Sentences with phrase «humor in almost»

Just like in our books we can mix in a little of a different tone — even if we don't write romance or humor, there's often an aspect or subplot of romance or humor in almost every novel.

Love to laugh, have a great sense of humor, and try to see humor in almost every situation.

I love to laugh and find humor in almost everything therefore finding someone with a sense of humor is important.

I am a kind & thoughtful Christian woman who can find humor in almost anything I do..

I keep a postive outlook and can find humor in almost every situation.

Don't take it personally; I can find humor in almost any situation.

Not exact matches

To think about what «Breaking Bad» would have been like without him is almost impossible, as he was such a key point in Gus Fring's criminal organization, as well as a perfect foil for Odenkirk's Goodman to bounce his humor off of.

I did not realize this about Jesus for the longest time, but when I first began to understand the humor of Jesus, I soon realized that in the Gospels, Jesus is telling a humorous story on almost every page.

Like many books in this genre, Moore's thrillers are almost devoid of humor, but in compensation they are richly supplied with irony.

It's the lying and deception that can destroy trust in these situations more than almost anything else, and the second episode even makes it a point to try and get that across through slapstick humor, until it ditches that initial argument altogether and starts becoming a wacky comedy in full with all of the usual trappings.

Hamann's humor consists so much in ludicrous involutions of thought and language, and in the cumulative effect of one absurdity heaped atop another, and in the almost sweetly earnest obliviousness of a voice like that of a holy fool that one must almost entirely immerse oneself in his imaginative world in order to enjoy the fruits of his comic genius.

A bit about my book «Religious Literacy» (Americans are very religious, but know almost nothing about their own religions), a bit about my newest project, «God is Not One» (no, religions are not different paths up the same mountain) and some humor thrown in here and there.

Almost seems tongue - in - cheek humor.

Belly Laughs: The Naked Truth About Pregnancy and Childbirth (click here to check price on Amazon) is written in a very down - to - earth style and is full of jokes and humor, which is a nice approach that you'll probably appreciate compared to some of the other books that are written in an almost clinical style.

well, Iam a widow, husband been gone almost 5 years, dateing dateing a couple years ago, but not much, Iam looking for someone that has things in commen with me, Iam easy going, laugh alot, great sence of humor, love motorcycles, camping cook outs, want a romanic type man, a man that wants only to be with...

Incorporating humor will break the ice in almost all situations and increases attraction.

To break down the science of humor seems, in a sense, almost contradictory to the spontaneous nature of humor.

When Calvin Candy's servant explains his role in maintaining the estate, Django replies that the white man is «almost like a nigger,» a bold remark punctuated with one of several ostentatious zooms lifted from the spaghetti western vernacular — allowing for yet another moment of unlikely humor.

It's that Kristen Wiig brings out the awkward humor in the situation better than almost anyone.

Band of Brothers could use a little more humor, a bit more of the irreverence and profanity that frequently arises in groups of men alone, to break up its almost unrelievedly somber atmosphere.

You could almost imagine the two films, or at least their heroes, figuring in the kind of good - natured, racial - stereotype humor that used to be a staple of stand - up comedy (and was memorably parodied on «The Simpsons»): «white guys abolish slavery like this» (pass constitutional amendment); «but black guys, they abolish slavery like this» (blow up plantation).

One Mississippi is the most subtle version of that new post-Louie comedy we've been given so far, in that Tig rarely goes for deliberate jokes, and instead lets her dry sense of humor act as a kind of shield against the pervasive sense of melancholy that permeates almost every scene of this show; it's a fascinating choice.

Crude gags and sexual humor are easy; these things are almost taboo in one's daily public existence, which makes them «funny» when they are shown without inhibition.

The reference to Truffaut's alter ego keys us in to «Almost Famous»'s connection to a history of cinematic bildungsroman, and also to the melancholy spirit beneath the slapstick humor and verbal play.

In fact, it almost, ALMOST made me want to go and re-watch the first film to appreciate that humor a lot more after seeing James Wan's world a little bit more complalmost, ALMOST made me want to go and re-watch the first film to appreciate that humor a lot more after seeing James Wan's world a little bit more complALMOST made me want to go and re-watch the first film to appreciate that humor a lot more after seeing James Wan's world a little bit more completely.

With an almost paranoid attention to detail, they manage to find humor in even the most horrifying scenes and storylines.

There's nothing revelatory in the enraged critique within Maps to the Stars, although it is carried somewhat further than its limitations by some really wicked humor and a few of the performances (Almost every member of the cast is playing some variation of an irreparable person, but Moore, Wasikowska, and Bird are the most convincing of the bunch).

Unfortunately, Diaz is unconvincing in her role and almost seems incapable of adding humor to the mix here.

