Sentences with phrase «human vision works»

[36] Because the photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with Cubism, one of Hockney's major aims — discussing the way human vision works.

Not exact matches

This ability to use vision and touch sensing to improvise its way to successful task completion makes Baxter highly adaptable to the ordinary, human - oriented work conditions found in small - company assembly lines.

Magic Leap, the $ 4.5 billion startup backed by Google building technology that «augments» human vision with digital imagery, is scrambling to finish a working prototype before an important board meeting next week.

Additionally, he said the FAA created a new drone advisory committee consisting of both government and industry representatives, who will work on a new proposal involving flying drones outside a human operator's field of vision.

«At work in all of Benedict's writings is a profound theological vision of the human vocation and destiny.

Men may have their visions, but they are required to work them out in the everyday stuff of human situations.

Eastern theology acknowledges that there's something drastically wrong, even evil, about human beings (just not in the same sense as the Western Church), and it's because of Jesus» work as the «true human'that humanity may come closer to this vision.

And any claim or belief that we see more or more deeply is always rightly going to be tested in those encounters where we find ourselves working for a vision of human flourishing and justice in the company of those who do not start where we have started.

The liberal vision sees God working in human history for a progressive achievement of a higher order of life for mankind.

The notion of the people, i.e.Minjung, and of small - scale movements and initiatives which represent them, is from the Christian point of view partly a socio - ecclesial vision in the sense of a theological appraisal of the church as social reality in the larger body politic, and partly eschatology in the sense of a vision of the ends worked out within, and ends which extend beyond, human history.

If we begin with a vision of planetary brotherhood living in ways that allow for the perpetuation of the human species on earth, then the specifics can be worked on.

With the approach of Updike's 50th birthday, and with the publication of this his 25th book, it is time to offer an assessment of his work as a whole: to trace his natively Lutheran vision of life as cast by God into an indissoluble ambiguity, to examine his treatment of death and sex as the two phenomena wherein the human contradiction is most sharply focused, to set this new novel in relation to the earlier «Rabbit» books, and to determine what is religiously troubling and compelling about Updike's art.

They were of human vision and human experience; they began from the subjective and worked towards the objective.

His statement shows lack of respect to Wenger, his work and vision and also underestimates quality of every in individual in the current Arsenal squard.He also forgets that its been one fully season when he was able perform week in and week out for Arsenal and the he wants to leave, thats quite ungrateful and lack of human values.I think he does nt love the club because he is willing to destablise it.

Mr. Speaker, I have every confidence that with all of us working together under the President's leadership, we can march forward to a Ghana beyond aid in a new, more matured, and mutually beneficial relationship with our external partners, and advance towards our national vision of building: «An optimistic self - confident and prosperous nation, through the creative exploitation of our human and natural resources, and operating with a democratic, open and fair society, in which mutual trust and economic opportunities exist for all».

We will continue working this year on our vision of creating a health and human services hub for our residents in Pomona.

How does your multi-touch work build on your previous research in the areas of computer graphics, machine learning, real - time computer vision and human - computer interfaces?

Today, their work, which earned them the Nobel Prize, also informs advanced computer science, especially «machine vision» — research intended to help computers improve their visual processing, an area where they remain well behind human capabilities.

Students work on robotic land and air vehicle design, human - machine interfaces, vision systems, speech, wireless communication, interactive multimedia art, and many other areas.

Although it wouldn't work for humans, new research published today in Nature Communications has shown mantis shrimp use eye rotations to enhance their polarization vision.

«Indeed there are insights that come from work on fruit flies that have helped human health so it's quite possible that the next thing we learn about human vision comes from spiders.»

There he is working to create a computer that will fulfill his boyhood vision — a new kind of computer, based not on the regimented order of traditional silicon chips but on the organized chaos of the human brain.

In his caseand many othersSony's vision of human - robot interaction is working.

The Soviet space program was supposed to be a vision in which science, Communist ideology, and dreams worked together in an attempt to break loose from the dystopian human condition.

Huang directs the Image Data Emulation & Analysis Laboratory at Lehigh where she works on artificial intelligence related to vision and graphics, or, as she says: «creating techniques that enable computers to understand images the way humans do.»

