Sentences with phrase «human figure drawn»

Transforming ancient symbols, myths, and ideas, he has created a personal visual language of dreamlike landscapes, animals, and human figures drawn from recollections of his travels.

Not exact matches

With the fundamentals of drawing under your belt, you'll be better equipped to draw human figures and faces, realistic light and shadow, perspective drawings, and anything from your head.

With the fundamentals of drawing under your belt, you'll be better equipped to draw human figures and faces, realistic light and shadow, perspective drawings, and anything from your head.Udemy

Then they tested their «impulsive approach tendencies» toward men (that is, their latent attraction to them) in a task that involved tapping keyboard keys rapidly, to move an on - screen manikin - a basic drawing of a human figure - as quickly as possible in a specified direction.

Drawing on the wisdom of thinkers as diverse as St. Augustine and Leon Kass, and on the common sense of such figures as Charlie Brown and former NFL linebacker Bill Romanowski, Schall wittily argues that «unserious activities» help make human life worth living.

Medical illustration may be a new career option for some, but looking back in time, we can see that Leonardo da Vinci, Michelangelo, and other master artists of the past used to explore human anatomy to learn how to accurately draw and sculpt the human figure.

«The Imitation Game» drew me in immediately, always connects to the human qualities (and not just the cerebral, intellectual aspects) of the key figures and emerges a polished, enticing thriller.

This Unit of Work provides 4 linked lesson plans that guide teaching of skills and techniques associated with drawing and sculpture based on the human figure.

Many students — and myself — are intimidated about drawing human figures.

This step by step guide will lead Junior and High School students through drawing a human figure in proportion.

My attention was drawn to the spiral staircase, above which dangled a number of blue glass ornaments (handblown by MIT graduate David Smith) representing human figures in assorted forms and positions.

With the use of reference photographs accessible to everyone, you'll discover how to draw the human figure as a whole, as well as various body arts such as hands, legs, feet and the torso.

She is drawn to a feeling for the human figure as it moves though space, site, and environment.

2002 - Exposed: Drawings of the Human Figure: Juried Exhibition, Creative Alliance, Baltimore - Art Bash, Gallery 2, Chicago - Collaboration project: LIPA Gallery, Chicago

Hockney's humor is apparent in works such as Crawling Insects, 1961, where scratched - out figures are accompanied by a trail of insects drawn in ink, as though, frustrated with his depictions of the human figure, the artist decided to draw tiny bugs instead.

Human figures, in their simplest and most honest forms, are drawn onto a variety of different materials, such as cardboard, envelopes and paper, and viewers are invited to look into Nara's raw sketchbook.

Special demonstration workshops, distinguished speakers, stellar Los Angeles venues, and facilitated life drawing sessions will support artists interested in making representational imagery of all kinds, including human and animal figures, figure groupings, portraiture, landscape, still - life, and representational sculpture.

Monthly figure drawing sessions allowed participants to develop their observational drawing skills and understand the human anatomy by providing the opportunity to draw from a nude model.

As part of this learning process I ask that students not do any preliminary drawing of the subject matter — the human figure — and then fill it in between the lines.

The core of the Davids» drawing collection focuses on the human figure.

«The book brings together three figure - drawing methods - the study of gesture, the structural approach and the atelier method - and synthesizes them to help the artist understand the human figure.

«Rob Zeller's debut book on drawing and painting the human figure promises to be the most definitive on the subject in decades.

The drawings on view suggest human figures and loosely defined biomorphic shapes that, like watercolor, bleed into their surroundings, though his technique was highly varied.

John Hartley Much as David Levinthal's War Games series depicts combat through staged photographs of toy soldiers, the Fort Worth - based Hartley draws from his interest in toy collecting and the human figure to create oil paintings that explore militaristic, religious and social themes.

In a departure from previous works in this series featuring stuffed toys and anthropomorphic animals, Davis is also showing drawings with human figures as part of his pursuit to fully realize this...

Monthly figure drawing sessions allow participants to develop their observational drawing skills and understand the human anatomy by providing the opportunity to draw from a nude model.

How does one learn to see space as a container that encloses figures and objects and that drawing is less about the documentary depictions of disparate objects or human figures?

The canvases range from a few feet tall to roughly human height; in preliminary drawings for the paintings Richter sketched human figures alongside the layouts of some of the works, indicating the meticulousness with which the scale of the works was devised.

