That's how
human perception works.
Not exact matches
The value of Schilt's
work is in its use of the experiences of extraordinary people as a lens to reveal how the value of
human capital — an individual's education, experience and abilities — is tied to gender
perceptions.
All the good
works done by religious organizations of all kinds (Christian and otherwise) might get a mention in a
human interest story sometimes, but decades of this media treatment have skewed public
perceptions of what faith is about.
Whitehead's use of assumptions dating back to Descartes and Locke in his account of
perception leaves him vulnerable to the criticisms introduced by the revolution in philosophic method taking place at the time he was writing his major
works, one in which the analysis of the functioning of language was replacing psychological introspection as the principal method for understanding
human thought.
He
works from the writings of philosophers who take
human perception as their starting point.
What I want to suggest is that we have to see the
work of God in Christ as that which secures against the ever - present menace of their dissolution, our frail, but genuine,
human perceptions and affirmations (in action) of the morally excellent.
To thrust aside a
work of such sensitivity, honesty,
perception, to have canceled out its conspicuous merits by invoking a rigid canon which is itself susceptible to much interpretation, would have been to judge ourselves wilfully blind to the contrasts of beauty and ugliness that underlie
human life.
But after one hour - long talk describing some of his
work in
human - centered computing, such as flying drones with brainwaves, their teachers report a turn - around in their
perceptions, Gilbert said.
«When you have analysts manually going through a dataset, then there's a lot of bias introduced just from the
human perception,» says Simone Baumann - Pickering, a biologist at the Scripps Institution of Oceanography not involved in the
work.
This
work lays an important foundation stone for further studies on spatial signal
perception by cells — both in yeast and in
humans.
In
humans, the cerebellum's extensive connectivity with the rest of the brain suggests it does far more than learn motor skills: it has been shown to have a part in both
perception and cognition, with recent
work linking cerebellar dysfunction to such complex diseases as schizophrenia and autism.
The
Working Group has focused its efforts at several levels of modeling to account for
human risk
perception and how this might be incorporated in climate models.
Collecting qualitative descriptions of
human perceptions of brain stimulation is one of the greatest benefits of
working with
human subjects in this research.
The paper was a result of combined efforts of the joint
Working Group on
Human Risk
Perception and Climate Change at the National Institute for Mathematical and Biological Synthesis (NIMBioS) at the University of Tennessee, Knoxville, and the National Socio - Environmental Synthesis Center (SESYNC) at the University of Maryland.
The project is meant to both «expose the antifemale bias of the art world» and «uncover the complex workings of
human perception and how unconscious ideas about gender, race and celebrity influence a viewer's understanding of a given
work of art.»
Sacks» blended use of story, anecdote and reference to explore fundamental and mysteriously interconnected complexities of
human sight,
perception and experience
works to great effect.
Discovered only recently, it playfully
works the moral tones, the social
perception, the joys in
human company, and the focus on the common man and woman Whitman is known for.
Her
work uses unconventional materials and, at times, methods to engage the senses of the
human body to reconfigure biological, political, and personal
perceptions.
Born in London in 1950, Antony Gormley is a sculptor whose
work with the
human form transcends literal representation, broaches weighty philosophical issues, and questions
perception and the nature of being.
Deriving its title from a book by David Foster Wallace, the show comprises an eponymous new video
work exploring
human perception in the cold void of outer space, structured around interviews the artist conducted with NASA astronaut David Wolf about his experiences in the immediate cosmos.
Some landscape painters convey reality in compellingly quotidian detail, reflecting or critiquing the complex relationship between
humans and nature; others construct neo-byzantine visions of the future that may thrill or terrify; some
work intuitively to give form to the ephemeral, conveying that which can not be spoken; and many bend or break accepted rules of vision, reminding us that
perception itself is both a privilege and a discipline.
Simply titled «Alex Prager,» the show comprises seven new
works that continue her ongoing interrogation of
human perception by exploring the blurred boundaries between reality and fiction.
These were laid over oil - based visual abstractions created by Rose herself — extremely lo - fi iterations of the images of space she used as inspiration — and interspersed with music as diverse as warped Aretha Franklin numbers and EDM, to create «a
work that goes beyond its constituent parts to address ideas of
human perception through direct experience and an emotive sensibility», says the gallery.
