Sentences with phrase «hybrid art works»

In a 2000 Art in America review of «New Steel Paintings» at Stefan Stux Gallery, Tom McDonough described Allain's work as «hybrid art works in the tradition of Donald Judd's «specific objects.

Not exact matches

Their futuristic interior design / modern art hybrid visualizes the death of cubicle-itis and the birth of «an experimental work landscape.»

Scorn's art - style looks like a mutant hybrid between the works of H.R. Giger and Zdizislaw Beksinski.

When it comes to performance works, smaller really is better: a smaller enterprise lends itself to hybrid business practices that continue to emerge as artists use their creativity to tackle the business side of making art.

Los Angeles — based artist April Bey fuses her fine arts education with a background in design to create rule - based hybrid works that intertwine a host of...

If the work of New York Pop painters appeared to totally reject gestural abstraction, in Paris in the early 1960s there emerged an arresting hybrid version of Pop art and gestural abstraction in the studios of Télémaque, French painter Bernard Rancillac and American expatriate Peter Saul.

When dealing with an artist as subtle as Arturo Herrera, the manner of interpretation is by nature complex, further complicated by what at first seems like wildly varied and distinct bodies of work, each adopting the formal affectations of the medium at hand: architectural interventions, collage, abstract paintings, biomorphic abstractions, hybrid paintings, photography, sculpture, mail art.

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

Juror, Lisa D. Freiman, Senior Curator and Chair of the Department of Contemporary Art, Indianapolis Museum of Art, Indianapolis, IN, mentions in her essay that, «Most of the works by Midwest artists chosen... challenge traditional definitions of painting or sculpture and instead explore a hybrid state that incorporates aspects of both...» We hope you will pick - up a copy and let us know what you think!

It also is renowend for its highly competitive «New Genres» program, which immerses students in installation, video, film, audio, performance, and digital work, plus «hybrid and emerging art forms.»

WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and sculpture to hybrids of the same, along with installation, video, and performance.

This inspiration is seen in Fleming's artistic research and development — a hybrid output of his contemplative programming, media art, installation, and filmmaking practices in which he structures his work to elicit a selective attention towards witnessing and mutating the self - other dichotomy.

Both specific and non-specific, these are imagined depictions of women - some are real individuals and others hybrid figures - born out of Joffe's consideration of works of art and literature and the social climate in which they were created.

Working in the wake of American antecedents such as Robert Rauschenberg and Cy Twombly — who brought a certain sense of freedom to bear on their evident romance with European art and aesthetics — Schnabel made audaciously scaled paintings and sculptures whose richly hybrid sources were expressed in an attitude of baroque excess combined with improvisational daring.

His works navigate minefields of desire, fear, regression and the abject in everyday life, often by creating a hybrid of high and low art.

Donald Judd and Jorge Pardo's works adapt languages and (production) methodologies derived from architecture and design to create essentially «hybrid» objects, which, like those of Palermo, seek to conflate, and possibly confuse, the social and aesthetic possibilities of art.

Also on view are works from «Simple Fractions,» «Replacing,» «Hybrids,» and «Stack» sculptures, giving a comprehensive look at the artist's oeuvre, filled with hints of Arte Povera, Minimalism, Gutai, and Pop Art.

Virginia Overton forges a distinctive hybrid in contemporary art: Her work suggests oblique ties to an iconic Folk Art landmark in Georgia, Howard Finster's Paradise Gardart: Her work suggests oblique ties to an iconic Folk Art landmark in Georgia, Howard Finster's Paradise GardArt landmark in Georgia, Howard Finster's Paradise Garden.

In paintings, works on paper and ceramics, pop culture, art historical references and icons from the East and West collide, often fusing into hybrid symbols.

(Gallerist NY) See Vladimir Restoin Roitfeld's New Show - The Observer provides a nice service to curious art worlders with this slide show of work that the fashionable independent dealer (and son of former French Vogue curator Carine) curated at Sotheby's hybrid S2 gallery.