The artist's body of work draws from a multitude of sources, including the human figure, cultural iconography and the reexamination of locations once visited.

Joseph Paquet, while pursuing a Bachelor of Fine Arts at the School of Visual Arts in New York, had the good fortune of finding a mentor in John Foote who opened his eyes to the joys of drawing the human figure.

Much as David Levinthal's War Games series depicts combat through staged photographs of toy soldiers, the Fort Worth - based Hartley draws from his interest in toy collecting and the human figure to create oil paintings that explore militaristic, religious and social themes.

Mr. Faragasso is the author of the well - known and often referenced books, The Student's Guide To Painting and Mastering Drawing the Human Figure from Life, Memory, Imagination.

How contemporary artists draw the human figure in an affordable, up - to - date and well - illustrated survey, covering an eclectic range of drawing styles and media

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redFigure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redfigure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

They will be looking at drawings in the exhibition Noguchi's Early Drawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became hidrawings in the exhibition Noguchi's Early Drawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became hiDrawings in order to parse how Noguchi's serial imitations of canonical Modernist approaches to abstracting the human figure helped him develop the values and strategies that became his style.

Through sculpture, painting, drawing or collage, the artists chosen for this show share a consistent interest in addressing the human figure, each with a distinct style and motivation.

The school's core program is a four - year Master Class comprised of 40 students and focused on the primacy of painting and drawing from observation, the human figure and in depth study and research after old and modern masters.

Lauded painter Lynette Yiadom - Boakye assembles images from scrapbooks, drawings, and her imagination into lush compositions of human figures.

In her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, desire, despair and confusion in order to slyly critique social and political attitudes toward women, children, people of color and others who have historically been victimized.

Highlights include American artist Jeff Koons Hon RA, whose figures for his 1980s «Banality» series were drawn from cheap tchotchkes; Frank Benson, whose Human Statue (Jessie)(2011) reproduces, using high - end digital technology, a stunning simulacrum of dancer and musician Jessie Gold; and newly elected Academician Rebecca Warren, known for her plaster figures filtered through other artists from Giacometti to cartoonist Robert Crumb.

The exhibition explores how Underwood drew on the influence of non-Western art from Africa and Mexico in the 1920s and»30s to create striking paintings, life drawings, wood engravings and sculptures that responded to the rhythm and form of the human figure.

And they still look naively human — like stick figures that a child might draw.

I am especially drawn to scenes of human activity, so many of my paintings involve figures in the context of a landscape.

Exhibition highlights include: two ornate, figurative paintings by Australian artist Del Kathryn Barton; three large - scale, realist paintings by Terry Rodgers portraying gaunt and privileged youth; conceptual portraits by Swedish artist Sara - Vide Ericson; a mixed - media fragmented figure by Brooklyn - based artist Nathaniel Mary Quinn; four small - scale sculptural works depicting contorted human forms by Korean artist Dongwook Lee; and one large - scale surrealist drawing by German artist Dennis Scholl; among others.

Densely layered and vaguely topographical, her drawings suggest sequences of cosmic or otherworldly events occasionally populated by ethereal human figures; as Schimert describes it, they create a «space for illusion.»

I do like the idea of «the model» however — the naked figure, posing to be drawn in the studio, or the human form hired to dress with ones hot designs for the new season.

All of the drawings included in this exhibition depict the human figure, and while each artist has his or her own distinctive style, the works share a common sensibility: an intense interest in capturing the human form and spirit.

Featuring over 70 contemporary artists from around the world, Drawing People: The Human Figure in Contemporary Art is an in - depth look at how contemporary artists draw the human fiHuman Figure in Contemporary Art is an in - depth look at how contemporary artists draw the human fFigure in Contemporary Art is an in - depth look at how contemporary artists draw the human fihuman figurefigure.

Drawing People rewards through its eclectic mix of artists using drawing as their base, and may inspire an expanding attitude towards the human figure from artistic rDrawing People rewards through its eclectic mix of artists using drawing as their base, and may inspire an expanding attitude towards the human figure from artistic rdrawing as their base, and may inspire an expanding attitude towards the human figure from artistic readers.

Outlines of human figures and drawings of organs cover thin fabric, half stretched and hanging from the ceiling in Mariechen Danz «s «Tower Vessel Tooth, Book B / Book C» (2013).