Sentences with phrase «human presence through»

Works by Louise Bourgeois, Rachel Whiteread, and Haegue Yang signify human presence through objects that bear the subtle marks of use.
Polly Apfelbaum utilizes saturated color and abstract forms in her wall - based ceramics, and implies human presence through her use of peoples» names as titles.

Not exact matches

But the God did not assume the form of a servant to make a mockery of men; hence it can not be his intention to pass through the world in such manner that no single human being becomes aware of his presence.
, Newman saw these assorted proto - revelations as themselves signs, not just of the presence of God's logoi spermatikoi in all of human society but also as pathmarkers for the Church's evangelizing pilgrimage through salvation history, a journey he describes in one of the most magnificent passages in his Essay on Development:
In spiritual healing as Eddy understood it, the human mind does not «do» something to another mind; rather, it witnesses through prayer and self - purification to the presence of the God supremely revealed through Jesus Christ.
By «God» I mean the pervasive personal presence, distinct from me and prior to me, who is the source and support of my existence; who through Scripture makes me realize that he has towards me the nature and name of love - holy, lordly, costly, fatherly, redeeming love; who addresses me, really though indirectly, in all that Scripture shows of his relationship to human beings in history, and especially in the recorded utterances of his Son, Jesus Christ; and who is daily drawing me towards a face - to - face encounter and consummated communion with him beyond this life, by virtue of «the redemption which is in Christ Jesus» (Rom.
The glory and the holiness of the God of Mount Sinai calls forth in the Covenant people awe, wonder, and fear, which is expressed, finally, in their obedience to those principles through which God's presence is seen in human life, those principles through which life, love, and the fullness of God's creation are finally achieved.
I served as a chaplain for many years and understood that my role was not to represent one faith but to re-present through my presence the compassion of all faiths and no faiths — in other words, human kindness for humankind.
For if this possibility is excluded on a priori grounds, the experience must be interpreted another way: as an unwarranted enthusiasm, as the presence of human love in community, as the activity of God mediated through the community's memory of Jesus, or what have you.
As I have come to learn, it is impossible for a woman to get through a pregnancy without being acutely aware of the presence of another human life inside her own body.
Now if humanity's transformation through relationship to Christ truly depends upon the human response of faith, then the expansion of the effects of God's redemptive presence in Christ will be processive in nature and have a time - space extension.
If God truly loves humanity, this way of thinking presumes, then he'd saturate the world with his presence, making himself available to everyone in and through the diversity of human experience.
This dominant theological paradigm of British Christianity weaved together at least the following three themes, which impacted the objectives and dynamics of British imperialism in India: first, the immanental presence of God, through the incarnation of Christ, into human history pervades all realms of life; thus the cosmic Christ unites all human beings in an invisible whole.
It is the journey of primordial matter through its marvelous sequence of transformations — in the stars, in the earth, in living beings, in human consciousness — toward an ever more complete spiritual - physical intercommunion of the parts with each other, with the whole, and with that numinous presence that has been manifested throughout this entire cosmic - earth - human process.
some that with out self thought knowledge who called themselves athiest are really confused and truelly believe what they are saying even when wrong they believe to be telling the truth now that is not all atheist some are really cruel and mean to deceived others - those who are not stading in solid ground are those worth reaching out to - cause they need to know truth from false testimony... those who trully know God can not depart from him but there are those who blindly fight their way away from him... evil is blind and can't see the presence of god — that was God's course for rebelion... only a pure soul can be reach by the creator now that is not that easy to keep so its only through faith and the acceptance of jesus sacrifice for the human race that is posible to find the way and acceptance required by God in his second agreement to menkind... jesus was the lamb who took all our sin so even with a blind soul one can find the way to the creator and at one time if any find themselves in the presence fo the lord our God the reason we are here...
some that with out self thought knowledge who called themselves athiest are really confused and truelly believe what they are saying even when wrong they believe to be telling the truth now that is not all atheist some are really cruel and mean to deceived others — those who are not stading in solid ground are those worth reaching out to - cause they need to know truth from false testimony... those who trully know God can not depart from him but there are those who blindly fight their way away from him... evil is blind and can't see the presence of god — that was God's course for rebelion... only a pure soul can be reach by the creator now that is not that easy to keep so its only through faith and the acceptance of jesus sacrifice for the human race that is posible to find the way and acceptance required by God in his second agreement to menkind... jesus was the lamb who took all our sin so even with a blind soul one can find the way to the creator and at one time if any find themselves in the presence of the lord our God the reason we are here...
With Thomas Berry, I believe that we need spiritual leaders who will assume the global human heritage as [their] own individual heritage,» who through contact with other traditions will come to know their own traditions very deeply, and through whose «own self - integration a healing comes to all [humankind]... and the human community is brought into the divine presence
«We recognise that just as all truth rests in the Word of God, through whom all things were made and through Whom all thing will come to their completion, so too the construction of a true human ecology can only be achieved in relationship to the Word -LSB-...] we can see and sense the echoing of that eternally spoken Word in so much of the created world around us -LSB-... which Word is] expressed in all those actions and events which make up the history of salvation -LSB-...] we recognise most centrally that this eternal Word of God, in whom all things makes sense, finds flesh in the person of Jesus of Nazareth who then becomes its fullest expression and true presence in the world -LSB-...] the centre of true human ecology is the person of Christ.»
Natural sleep aid: through the presence of melatonin, a human sleep regulating hormone also found in certain plants.