Her
works concern the relationship between technology and
human perception and how we communicate the scale of this through language.
Quinn's
work blocks out the noise, the terror, and the despair, and addresses the entirety of
human beings as well as his own
perceptions of those
human beings.
Eliasson is fundamentally concerned with creating art that asks questions about our
human perception of reality; his
works draw associations to land art and architecture, the romanticism of nature and natural science.
10/11/2017 -11 / 2/2018 Peter Bremers: Looking Beyond the Mirror From a master of the kiln - casting technique in glass sculpture comes two distinct bodies of
work in Peter Bremers» abstract style that express his exploration of
human existence, from the perspective of the individual's
perception of the world as well as an observation of our collective power as a group of individuals.
Laure Prouvost's
work ranges freely between different systems of representation, alternating fiction, nonsense, and an imaginary, dreamlike world with the concrete reality of everyday life and
human perceptions.
His current
work further researches
human perception and the impact of new technologies on both individual and collective consciousness.
Like Thomas, their
work challenges
perceptions of embattled cities and explores the
human narratives that unfolded in communities across the United States.
The three
works that make up this installation specifically evoke the limits of
human visual
perception.
JPO translates raw emotions into colorful, powerful and expressive
works of art while visually connecting concepts of
human perception.
In Black's
work, an installation of stabbed plywood boards mounted on the walls and floor of the Project Space at School 33 Art Center, she advocates for a holistic cycle of the daily
human experience, a cycle that persists as we struggle through new experiences and
perceptions and then strain to break free of them, a complete cycle of birth, growth, death, and regeneration.
Bridget Riley (b. 1931) is one of the foremost exponents of Op Art, a style that plays with
human perception to produce optically illusionistic
works of art.
The panel will be comprised of artists, curators and writers who either employ or address digital technology in the creation of sculptural
work outright or in New Media
work which has sculptural concerns related to the
human figure, spatial
perception, and sensory experience.
UK cinema première of artist Dryden Goodwin's feature - length
work: a profound essay about
perception, identity and the creation of meaning, featuring the UK's leading eye surgeon, planetary geologist and
human rights solicitor.
These
works explore the nature of representation and the ways images of film, television and advertising influence common
human perception of identity and the world.
His
work focuses on wild animals and how they exist in
human perception.
Known for his
work that confronts the fragile limits of
perception and physicality, British sculptor Antony Gormley has confronted the
human body throughout his career.
With their
work, Banz & Bowinkel question the concept of simulated reality and thereby
human perception of the world in virtual space.
With each installation, Lima consistently reinvents the viewer's encounter with her
work, skillfully considering the nature of
perception, social relationships, and
human behavior, while creating profound and startling aesthetic experiences.
The
works are the outcome of the collective's broader research into the applications of technology and science within art and their perpetual quest to probe the limits of
human perception.
His
work focuses on
perception, spatial relationships,
human psychology, and questions about life and death.
While the artist's current
work is certainly, by intent, childlike in its perusal of early
human perception, it is also measured, careful, sophisticated and disciplined, presented, as in previous exhibitions, on pure, white fields of paper.
It is, in fact, this playfully schizophrenic viewing experience, the upending of the «fact» of photography and
human perception, and the gap between the authority of the archive and the responsibility of the public to question that authority, in which Walid Raad confidently situates his
work.
Dual exhibitions going on through 22 December at the Paris and London locations of Marian Goodman Gallery explore the
work of Hiroshi Sugimoto, acclaimed photographer, sculptor and conceptual artist, whose
work addresses the mysteries of
human perception.
Finch is widely recognized for his
work across a variety of media that captures the artist's aesthetic probing of nature,
human culture, and memory through a unique cross current of science,
perception, and personal experience.
Kwade's
work is often nearly close to scientific analysis, as she tries to get to the bottom of the structures of
human perception.
As this show suggests, what emerges from Finch's diverse probing of
human perception and visual memory is a heightened awareness of the profound depth of visual experience offered by the outside world — an awareness simultaneously explored by Finch's
work across a variety of media.
Here again the
work foregrounds and embraces the the oddities of camera vision that
human perception so elegantly compensates for.