Sentences with phrase «human relationship to space»

The harsh documentary approach of these teachers, again appears in the architectural images of Thomas Struth which are still, structured and yet evocative as the human relationship to space is captured; contrasting with this is the work of Candida Höfer, which sees public spaces completely emptied of human presence.

Not exact matches

Another area for consideration would be the relationship of the human body to other forms of matter - energy across space and time.

It is a drama that unfolds in several contexts at once: within the historical context of a «great cloud of witnesses», that is, in relationship to all of those who speak (and have spoken) as «Christian preachers»; within the context of the speaker's own human existence in relation to other statements of faith collected as «Christian theology» within the time and space set aside for the performance of Christian liturgy.

Now if humanity's transformation through relationship to Christ truly depends upon the human response of faith, then the expansion of the effects of God's redemptive presence in Christ will be processive in nature and have a time - space extension.

So a human is a composite whole of a spiritual being outside of time and space, a soul (heart, mind and emotions) and a physical being in a symbiotic relationship with the surrounding environment and there can be a myriad of reasons as to why something happens.

The following principles guide and define our approach to learning and teaching: • Every child is capable and competent • Children learn through play, investigation, inquiry and exploration • Children and adults learn and play in reciprocal relationships with peers, family members, and teachers • Adults recognize the many ways in which children approach learning and relationships, express themselves, and represent what they are coming to know • Process is valued, acknowledged, supported, nurtured and studied • Documentation of learning processes acts as memory, assessment, and advocacy • The indoor and outdoor environments, and natural spaces, transform, inform, and provoke thinking and learning • School is a place grounded in the pursuit of social justice, social responsibility, human dignity and respect for all THE CREFELD SCHOOL 8836 Crefeld Street Philadelphia, PA 19118 215-242-5545 www.crefeld.org 7th - 12th grade The Crefeld School is a small, independent, coeducational school, serving approximately 100 students in grades 7 - 12.

Working with these thoughts and questions we realize that one of the most urgent issues of our time is the caring for the human surroundings and the quality of the adult relationships around the child, to provide a warm, safe and free space for the child's development.»

Stormborn, the second episode of Game of Thrones season seven, ramped up the action to satisfyingly full - on levels - but also had space for a moving Dating is a stage of romantic relationships in humans whereby two people meet socially with the aim of each assessing the other's suitability as a

From marketing to entertainment, publishing to relationships, almost all areas of human interaction seek it, but none more than the education space.

According to this study, primates (including humans) have only a fixed amount of cognitive space for social relationships, which means that the average person can maintain only about 150 friends at a time.

The dimly lit space — a forest that lacks the many marks of human civilization — challenges viewers to evaluate their relationships with technology.

It aims to strengthen human relationships by engaging with the public realm - the streets, the open social and culture space.

The curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose «material» is the human being.

Antony Gormley is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space.

Particular emphasis is placed in the relationship between the human body and environment, using multiple sites to play with as spaces to create live images.

The natural environment and relationships with the land is the focus of Otobong Nkanga (b. 1974), who takes a multi-media approach to her exploration of human interactions with space and place.

Antony Gormley (b1950, London) has spent more than three decades exploring the possibilities of sculpture, specifically thinking about the relationship of the human body to space and time.

Gormley is internationally lauded for his sculptures, installations and public artworks that investigate the relationship of the human body to space.

His performances explore the relationship between space and the human body with elements ranging from self - inflicted bite marks to traces of lipstick from a performer's mouth.

In their most diverse exhibition to date, The Henry Moore Foundation's «Body & Void» exhibition draws connections between Moore's investigation of internal space and its relationship with the human body, and reveals how his ideas have been taken in new directions by subsequent generations of artists.

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

Both authors will discuss the relationship of the idea of the avant to their own work and the extent to which it is or isn't a useful way to think about ideas of time and temporality, newness and oldness, chronology and succession, beforeness and afterness, and the layered, textured, multi — species spaces in which culture (and not just human culture) happens: Morton in relation to his writings on literature, art, music, and ecology in landmark texts such as Ecology Without Nature, The Ecological Thought, Hyperobjects, and Dark Ecology; and Wolfe in relation to his work as both author (Critical Environments, Animal Rites, and What Is Posthumanism?)

True Value gathers materials, objects and tools removed from their original context and relocated in an art environment, deploying a framework to formulate a poetic and pragmatic space around objects of trade and human relationships those economic and labour exchanges create.

For 14 Rooms curators Klaus Biesenbach and Hans Ulrich Obrist invited international artists to each activate a room and explore the relationship between space, time, and physicality with an artwork whose «material» is the human being.