The primary flaw in Get Over It stems from the uninspired script that supplants genuine insight and wit for ridiculous slapstick and some of toilet humor so raunchy that I almost dry - heaved from moments that included Berke's almost landing face first into a steaming pile of horse manure only to have the same horse urinate all over his face, and late a disgusting scene involving vomiting in a party punchbowl only to have others drink the putrid concoction in bewilderment as to it's unique chunky texture.

Hooper is a fan favorite film meant almost exclusively for fans of Burt Reynolds (Smokey and the Bandit, The Cannonball Run) and the down - home country boy humor he was known for in the late 1970s.

His is the humor of a tongue buried deeply in a cheek, almost to the point of popping through to the other side.

From Ellen Degeneres» signature humor as forgetful fish Dory to Zootopia's always - funny Jason Bateman - the man could say literally anything and I would laugh - the jokes in this year's best animated features are almost always enhanced by the voice actors who give them life.

Functioning more as a mythology - expanding spinoff than a proper sequel, this fifth installment (the first directed by longtime series writer Christopher Landon) smartly moves the setting away from airy suburbs to overcrowded working - class apartments, and introduces a winning sense of humor that almost compensates for its relentless reliance on every terror trope in the book.

• The Coens have never lacked for confidence, but this was their most confident film to date, a blending of humor and drama that at the time felt daring but in retrospect seems almost obvious.

In case it isn't obvious yet, the film is filled with plenty of physical humor and sight gags that have an almost cartoon - like logic to them (A character's nose gets stuck in some closing doors, leaving her hanging above the ground — and flattening the noseIn case it isn't obvious yet, the film is filled with plenty of physical humor and sight gags that have an almost cartoon - like logic to them (A character's nose gets stuck in some closing doors, leaving her hanging above the ground — and flattening the nosein some closing doors, leaving her hanging above the ground — and flattening the nose).

She's heavier - than - leaden in almost every single moment she has on screen — except the marvelous weightless dance sequence to [and you have to appreciate the humor] Van Halen.

Self - reflexive and dosed with macabre humor, this offbeat exercise in just - around - the - corner horror grounds the largely exhausted found - footage approach in classical storytelling and visual values, resulting in a refreshing (and memorably strange) genre piece, premised almost entirely on a child's willingness to accept grown - up weirdness as long as it ensures stability.

But even as the tonal register constricts, the rooms darken and the story edges almost imperceptibly toward tragedy, «A Quiet Passion» never quite loses its grounding in humor, in the push - pull of voices in vibrant, angry opposition.

Bourne's superhuman - like ability to shake off almost any injury, blow or crash is utterly ridiculous, although it proves to be a key source of sly humor in the films and for the character's undeniable coolness.

The Expendables 3 is a surprisingly fresh sequel that ups the ante in almost every aspect, particularly the star power, the humor and the action.

In the almost - too - smooth fashion that has come to define even Marvel's non-Joss Whedon - directed entries, a steady undercurrent of droll, wisecracking humor punctures the tension at key intervals, to continually amusing if somewhat ingratiating effect; it's a bit deflating when Iron Man at one point actually invokes «The Manchurian Candidate,» rather than simply allowing the obvious reference to speak for itself.

This may sound a little dark, and like all Baumbach movies it certainly has its fair share of despair, but here he cuts through the neuroses with a healthy dollop of zany, almost slapstick humor, much of which is visual in nature.

The Farrellys probably exhaust almost every possible joke that can be told featuring conjoined twins, many of them quite clever, and they rarely need to resort to crass envelope pushing in order to achieve humor, which they have relied on as a crutch more often than not in the past.

As the story moves forward with Anna — in town while Clinch robs a stagecoach — teaching Albert to shoot in order to beat Foy at a duel, the jokes become scarcer as the screenwriters abandon almost any effort at humor when matters of the plot are concerned and less effective as the movie's own comic formula runs its course.

Bittersweet comedy features Jemaine Clement calibrating his typical absurdist humor to bring warmth and tenderness to a story that both pleases and frustrates in almost equal measure.

The opening 30 minutes in particular are chockfull of laughs, fully embracing the zany humor of the band members with such manic energy that it's almost impossible to keep up at times.

He is a master of his characters and their fates, as well as that in putting together all of the breadth and scope of the Star Wars universe, but the sometimes wooden, trite dialogue gives his films a tinge of unintentional humor that almost makes us guilty for liking them so much.

Meltzer keeps the tone light and lets a sense of humor creep in (the generators keep shutting down through Ojukwu's auditions and shooting), and though it runs under an hour and ends with almost arbitrary abruptness, it's a dynamic window into an otherwise unknown industry.

There is almost no humor in this movie.

2) To experience the almost perfect blend of humor and seriousness in the writing.