Many people believe that
human memory works like a video recording of our experience, but according to experts, memories are actually quite fragile and susceptible to contamination.
It's almost a good thing that we've never been entirely able to figure out how
human memory works, because if we did, we'd probably just forget.
from Scientific American Memory Experiments from Eric H. Chudler's Neuroscience for Kids Memory and Learning from Bruno Dubuc, McGill University Mapping Memory in 3 - D from National Geographic How
Human Memory Works from HowStuffWorks.com Working Memory from Thinker: A Cognitive Psychology Resource
Understanding how this information is encoded could be key to understanding how
human memory works as well as memory disorders.
Many people believe that
human memory works like a video recorder: the mind records events and then, on cue, plays back an exact replica of them.
Not exact matches
«In other words the
human brain compensates for receiving increased information from a mobile phone conversation by not sending some visual information to the
working memory, leading to a tendency to «look at» but not «see» objects by distracted drivers.
A small group of
human studies have been done on a drug called propranolol, which blocks the action of stress neurotransmitters that help cement
memories in the brain, but LeDoux's
work shows the potential for greater precision.
We also know that in
humans, this area functions in higher cognition that entails
working memory, making plans, bringing plans to fruition, worrying, thinking about the future and imagining scenarios.
Thanks to experiments on animals and the advent of
human brain imaging, scientists now have a
working knowledge of the various kinds of
memory as well as which parts of the brain are involved in each.
«If the effects of alcohol on
memories to fearful responses are similar in
humans to what we observe in mice, then it seems that our
work helps us better understand how traumatic
memories form and how to target better therapies for people in therapy for PTSD.
The researchers, who published their
work online November 5 in Nature, are now investigating just how long the improvement might last and how deep sleep affects
memory — for some reason,
humans begin to lose the ability to sleep deeply around 40 years of age, at about the same time that
memory begins to decline.
And a
memory process that's very common in
humans, this chunking, is a strategy that
works for other species.»
The AAAS - Andrew M. Sessler Fund for Science, Education, and
Human Rights supports the
work of the AAAS Scientific Responsibility,
Human Rights and Law Program and was created to honor the
memory of Dr. Andrew M. Sessler.
«More broadly, our
work supports the view that rats may be used to model fundamental aspects of
human memory.»
If it
works in
humans, the compound could help reverse
memory decline in patients, even a month later
The idea builds on the
work of renowned neuroscientist Endel Tulving, who pioneered the study of
human episodic
memory — the recall of our autobiographical past.
He added that the existence of episodic
memory in lower animals has implications for research on
human diseases that affect
memory, including Alzheimer's, Parkinson's and Huntington's diseases, since the majority of research on the brain — and the drugs used to treat
memory diseases and dementia — start out based on insights into how the brain
works in rats.
The
work «provides a very nice demonstration that BDNF plays a role in some forms of
human memory,» says neurobiologist Susan Patterson of Columbia University in New York City.
«If dexamethasone
works well in
humans, we could potentially use it to prevent fearful
memories in soldiers on the battlefield, patients in emergency rooms, or anywhere else where healthcare providers provide treatment within hours of traumatic events.»
After
working to hone their technique for more than a decade, the researchers report that a small region of the
human brain involved in
memory makes new neurons throughout our lives — a continuous process of self - renewal that may aid learning.
Steve: It is an excellent point; I mean, John, you quote Eric Kandel in your article and Eric Kandel won the Nobel prize for his groundbreaking research into
memory and that
work was done with a sea slug and basically they have teased out the most basic workings of
memory in an invertebrate and these other folks like Kurzweil think that within his lifetime, you're going to be able to understand all the workings of the
human brain to the point where you can basically replicate it.
We've
worked hard to see how we could bridge the gap between the idea that the hippocampus is a purely spatial
memory in the rat to its broader function as an episodic
memory system in
humans, which is the
memory you have for something you did at a particular time and place.
By
working our the details of spatial navigation in primate
memory brain regions, our
work will lay the foundation for understanding how these mechanisms underlie the formation of complex
memories, not only in monkeys, but in
humans as well.
At Scripps Research Institute in Jupiter, Florida, scientists are
working to find clues about how the
human brain processes
memories.
These knockouts may be important models for
human brain diseases that affect
working memory including Alzheimer's Disease, schizophrenia, autism, and ADHD.
Makuuchi, M., Bahlmann, J., Anwander, A. & Friederici, A. D. Segregating the core computational faculty of
human language from
working memory.
The
human body is incredibly efficient — it wants to do the least amount of
work possible to perform a given task, so it builds new muscle fibers, creates neural pathways and develops muscle
memory to perform the same job more efficiently over time.
