensions of Black, Museum of Contemporary Art, San Diego, CA; traveled to The Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis, CA
Mesiti is best - known for large - scale video works that, as the Australians put it in their news release, «explore deeply personal stories of the individual and the collective, grappling with the complex dimensions of human experience.»
The CRC contributed to work by the Transportation Research Board, the Institute of Medicine, Board on International Scientific Organizations, Committee on the Human Dimensions of Global Change, and other units.
Recognizing that climate change may be the most pressing challenge facing SIDS, the document outlines UNESCO's work on climate change in the following areas: climate science and knowledge; education; diversity and cultural heritage; and the social, human ethical and gender dimensions.
He has worked on human dimensions issues related to subsistence, climate change, and adaptation in the Arctic and served on numerous boards and commissions such as the Gwich» in Council International, International Porcupine Caribou Board, and the Yukon River Panel.
At the November 9, 2009 meeting of the National Research Council Human Dimensions of Global Change Committee, the Interagency Working Group on Climate Change and Health reported on its progress.
In addition, this new assessment from Working Group II greatly expands the use of the large body of evidence from the social sciences about human behavior and the human dimensions of climate change.
As identified by the United Nations Permanent Forum on Indigenous Issues (UNPFII), Governments must work together at all levels with the full participation of Indigenous people on a «holistic» response to climate change that takes account of not only the ecological dimensions of climate change, but also the social impacts and principles of human rights, equity and environmental justice.
It offers teachers and students in human service work a way to transcend classroom walls (and mindsets) by adding the fifth dimension of the World Wide Web.
I look forward to working with others who are exploring what it means to be a human being in all its dimensions.
Our program of work on human mating, funded by NSF, examines how individuals make mating decisions, the conditions under which they do and do not delay gratification, and how they make trade - offs on different life history - relevant dimensions.
The types of therapy offered are individual, family and couples, and the modalities offered include: • Somatic therapy: which focuses on the body's role in transforming behavior, integrating body awareness and movement with counseling skills • Contemplative therapy: which merges in - depth training in cultivating mindfulness and compassion with therapeutic work • Transpersonal therapy: which focuses on reconnecting the spiritual dimensions of human experience with traditional theoretical perspectives • Art therapy: which uses art and the creative process to enter into an authentic relationship with self, other, process and product.
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