The two cubes embody two strong, yet metaphysical, declarations on the deconstruction of
human hypostasis leading to the viewer's confrontation with their very own corporeal detritus.
With painting as his main artistic expression since the 1960s (M.M.M. in G and A, 1961 — 66 and P.D.Stengel, 1963), Baselitz has reinvented himself through the richness of his palette and the expressionist depiction of his narrative, which has never stopped embracing
the human hypostasis.
Not exact matches
KP: Your visual repertoire negotiates the perception of space challenging the
human presence and
hypostasis in immediate relation to it.