But, then you have to accept that all mutants age much more slowly than regular
humans (okay, that could
work) and that their
memories are also a bit shoddy (like when Xavier says in X-Men that he and Magneto built Cerebro and in First Class it's stated that Henry McCoy (aka Beast) built it and, if you factor in the actual storyline from the comics, it gets even more confusing).
We must
work within the constraints of
human cognitive architecture, or
human memory, because otherwise, we are not helping them learn.
In physics, the «observer» is independent entity that
works in every
human being on the same principles: it allows him to be aware of their thinking processes, self - performances,
memories, in short, to be aware of the functioning of the
human mind.
The average
human can only hold a certain amount of information in its
working memory at a given time.
Even if it did not, the notion of learning and immediately demonstrating ability flies in the face of well - established research on
human's limited
working memory capacity.
With that as a backdrop, we decided to tell the story through the eyes of multiple characters
working on a government project to replicate the
human mind, using a
memory machine built on an ethically questionable design.
This groundbreaking exhibition follows the artist's exploration of interlined topics, including a halting suite of
works about 9/11; contemporary «history paintings» on life in America since the events of 9/11; homages to his friends, the women quilt makers of Gee's Bend, Ala.;
memories of vanishing ways of life and his childhood in the the South; and evocations of
human struggles for freedom.
«Bits of Elsewhere» is Manalo's third exhibition with Addison Ripley, and the new
work follows her ongoing pursuit of capturing
memory and the tenuous, ethereal uncertainty of
human nature.
His poetically charged
works, often approaching a kind of sensual or perceptual riddles or revelations, involves issues regarding the most fundamental existence and meaning of images in
human culture — images and
memory, images and identity, images and absence or death.
The featured
works are Cleaning the Mirror (1995), where one person carefully scrubs a
human skeleton in a confrontation with mortality, Freeing Series (1975), where the voice,
memory, and body are liberated, and Art Must Be Beautiful, Artist Must Be Beautiful (1975), where the same phrase and action are repeated obsessively, like an incantation.
By merging photographic and sculptural elements, his
work metaphorically speaks to the
human condition of seclusion, oppression,
memory, and loss.
Freeze,
Memory will present three different bodies of Charrière's
work together for the first time, each exploring how
human civilization and the natural landscape are inextricably linked.
TimeFrames, a body of
work reflecting the geometry of
memory and the reflection of the
human condition, will show at Fathom Gallery in the heart of Logan Circle.
From recent location - specific series such as The Hotan Project (2012 - 13) made in the Xinjiang province of China, his first London series titled Half Street (2013), as well as recent trips to make
work in the UAE and Greenland, Liu has also created an automated painting machine entitled Weight of Insomnia (2016), which translates a digital video feed of traffic streams and
human movement in real time into a new body of paintings tracing time,
memory and behaviour.
Working primarily with sculpture and large sculptural installations, Nika Neelova's
work seem to inhabit a post-
human world in which
human needs and definitions have long since been forgotten, remaining only as a vestigial
memory in the forms of the sculptural subjects.
The
work isn't on display at Tate Britain because it was demolished only a few months after its creation, but the ghost of «House» lives on, and the fusion of domestic objects and architecture with the power of
human memory and experience, is at the core of every artwork produced by Whiteread in the subsequent 3 decades.
The exhibition forefronts the challenges of historicizing elusive artworks by presenting
works that take photographic and video documentation and
human memory as points of departure, reactivating, rearticulating and witnessing the interventions and
works through the lens of the contemporary moment.
Molanders
work put emphasis on new relationships between architecture, social environment, living
memory and the
humans within it.
The
works featured not only encompass time,
memories and
human sensation but also access a certainty of selfhood in the particularly gendered territory of the home.
Her
work, which she describes as «panoramic sound quilting,» continues the artist's exploration of what it means to be a U.S. citizen and examines the
human experience through constructs of
memory, myth, make - believe and value.
Looking at histories of colonialism, Meessen De Clercq (Brussels, Focus) will present a solo stand of
works by Thu Van Tran examining rubber as a symbol of suppression by the French in Vietnam; and Chi - Wen Gallery (Taipei, main) will showcase Chien - Chi Chang's The War That Never Was and Yin - Ju Chen's Extrastellar Evaluations (both 2016), new video
works looking at
memory and histories of
human destruction.
During the next three decades, he established himself as one of the most important Chinese contemporary painters, whose figurative
works delve into the
human psyche, exploring personal and collective
memory in the wake of the Cultural Revolution.
Darren Almond's
work examines recurring themes of time,
memory,
human labor and exploitation.