Curators Klaus Biesenbach, Director of MoMA PS1 and Chief Curator at Large at The Museum of Modern Art, and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, have invited 14 international artists to each activate a room, exploring the relationship between space, time and physicality with an artwork whose «material» is a human being.

For the group exhibition 14 Rooms in Basel (Switzerland), the curators Klaus Biesenbach and Hans Ulrich Obrist invited fourteen international artists to each activate a room, exploring the relationship between space, time, and physicality with an artwork whose «material» is the human being.

Rosemary Laing and Catherine Yass are concerned with the human relationship to the built environment, using the landscape to examine perceived realities of physical and psychological space.

About The Artist Antony Gormley, born in London in 1950, is widely acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space.

Sean Newport creates wood sculptures that conceptually challenge the perceived notions of reality, and lastly, the multidisciplinary artist Yetunde Olagbaju concerns herself with time travel, space, source, vulnerability, ancestry, and the human relationship to the Blackness of the universe.

The artistic practice of Voeed Chao Wang now makes use of subtle language to investigate the human perception of objects and space, as well as the critical relationship between emotions and its influence on perception.

Developed on site during his residency at Gasworks, the exhibition transforms the gallery into a ritual space in which to reimagine the relationships between humans and machines.

Developed on - site during his residency at Gasworks, the exhibition transforms the gallery into a ritual space in which to reimagine the relationships between humans and machines.

Join Meredith Turnbull for an artist response to the life of objects: their relationship to human practice; and their intersection with ideas of artistic discipline; and the dimensions of time and space.

Kogelnik, well known for her distinctive style, bright color palette, and close relationship to second - wave feminism, employed a variety of media in her investigations into politics, social critique, the space age, and the human body.

For more than thirty - five years, since his first solo exhibition at the Whitechapel Gallery, Antony Gormley has sought to explore the relationship of the human body to space and to reinvigorate and test the potential of sculpture.

Gormley is known and lauded for his sculptures, installations and public art works exploring the human body's relationship to space.

Pratt's recent work considers public space and architecture and their relationship to human circumstances.

For 14 Rooms, curators Klaus Biesenbach and Hans Ulrich Obrist invited artists to each activate a room and explore the relationship between space, time and physicality with an artwork whose «material» is the human being.

Known and lauded for his sculptures (particularly Angel of the North, the imposing public colossus commissioned in 1994), installations and public art works exploring the human body's relationship to space, this is Gormley's fifth exhibition with the gallery.

Conjuring a sense of tension through her ladder pieces, which often show ladders leading to nothing but empty space, Bourgeois tackled the nature of human relationships and the inherent struggle of maintaining balance.

Gormley is internationally known for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

Exploring the nature of human relationships and the inherent struggle involved in maintaining balance, Bourgeois conjures a sense of tension through her «ladder» pieces, which often show literal and abstract ladders leading to nothing but empty space.

As a human mime shapes the air suggestively above an empty plinth, the surrounding works in the exhibition seem to come alive, revealed to be the manifestations of each artist's complex relationship to space, matter, and history.

The exhibition will also feature pieces by John Baldessari, whose works would often draw viewer's attention to minor details, absences or the spaces between things; Alfredo Jaar, multidisciplinary artists best known for his installation works; John McCracken, whose monochromatic sculptures explore the relationship between objects and their surrounding spaces; Bruce Nauman, whose conceptual works conceptual works that explore space, language, and the body; Lorna Simpson, whose photo - conceptualist works investigate the relationship between image and text; and Vassilakis Takis, a kinetic artist who uses electromagnetism to suspend human beings and objects in space.

Curators Klaus Biesenbach, Director of MoMA PS1, Chief Curator at Large at The Museum of Modern Art, and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International Projects at the Serpentine Gallery, have invited 14 international artists to each activate a room, exploring the relationship between space, time and physicality with an artwork whose «material» is a human being.

Trained as an architect, Matta developed his ideas on the relationship of space to human beings while working at the Paris studio of Le Corbusier.

The whole space will be scarred and changed after the performance, evoking the peacefulness and the relationship of the human being to the nature.

Serra uses material to investigate weight, balance and the relationship with space, often dividing environments as interventions with the human form, the artist's work often reflects the temporal nature of art via the patina of rust adding a fourth dimension; that of time, the temporal aspects of object and body.

With sculpture as a primary medium, Gormley's work has explored the relationship of the human body to space and time, emphasizing the body as place rather than object.

Washington, D.C. - Today the House Science, Space, and Technology Committee sent a letter to the Department of Health and Human Services seeking answers on the relationship between the Obama National Institute of Environmental Health Science (NIEHS) and Italy's Ramazzini Institute (IBR).