Characters, relationships, and narrative get
hurled at the audience just as aggressively as the film's many action sequences, and you're either engaged with the characters and stakes or you're not.
Not exact matches
Long before the movie's climax, in which Magneto (Ian McKellen) turns smashed - up automobiles into fiery projectiles to be
hurled at his enemies, those in the
audience will know what it means to behold a flaming hunk of junk.
Audiences who have gotten stupider in the last twenty years — otherwise they would have
hurled tomatoes
at the screen, this derivative dreck's idiotic narrative horrifying them.
However, it's a bit hard to enjoy some of the creativity when the script and editing
hurl a smorgasbord of elements toward the
audience at high speed.
Through some expert dramatic irony, the
audience is left to witness how the two unwittingly insult each other — Celica by questioning Alm's capability to lead based on his birthright (the same question
hurled at him by the pompous, antagonistic aristocracy), and Alm by retorting that the royalty of Zofia is dead, gone, and unable to lead the nation (unaware that he is speaking to a lost princess).