In the labs at Institute of Applied Sciences and Intelligent Systems of CNR, we demonstrated that the discovered approach works efficiently for both single - and multi-wavelengths Digital Holography, by achieving an enhancement up to 98 % in terms of percentage of noise suppression, thus demonstrating an unsurpassable quality in holographic 3D reconstructions that can be considered a «noise - free» for human vision.

She works under the direct supervision of Dr. Lamba to conduct research to develop strategies to restore vision in mouse models generated to mimic human retinal degeneration diseases.

One of the most influential neuroscientists of our day, Ramachandran's groundbreaking work in phantom limbs, human vision, mirror neurons, synesthesia and conceptual metaphors has taught humanity more about that organ in our heads than anyone else.

-- is working her magic on Vision in his human form, and I want to care but I do not.

Noah Baumbach adapts to the human condition vision that has been demonstrated by filmmakers such as Woody Allen, Paul Mazurzky and Jean Luc Godard, but his work still has a sense of emergence and contemporary relevance that feels fresh.

First time visitors may want to begin with the Explore section where they will find interactive exhibits that look at Leonardo da Vincis work on the forces of nature, the human body, light and vision, and the natural world and learn how these things are all interconnected according to da Vinci.

Residencies work from their partner school's vision for success early on by preparing candidates to fill district's human capital needs in pre-K, elementary, and secondary grade levels, or hard - to - fill areas like special education and STEM.

I wrote a paper about how text has optimized for human vision when I worked on Microsoft's eBooks effort ten years ago.

Amnesty International UK hosts the British film premiere of Taking Root: The Vision of Wangari Maathai at the Human Rights Action Centre in London on 28 May 2009: for details, click here The film will be followed by a question and answer session with Wangari Maathai; filmmaker, Lisa Merton; and director of the International Institute for Environment and Development (and openDemocracy contributor), Camilla Toulmin For more information on Wangari Maathai's work, see the website of the Green Belt MovementNonetheless, the farmers were unhappy.

Dancing between the dark comedy of human failings and the breathtaking possibilities of human hope, The Poisonwood Bible possesses all that has distinguished Barbara Kingsolver's previous work, and extends this beloved writer's vision to an entirely new level.

They talk about guide dogs and the incredible work these dogs achieve every day to make their human partners who are blind or who have limited vision more independent and active!

Beyond about 100 meters, human binocular vision can't tell the difference, so this will work even with an Oculus Rift.

Human Head Studios assisted Irrational Games in bringing their vision for BioShock Infinite to life, working both on site in Boston and with staff in Madison assisting in level design and development, combat systems design, optimization, and character, level and animation asset creation for this multi-platform first person shooter.

Mirroring the vision of the Ballroom itself, a non-profit cultural space founded on the belief that art can impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating visual pleasure, humor, interactivity, color, technology, industrial design, politics, landscape, spirituality, and popular culture.

As Bell has stated, «my work is for the dreamers» — opening up the possibility for looking and seeing in as pure a way as possible — using physics in the service of the sensuousness of individual human vision.

Presented in association with Emillions Art, the exhibition will showcase work by six artists to share their visions of the mystical forces that compel humans to take action.

Some landscape painters convey reality in compellingly quotidian detail, reflecting or critiquing the complex relationship between humans and nature; others construct neo-byzantine visions of the future that may thrill or terrify; some work intuitively to give form to the ephemeral, conveying that which can not be spoken; and many bend or break accepted rules of vision, reminding us that perception itself is both a privilege and a discipline.

His iconic work centers around his characters who have a frozen grin on their faces that «expresses an ironic and disillusioned vision of the social and political situation in contemporary china and of the human condition.»

Other works test the limits of photographic technologies and human vision, such as Tacita Dean's 16 mm film The Green Ray (2001) and Mary Lucier's 7 - channel video Equinox (1979/2016).

Occasionally figures appear in the work, but in Mr. Estes» vision, the human drama of city life is subtly implied.

This body of work plays with the idea of art as an ongoing conversation with posterity in which artifacts of the past are painted over, yet traces of the original art remain — and using the cave - dweller as a metaphor for the fundamental human condition: forever shrouded in darkness and uncertainty, yet determined to leave our own visions upon the walls of the cave.

The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Her works in all media integrate her vision of vivid backdrops for human activity.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,