Meanwhile the Loveless photo team, comprise of husband and wife Steve and Ann Loveless, won for their new hybrid art form, «PhotoFiber;» wile the work starts as a photograph, the couple incorporates quilting processes until the photo has become more textile - like than photographic.

«The book sprint method was adopted in order to understand this very moment in art, science and technology hybrid practices, and to mirror the ways Internet culture and networked communication have accelerated creative collaborations, expanded methodologies, and given artists greater agency to work fluidly across disciplines,» says lead author Andrea Grover.

Of course, the panelists touted a «hybrid model» of working behind the scenes, art fairs, and exhibitions in conjunction with surviving institutions.

In the past decade, one of Lambert - Beatty's chief research concerns has been the potential and limits of political art in contemporary practice, which she has explored through work on hybrids of art and activism such as Women on Waves and The Yes Men.

, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

The neighborhood will come together for the public mural «How Does Food Unite People,» Hybrid Theatre Works will present an evening of performance art, Bossa Nova Civic Club will host a late - night Electronic Music Showcase, Brooklyn Fireproof East will be home to the Moving Forward concert, 3rd Ward will exhibit the group show «Walking into the Dashboard» (compiled from the World's First Tumblr Art Symposium), CinemaSunday will include screenings followed by Q&A s with the filmmakers, and Community Day in Maria Hernandez Park features arts & crafts, live music, family - friendly activities, yoga, and moart, Bossa Nova Civic Club will host a late - night Electronic Music Showcase, Brooklyn Fireproof East will be home to the Moving Forward concert, 3rd Ward will exhibit the group show «Walking into the Dashboard» (compiled from the World's First Tumblr Art Symposium), CinemaSunday will include screenings followed by Q&A s with the filmmakers, and Community Day in Maria Hernandez Park features arts & crafts, live music, family - friendly activities, yoga, and moArt Symposium), CinemaSunday will include screenings followed by Q&A s with the filmmakers, and Community Day in Maria Hernandez Park features arts & crafts, live music, family - friendly activities, yoga, and more.

They — along with many other artists whose works could easily have fit in this exhibition — are vernacular cosmopolitans of a kind, moving in - between cultural traditions, and revealing hybrid forms of life and art that do not have a prior existence within the discrete world of any single culture or language.

In her first solo exhibition at Hyde Park Art Center, A Modern Day Shaman's Hybrid Devices, Power Objects, and Cure Books, artist Rhonda Wheatley showcases sculptures created using vintage and found materials which act as tools of healing and transformation, working with the user's conscious and subconscious mind, cellular memories, ancestors, and past and future -LSB-...]

Within Somewhere Between Black and White, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

In her first solo exhibition at Hyde Park Art Center, A Modern Day Shaman's Hybrid Devices, Power Objects, and Cure Books, artist Rhonda Wheatley showcases sculptures created using vintage and found materials which act as tools of healing and transformation, working with the user's conscious and subconscious mind, cellular memories, ancestors, and past and future lifetimes.

Text from Scott's recent exhibition at the Danforth Museum (MA) describes her work as «Influenced by the aesthetics of contemporary painting, as well as the thrifty and improvised nature of folk art, Susan Scott manipulates traditional painters» materials such as canvas, wood, staples and paint to create an elegant and quirky hybrid of painting and sculpture.»

Aside from NYU's Grey Art Gallery, whose founder, Abby Weed Grey, purchased hundreds of Iranian modernist works during the»60s and»70s, few U.S. institutions have committed to exploring the diverse, hybrid, idiosyncratic productions of prerevolutionary Iran.

The forward motion of contemporary crafts, with artists working traditional materials including clay and wood and glass, continues to offer encouraging evidence that a hybrid of crafts in art is here to stay and that purely unadulterated works whether crafted from a lathe or a potter's wheel continue to be influential and appreciated.