The presence of mercury in human hair generally indicates that a person has been exposed to the metal through a dietary source.
Microfluidics, the science of moving nanoliter - size drops of liquid through channels built on the scale of a cross section of a human hair, make it possible to automate the process of separating out biomarkers, analyzing and amplifying them, and then registering their presence.
The near - infrared light that causes the nanotubes to fluoresce can penetrate about eight centimeters into human tissue, so physicians could potentially shine the light through skin and flesh to look for fluorescence from nanotubes signaling the presence of cancer cells.
This is the first description of a human memory T cell population that is susceptible to being lost through end - stage differentiation due to the combined effects of lifelong virus reactivation in the presence of bystander differentiation - inducing factors.
As a yoga and meditation teacher, her style reflects an appreciation of the principles that govern human performance while encouraging transformation through embodied presence.
In confronting an extraterrestrial presence through the gaze of a human female, emphasizing her intelligence and composure while sneakily teasing out her emotional history, «Annihilation» at times suggests a more ferocious companion piece to Denis Villeneuve's 2016 thriller, «Arrival.»
Birdsong, crickets, snatches of engine noise and music but no human presence, until a group of girlish feet - sandals, white socks - passes crisply through the frame in the opposite direction from the camera's movement.
As Caroline Dent, Art Teacher at Oundle, says: «The sculpture seems a living and involving form, which tells a story through its play and interaction with light, space and human presence.
For we're fortunate enough to experience all sorts of amazing adventures here in this vast, incredibly wondrous, wild place, where waterfalls gush and monstrous mountains rise steeply through the mists and there's no sign of human presence anywhere (except ours).
The exhibition explores expanded narratives of sculpture through works in which artists have sought to replicate the literal, living presence of the human body.
Rothko aimed in his work to create an overwhelming presence that through its combination of shimmering and almost indefinable planes of colour generated an undeniable emotive energy that resonates in the human psyche.
Shot from different perspective, it conveys the awareness of the relationship between the human being and his surroundings, and through the self - reflection over survival and daily maintaining, to represent the implications of achieving the ultimate truth via invisible presence.
While each work suggests the presence of humans amid an urban landscape, Rodriguez is more interested in creating atmosphere, allowing that which would ordinarily go unnoticed through the fog to take prominence.
Though archaeological research confirms the presence of humans in this region over 125,000 years ago, Sharjah — as a city, an emirate and a member of a relatively young federation — is still in the process of imagining itself through education, culture, religion, heritage and science.
Such recurrence comes across, literarily and visually, through the presence and representation of mirrors, as well as mannequins — near - human in the latter case — that come to life in surrealist dreams and hallucinations.
This same sculpture is made through a process of appliqué — stitching together a skin - tight fabric over forms and giving them a very human / bodily presence.
Incorporating a symbolic figurative presence as an alternative to the external appearance of a human figure — a traditional marker of our existence — these works locate the body through spaces, materials, sensations, and information that exist in relation to it (and to us).
Her performance pieces of the late»80s revolved around the human body, a theme that reemerged and is carried through her sculptural works, in which non-figurative pieces engage the viewer's bodies through their striking viscerality and presence.
Through her chosen media of painting, sculpture and video, the artist exposes the nature of human experience to time and space, marked by a multitude of binary ideas which include transparency and opacity, presence and absence, and light and shadow.
His ethereal drawings, created through uncontrollable forces, are paradoxical objects: they ask us to consider our own mortality while denying the presence of a human hand.
The absence of a human figure tasks the objects in the paintings with suggesting a narrative arc, imbuing them with a sense of mysterious drama — a door that is slightly ajar, a glass of water left on a bathroom sink, a broom leaning against a wall are the only evidence of the presence of a person, perhaps having moments before walked through the picture frame, or lingering just out of sight.
In assemblages such as Terry Adkins's Tonsure, 2010, and Nayland Blake's October Chain, 2007, found objects take on a totemic quality through their eerie juxtapositions, indexing a haunting sense of an implied, disembodied human presence.
Typically devoid of overt depictions of figures, human presence is instead referenced obliquely through the portrayal of the familiar spaces of everyday life.
In these paintings, the figure is no longer visible, but a human presence is clearly felt through dimly lit windows.
-LSB-...]... To allow ourselves to be inhabited by what left our field, perhaps our visual field; around us, in the hole inside us, we learn the fullness of other dimensions of existence...... The spaces left empty are the place of the most intense energy, emanations, auras, tensions, thoughts and the fascinations of the human presence... -LSB-...] The drawn objects serve as a backdrop for creating states of mind, from which the attempt at concentration, at falling inside, at finding the rhythm, the exhaustion through rhythm and the reaching of a conclusion which is a static stage before a new beginning.»
In its deliberate physicality and human scale, the sculpture, titled Great Grandparent (all works 2010), seemed a compulsory symbol through which to understand this show in its entirety — that is, as suspended between presence and
Nengi Omuku (Nigeria, b. 1987) is a painter who features dark, amorphous and human presences that float through active spaces.
Cramer, whose works often suggest a subjective perception of the world surrounding us, brings to this exhibition a combination of thoughts represented through a variety of media — from his intimate artist books to site - specific installations such as Empty Room, where for the duration of the exhibition, a room in a house somewhere in the countryside of Portugal is kept completely empty, making one reflect on ideas of presence, absence and the human collective unconscious.
Even though Rhodes» images are absent of people, a human presence is ever - present within his work, if only as a privation, through objects and colours.
His subjects allow him to merge landscape, human and animal presence through which he convincingly exploits his potential as a truly impressive colorist.
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