The corrective is to be found in the New Testament experience; what
emerged in the first century world was a profoundly revolutionary community, rooted in a new understanding of history and of
human purpose.
Featuring established and
emerging international artists from around the globe, the 14th edition of the Sharjah Biennial (SB14), Leaving the Echo Chamber, explores the possibilities and
purpose of producing art when history is increasingly fictionalised, when ideas of «society» are invariably displaced, when borders and beliefs are under constant renegotiation and our material culture is under the constant threat of
human destruction and climate degradation.
The
purpose of this section is to discuss the
human rights implications of particular findings of extinguishment and some of the
emerging implications for the administration of native title by agencies and governments following Miriuwung Gajerrong.