Sentences with phrase «human figures appear»

Human figures appear often in Petersen's early work, but nearly always as ciphers.

In the weightless choreography of CLUSTER human figures appear mostly as anonymous particles, as a pulsing, amorphous mass, a cloud of blurry matter from body parts and light.

From softly defined pictures in which human figures appeared, he moved to what many people still regard as his signature manner: crisply stylized still lifes full of bright, flat light, in which uncanny distances seem to separate even objects in close proximity.

Not exact matches

3 - The fetus stage: The face, hands and feet appear and the human figure is formed.

Over the years the human figures in his prints have filled more and more of the space, leaving less and less for the plant forms, abstract patterns and calligraphy that appeared in early works.

For example, several centuries ago, God may indeed have become a «lover of Shakespeare» insofar as Shakespeare's works were experienced by human beings; yet, it is also possible that God's appreciation of Shakespeare's artistry (though not of the feelings of Shakespeare or his audience) declined as new literary figures and forms appeared.

For instance, they had learned that Jesus Christ is the answer to human problems but the Christ to whom they had been introduced was a figure unrelated to the great context in which he appeared and one who left them without answers to many of their personal questions as existing and historical men.

It will probably appear instantaneous, and it will be very hard work to figure out the path of this hyperevolution of the technofossils within the human stratum.

It would appear this class of androids designed to protect humans has figured out how to override key protocols limiting its advancement.

A dark, indiscernible figure appears behind the screen, and instead of the relief of the presence of another human being, here, it seems, is another threat.

As he looked down the beach he noticed a human figure in the distance that appeared to be moving like a dancer.

Without applying the actual body, or making intentional markings with the ink, her large scale monoprints on paper appear to carry traces of human figures and faces — the weight of bodily flesh and quality of a spirit - like presence.

The burlap - and - iron figures, appearing to be reconstructed from shed human skin, are halting yet enticing, solid yet empty, animated yet frozen, delicate yet heavy, and somber yet hopeful still.

Balkenhol's carved wood figures appeared first in 1983 in reaction to abstract formalism and conceptual art, and with the intention of reintroducing the human body in contemporary art imagery.

; a human figure torn amongst swirling circles, lines and color, colliding with frantic intensity, with both figure and faces appearing very sad and lonely.

Occasionally figures appear in the work, but in Mr. Estes» vision, the human drama of city life is subtly implied.

The human figures have lost basic contours, to the point that their humanity is sometimes hard to identify; gone are the landscapes in which the figures move; the movement itself, which apparently repeats itself, has become more wild; the lines, structures and patterns change more rapidly; florescent - like red flashes appear, that call to mind the emergency, danger and alarm lights that permeate our world.

Duality and duplication recur across several aspects of this work, and are especially prominent in the double movement: the sporadic movement of the jackal, and the repetitive movement of the human figures, which appear to be marking themselves, or signaling, or calling out for help.

No matter how luminous, even weightless, the human figures in Avery's paintings appear to be, his hues fill them with an inward vitality we perceive as physical.

Based on a small sculpture of a local carnival character, this figure appears, in overlapping, cool veils of oil on the unprimed linens, to be metamorphosing from human to bat to butterfl y to ectoplasmic specter — a perfect allegory for Doig's art of transformation, in which beauty is always a possibility but never a sure thing.

Bacon, Bourgeois, Jean - Michel Basquiat and Andy Warhol used the shade to draw human figures or faces that appear against intensely red backdrops.

The human figures that appear in Petros's works are often engaged in acts of active observation, having their faces disguised or turned away from the potentially objectifying gaze of the viewer.

Thus the work appears to suggest the qualities not only of a standing human figure, but also the contours of the cliffs and beach at Nanjizal.

In his painting practice, Hubbard portrays human figures not as still bodies but as shapes in constant movement described formally with shadows, blurring, or overlapped images, and, as such, bodies appear ungraspable and unstable.

Sculpture appears in a multitude of prints, which blur the boundaries between the real and the imaginary and show human beings interacting with sculpted figures in varied and surprising ways.

At times these carvings are clearly recognizable as human figures, in others the form is cut into with holes, and parts of the figure are even removed completely, others again appear as groups of natural - looking stones or boulders which hardly seem touched by the sculptor's chisel.

Though the works appear abstract at first glance, upon closer inspection they reveal an interest in representational imagery, with geometric forms giving way to human - like figures.

The numerous works on display in Sonnet to the Nile centre around mysterious human and animal figures that appear on blank paper, bereft of context or connection to a specific time or place.

Stepping back from this work to take in its general, flesh - toned forms, the viewer may discern a human foot and bent leg, perhaps belonging to a Christ - like figure stumbling under the weight of a cross, which appears to be represented by a thick band of pink.

Exaggerated contortions of the human body are prolific and various figures appear to groan in the corners of the gallery, most notably in Berlinde de Bruyckere's haunting Marthe.

The head and stalk of the sunflower, lone and lugubrious, appears like a bowed human figure, conflating the vital nature of plants and man in an animist image.

The booth of New York dealer Rachel Uffner had a new series of work by New York - based Sara Greenberger Rafferty: photographic inkjet prints of human figures and objects that appear to have melted under sheets of plastic.

Both growth and decay appear in equal measure: a flower climbs through dense rock, if only to blossom and droop into the appreciative embrace of an exhausted and bonelike human figure.

Wayne's black - and - white textile La Journée des Lemmings appears, at first glance, wholly abstract, but a grouping of human figures (apparently the lemmings) lends it another interpretation, and it resolves itself into a landscape.

The human figure is also central to the exhibition, often appearing in distorted, grotesque, anthropomorphic, or hybridized forms.

But the well blowout appears to be a prime illustration of the uncomfortable reality that we have yet to figure out effective ways to overcome a persistent human failure to appreciate, and act on, certain kinds of risks.

The graph (Figure 1) appeared in the 2001 Intergovernmental Panel on Climate Change (IPCC) Report and became the poster child for the proof of human - caused global warming.

How much attention is a «driver» supposed to give to what the vehicle is doing, and what responsibility does the «driver» have to take over if the car appears to be doing something wrong, especially when the reaction time of the car is much better than a human's, and it may be too late by the time the human figures out something is amiss?