Elijah Burgher is an artist and writer based in Chicago, IL. He has most recently exhibited in a solo show at Shane Campbell Gallery in Oak Park, IL and a two - person exhibition at Peregrine Program in Chicago, IL. He will exhibit work in group shows at Johalla Projects in Chicago and Envoy Enterprises in New York this summer. He maintains a hybrid studio wall / magick diary blog at http://ghostvomit.blogspot.com/. Burgher co-founded and co-edited the now - defunct art publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropoloart publication BAT. He has written reviews and essays for ArtUS and several small art publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural Anthropoloart publications in Chicago, as well as contributed writing to Art: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural AnthropoloArt: 21's guest blog. He received an MFA from the School of the Art Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural AnthropoloArt Institute of Chicago in 2004, and a BA from Sarah Lawrence college in 2000, where he split his credits amongst Literature, Visual Art, and Cultural AnthropoloArt, and Cultural Anthropology.

A brilliant final chapter in Matisse's long career, the cut - outs reflect both a renewed commitment to form and color and an inventiveness directed to the status of the work of art, whether as a unique object, environment, ornament, or a hybrid of all of these.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets An important aspect of this shared perspective is how each artist has maintained and utilizes analog painting as a medium, thus allowing them to keep their own signature mark making prevalent in the artwork.

The first project to explore the visual art, poetry and music of one of America's most inventive yet under - recognized contemporary Native American artists, this exhibition will survey Cannon's highly productive but short career; his development of a unique and hybrid visual vocabulary; and his combination of irony and wit with a reverence for community and tradition to interrogate American history and popular culture; as well as the issues wrought by colonialism, hegemony, and historical amnesia — all through his Native lens.

The house he returns to has in the meantime changed into a hybrid between warehouse and shrine, full of the objects, antiques and works of art that Martin Wong had regularly sent back to his mother, as well as a large number of his own works that he dedicated to his parents.

Robert Rauschenberg, the protean artist from small - town Texas whose imaginative commitment to hybrid forms of painting and sculpture changed the course of American and European art, died Monday night after a brief illness at his home on Captiva Island, Fla., according to New York's PaceWildenstein Gallery, which represents his work.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

In Hybrid Neutral, Tricia Collins and Richard Milazzo endeavor to explore this conflict between social abstract art through a compilation of new works by a variety of artists and an essay by Gary, Indiana

Her work is one part art, one part social activism, one part cultural theory, and a million parts hybrid.

They are hybrid works, but that term does not touch upon the strangeness of Follet's art.

According to Graffuturism, there was an obvious gap in how the media had covered the art form: one side being about the new street art, and the other about traditional graffiti coverage, but no middle ground or coverage of graffiti artists who had pushed forward to explore progressive hybrid directions, or about the newer street artists who worked more like graffiti artists.

The exhibition consists of a series of works by 15 renowned local and international artists whose work gives shape to progressive hybrid aesthetics within the so - called Othercontemporary Urban Art community.

Drawing their inspiration from everything from American and European graffiti to calligraphy in addition to some historical sources the featured artists have been able to create a new body of work based on personal narratives that give form to a new and unique hybrid art form.

A couple of weeks ago opened A Major Minority, an amazing group show featuring the work of contemporary urban artists from around the world curated by graffiti artist and curator Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

Informed by the trajectory of art history spanning from European Old Master painting to Cubism and Abstract Expressionism, the works are hybrid images emblematic of Condo's singularly inventive style.

Contrary to contemporary postmodern artists utilizing Letterform in art for mostly conceptual purposes, or Concrete Poetry that involves a form of Visual Poetry, Concrete Alphabets acts as hybrid where each artist defines his own work based upon unique personal narratives involving aspects of Letterform / Alphabets

The noise and the pleasing disorder is like a relational - aesthetics hybrid of John Cage (or Pauline Oliveros) and Joseph Beuys: not only are the visitors (one can scarcely call them viewers) co-creators, but whatever accidental configurations and performances emerge constitute a fully realized work of art, both auditory and visual.