His architectural portraits reflect the mastery of marble and stone cutting along with the scale and the theatricality that shape the way
human drama plays out in these spaces.
Not exact matches
The Coen's common tack of forcing the audience to confront the possibility of nihilism being true, of
human life being essentially meaningless, which for them has usually
played out within a crime
drama, here occurs in a mundane set of events.
Ultimately our interpretation of the whole
human drama depends on an ultimately personal decision concerning the part that we mean to
play in it.
I interpret the idea of theo -
drama as, in one sense, a theological commentary on Ingold's concept of life as movement, a
human becoming through deliberate placing of the
human person in the movement of the
play as a way of bringing forth not simply that which is unique to
human beings, but structuring
human life as part of a wider bringing forth (p. 51).
Of course, objective social and economic shocks and the intervention of socialist politics and political analysis
play the decisive role, but an especially vivid sense of a society's ills, its psychic ills among them, and the
human urgency of addressing them come from visual images and
drama.
Like Benjamin Button, this
drama plays around with the
human lifespan, is slickly produced and feels far too serious for its own good.
In Chloé Zhao's resoundingly
human film The Rider, the narrative is framed as both documentary and
drama focused on 20 - year - old rising rodeo star Brady Blackburn (
played by Brady Jandreau) as he undergoes a crisis of identity.
is misleading because while draped in Darius Khondji's luxuriant, golden - hued cinematography like the silks of Lady Liberty's gown, and decked in loving period costume and detail, the film is really a small - scale
human drama in which those Gray staples, a love triangle and a love / hate brother-esque relationship,
play out beat by minutely observed beat.
It
plays more for humor, as well as for the
human drama, but it never manages to step out of the shadow of its predecessor to distinguish itself as anything other than a retread.
But no one will confuse this tense
drama with Weird Science — Ex Machina, which marks the directorial debut of 28 Days Later writer Alex Garland, is an unnerving meditation on the ethics of artificial intelligence, the ever - growing power of Silicon Valley (Isaac
plays the reclusive founder of a search - engine company), the nature of
human desire and more.
For as conventional and safe as Eastwood
plays the
human drama, however, the movie's gripping reenactment of the crash is a wonderfully staged piece of filmmaking that makes it all worth it.
I've already seen Paul Thomas Anderson's confounding and often hypnotic tale of a battle - scarred World War II veteran (Joaquin Phoenix) and his postwar indoctrination into a Scientology - like religion formed by the title character,
played by Philip Seymour Hoffman.Ö Some of it is startlingly beautiful cinema, photographed in 70 mm; most of the effective
human drama is confined to the first half, but it's well worth the time and effort.
And Farhadi is careful never to get in the way, simply letting tremendous actors
play out a very identifiable
human drama, one that remains truly cinematic while barely even venturing outside.
The pair
play longtime married couple Erik and Dierdre Blake in the national tour of Stephen Karam's Tony Award - winning comedy -
drama «The
Humans,» which comes to the SHN Orpheum Theatre June 5 - June 12.
Michael B. Jordan — who starred in director Josh Trank's first film Chronicle (2012) and the acclaimed
drama Fruitvale Station (2013)--
plays Sue's adoptive brother Johnny Storm /
Human Torch, who is able to engulf his body in flames, control fire, and fly.
However, from the few hours I
played, Detroit Become
Human felt closer to cable TV quality
drama than a video game.
«Being a teenager is like a concentrated moment of the
human condition — all of the successes and pitfalls all being
played out in one messy
drama.»
The effect is of the entire ensemble gathering in a pre-arranged spot to witness a
human drama — often a love affair —
play out before their very eyes.
The
drama of the future of the Amazon basin is indeed
playing out here in western Amazônia, in the tri-national region called by the acronym MAP — Madre de Dios in Peru, Acre in Brazil and Pando in Bolivia — where the biodiversity of nature's garden is connecting with
human aspirations for economic development and a better life.
«The One I Love» is a romance and a mystery and a
drama, with really only two characters in it, characters who are sketches approximating
human beings, but
played with sadness and humor by the two lead actors.