Alia El - Bermani's Perceptions of Beauty A feminist painter's investigation of the way
human physical beauty is socially constructed.
Not exact matches
To regard the ordinary embodied experience of men and women as theologically significant in a positive way is to receive all these images of
physical delight, of
beauty and ecstasy, of
human growth and nurture, of the contact between
human persons that the touching of bodies can make possible.
You would love Him for the depth and
beauty of his personality, not his
physical attractiveness, though He must have been a noble
human figure to know and understand.
Situated on the slope of mount Batur, at the highest
physical elevation of any
human settlement in the island of Bali, the village of Sukawana offers a great panoramic view of Mount Batur and its vicinity; it also provides a good angle for the photographer to capture the
beauty of mount Batur, Abang and Agung simultaneously.
This three hour, fully escorted, semi-private driving tour will introduce you to marvelous
physical beauty, and a sense of soaring
human presence with the most subtle
human footprint.
Using these dolls instead of actual
human bodies, Horvat compares aesthetic interventions with an innocent childhood game taken too far: adults unhappy with their appearance, a society obsessed with the ideal of
beauty, and patients undergoing
physical aggression and pain to achieve acceptance not only from others, but from themselves.
The talk expands on «Sex on Paper,» a visual feature curated by New York - based artist Mathew Cerletty in the Art & Sex Edition — a selection of works on paper that «playfully reflect some of the many complications of
human sexuality: fantasy, twisted obsession, unbridled lust, sweet vulnerability, and of course the simple
beauty of a
physical connection.»
Following a conversation with Mike Kelley about the
physical beauty of many performance artists, McCarthy collaborated with Kelley to make Fresh Acconci (1995), a restaging of a series of historic works by the New York — based artist Vito Acconci, who is known for early performances in which he employed his own body to explore questions of social interaction, the distinctions between public and private behavior, and the objectification of the
human body.
Concerning
physical materials, the inexhaustible geological energy of our planet has generated absolute
beauty far superior in every way to the
beauty created by
human intervention.
The art work, along with two other golden totemic sculptures on view (The Figure of the Question of Death and The Figure of the Interrogative Philosophy), illuminate Byars» interest in the transient experience of
beauty and evoke simplified versions of the
human form and the
physical manifestation of «question.»