Sentences with phrase «hybrid art forms»

Margaret Keller is a St. Louis artist whose work deals with the intersection of nature, technology and the environment using painting, drawing, installation and hybrid art forms.

Meanwhile the Loveless photo team, comprise of husband and wife Steve and Ann Loveless, won for their new hybrid art form, «PhotoFiber;» wile the work starts as a photograph, the couple incorporates quilting processes until the photo has become more textile - like than photographic.

Drawing their inspiration from everything from American and European graffiti to calligraphy in addition to some historical sources the featured artists have been able to create a new body of work based on personal narratives that give form to a new and unique hybrid art form.

Taylor - Wood incorporates various artistic processes into a hybrid art form, creating works such as audio and panoramic photographs that explore notions of emotional isolation and fear.

Not exact matches

For the first time in the series, Sword Art Online: Fatal Bullet introduces third - person shooter gameplay, forming a unique hybrid shooter / action - RPG title.

Sword Art Online: Fatal Bullet brings an exciting new twist to the action RPG genre by adding third - person shooter elements into the game, forming a unique hybrid shooter / RPG / action title that balances gun, sword, skill and gadget combat together.

Sword Art Online: Fatal Bullet brings an exciting twist to the popular action RPG series by adding third - person shooter elements into the game, forming a unique hybrid shooter / RPG / action title that balances gun and sword play with skill and gadget combat to create a new dynamic experience.

It also is renowend for its highly competitive «New Genres» program, which immerses students in installation, video, film, audio, performance, and digital work, plus «hybrid and emerging art forms.»

WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.

About: The Los Angeles Center For Digital Art is dedicated to the propagation of all forms of digital art, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in cultuArt is dedicated to the propagation of all forms of digital art, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in cultuart, new media, digital video art, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in cultuart, net art, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in cultuart, digital sculpture, interactive multimedia, and the vast panorama of hybrid forms of art and technology that constitute our moment in cultuart and technology that constitute our moment in culture.

The concept and title of the show were developed by graffiti artist and curator, Poesia, who is also the editor of Graffufuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

Taking painting beyond the bounds of the canvas and acting as both the creator and the performer of her art, she has created a hybrid form of performance and photography, with her body in a prominent role.

These art forms, standing for different spiritual and aesthetic pursuits, are juxtaposed within the same exhibit framework, in a conflicting hybrid.

The concept and title of the show were developed by graffiti artist, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

By using a hybrid form of art - making, Jaar has consistently provoked, questioned, and searched for ways to heighten our consciousness about issues often forgotten or suppressed in the international sphere, while not relinquishing art's formal and aesthetic power.

Trained in sculpture at Parsons School of Design (BFA), Tyler School of Art (MFA), and at the Skowhegan School of Painting and Sculpture, Hilary Harp creates sculptures, installations and media projects which explore new hybrid forms, and challenge categories, particularly categories of high and low, male and female, technology and craft.

It will be a hybrid publication uniting characteristics of an art journal, catalogue essay, film script and art criticism into a singular printed form.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

Later, he turned to a hybrid form of drawing, text and sculpture that caught the eye of, among others, the Museum of Modern Art and the Whitney Museum.

A brilliant final chapter in Matisse's long career, the cut - outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

2010 The Island, Los Angeles Nomadic Division, Miami, USA The Artist's institute, New York, USA The Art of the Artist's Book, Oakland University Art Gallery, Rochester, USA 10 years of Contemporary Art at the Oakland University Art Gallery: Director's selection, Rochester, USA Rive Droit, Marc Joncou Contemporary, Rive Gouche, Paris, France Everlasting Gobstopper, Michael Benevento Gallery, Los Angeles, USA The Unreadymade, Form Content London, London, UK Hybrid Fuels, Galerie der Stadt Sindelfingen, Sindelfingen, Germany

Robert Rauschenberg, the protean artist from small - town Texas whose imaginative commitment to hybrid forms of painting and sculpture changed the course of American and European art, died Monday night after a brief illness at his home on Captiva Island, Fla., according to New York's PaceWildenstein Gallery, which represents his work.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

It starts a new chapter as a commune - farm - homestead - sanctuary - school hybrid, a long - term art project formed by many hands.

According to Graffuturism, there was an obvious gap in how the media had covered the art form: one side being about the new street art, and the other about traditional graffiti coverage, but no middle ground or coverage of graffiti artists who had pushed forward to explore progressive hybrid directions, or about the newer street artists who worked more like graffiti artists.

A couple of weeks ago opened A Major Minority, an amazing group show featuring the work of contemporary urban artists from around the world curated by graffiti artist and curator Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets

Artist Tim Hawkinson transforms the natural world and discarded manmade objects into strange hybrids that contemplate the origins of art and possibilities of form.

During his time at Guttenberg Arts, Gabriel experimented with collages, drawings, lithographs and ceramics resulting in numerous visual hybrids derived from contrasting urban horticultural elements and imagined natural forms.

Robert Rauschenberg is best known for the «combine,» a hybrid form of painting and sculpture that integrates humble materials, found images, and paint to bridge what he called «the gap between art and life.»

French street artist Nadège Dauvergne is about to take her wonderful creations, formed from a hybrid of classical painting and street art, to Le Cabinet d'Amateur in Paris.

Challenged by the hybrid forms that often appear under the term «installation,» sculpture — that is, discrete objects that deal with issues of mass, gravity, volume, open - vs. closedness, movement, materiality, color, structure, monumentality, etc. — has had a hard time maintaining a meaningful place for itself within contemporary art practice.

Alluding to Color Field, a style characterized by large, highly simplified compositions in which the use of color is independent of line and figuration, Scharf connects with modernist art movements by creating new hybrids, almost as if these earlier forms of art had been placed in a blender.

We ask art historians about the training, methodologies and practices required to write a substantial and informed history of Indonesian art; we foster interaction between art historians and artists in our community through interviews; and we encourage artists to use their studios as laboratories where the present and the past collide, creating alternative, hybrid forms of understanding.

In her sculpture show «Judith Hopf: Stepping Stairs» at the KW Institute for Contemporary Art in Berlin, she moves from sculpture to exhibition furniture and back, the transformed everyday materials in the exhibition constituting hybrids in material, form, function, content, meaning, and use.

With the internet as his podium and round table, he has been historicizing and canonizing these artists, young and old, who have been creating art beyond the norms of traditional graffiti, esoteric forms of painting and sculpture that veer outside of the proscribed boundaries into the experimental, the abstract, the poetic, and the hybrid.

In India, the Company style developed as a hybrid form between Western and Indian art, produced by Indians for a British market.

In addition, the museum has a programmatic dedication to the many hybrid forms that emerge from the increasing integration of film and visual arts, at the exact moment when a growing number of independent, adventurous filmmakers («auteurs») are tempted to seek refuge in the traditional spaces of visual art such as museums, galleries, and biennials, for reasons connected to the intensified commercialization of the film circuit throughout the 1980s and»90s.

The concept and title of the show were developed by graffiti artist / curator, Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

Students using traditional methods and media, as well as those who incorporate electronics, installation, sculpture, book arts, painting and crafts, as well as new, experimental or hybrid forms, are invited to apply.