Sentences with phrase «hybrid authors like»

Hybrid authors like Julie have the best of both worlds, I think.

Today, indie publishing has proven to be a blessing for hybrid authors like me and a curse for those just starting out.

Some of the speeding up of the process can be attributed to successful hybrid authors like Hugh Howey and CJ Lyons.

Not exact matches

also, the medium diagnostics on authors house came up like that: its two male persons in charge (there are even darkest behind them), they are possibly gay or sort of hybrid race, not human and their mission is actually dark - to put high lightworkers msgs transmitted often in those books in the dark corner where nobody can find it out.and take as much money away from author as possible, like brake the authors bank, ruin it and leave author suffer the damage and loss.they feed on it.

Though I'm 100 % self - published I often find myself wondering what being a hybrid author would be like — to have some of that control (or responsibility) shifted to someone else or to another group of people.

Like «indie publishers,» «traditional publishers,» «ebooks,» «ebook indie publications,» «small presses» «small publishers,» «independent publishers,» «print on demand,» «hybrid authors» and whatever it is that Amazon does.

Instead of waiting for traditional gatekeepers (like an agent or publishing company to send you a contract, hybrid authors can -LSB-...]

Hybrid authors get the benefit of a publisher brand, which might come with higher respect, more review opportunities, and wider distribution in print or tricky markets like libraries, etc..

Fuse Literary represents authors of all stripes, including New York Times Bestsellers like Julie Kagawa and Dr. Stephen Gullo, hybrid successes like Michael J. Sullivan and Nina Amir, and debut stars like Indie Next Pick Amy Zhang.

Hybrid publishing companies behave just like traditional publishing companies in all respects, except that they publish books using an author - subsidized business model, as opposed to financing all costs themselves, and in exchange return a higher - than - industry - standard share of sales proceeds to the author.

I'd like to finish with an easy question: if you had one recommendation for indie authors out there, whether they're traditionally published, self - published, or hybrid, what would it be?

Just as the industry has embraced hybrid authors and hybrid publishers, companies like Paper Lantern Lit and its resulting publishing arm The Studio, co-founded by Lexa Hillyer and bestselling author Lauren Oliver, have emerged to work with these authors in a one - on - one capacity.

While I too would like to become a hybrid author, perhaps this isn't the right genre or the right time.

Generally, in a hybrid publishing model, an author must be selected or pay for a specific service (like editing or agent support) to finish a self - published book.

As an author, you have the right to use the hybrid model on any book that you like.

Whether you are a reader thinking about writing a book, a writer ready to get paid for writing, a self - published author, traditionally published author, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor, traditionally published author, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor, Print on Demand author (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor (CreateSpace / IngramSpark), an author published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor published through a vanity press / publishing assistance company, or a hybrid author (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foauthor (a combination of any of the above), the Path To Publishing «Act Like an Author, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is foAuthor, Think Like a Business» 2018 Conference being held September 20 - 22, 2018 in the STILL fabulous Las Vegas, Nevada is for you!

Barry Eisler is another famous example, but I'd like to call out several other great authors who are rocking the hybrid model.

Even self - published YA authors like Amanda Hocking (who I'm now calling a hybrid author because she is also published by St. Martins Press).

Finalists this year include a wide variety of books from publishers large and small, hybrid presses, traditional houses, self - published authors, major national groups like the American Cancer Society and even The White House Historical Association.

Seems like more and more authors, editors, agents, publishers and retailers are adopting Amazon's vision for the future of self - publishing as a hybrid author model.

Some of you are «hybrid» authors and that's where I would like to be.

«Like any new business model, the advantages of hybrid publishing come with certain risks and uncertainty; the IBPA's criteria are intended to help authors navigate those risks and identify the reputable players....»

The hybrid authors surveyed reported themselves to be more motivated by money than the others and less impressed with publishers» ability to add any value by making a book «more like what the market wants.»

Or bestselling authors who negotiate hybrid contracts (indie ebooks, traditional paperbooks) like John Locke.

As a now hybrid author, I like to see solid evidence to help me make choices (and to remind me of why I made those choices, when the self - publishing sales are very slow).

Sometimes, I feel like I'm caught in the love triangle between traditional publishing, self - publishing, and hybrid authoring.

In fields like military science fiction, the Amazon Top 100 list is full of self - pubbed authors or hybrids (many of those being published by Amazon's imprints).

Then there's all the non-puppy authors enthusiastically embracing hybrid and self - pub, like puppy unfavourite Chuck Wendig.

A quick clarification: When Coughlin writes «Creating a Hybrid Home» in her headline, she's not referring so much to the «hybrid» author who, like Howey and Hoover, both self - publishes and traditionally publishes — something discussed at length in Ether for Authors in regards to a Writer's Digest and Digital Book World sHybrid Home» in her headline, she's not referring so much to the «hybrid» author who, like Howey and Hoover, both self - publishes and traditionally publishes — something discussed at length in Ether for Authors in regards to a Writer's Digest and Digital Book World shybrid» author who, like Howey and Hoover, both self - publishes and traditionally publishes — something discussed at length in Ether for Authors in regards to a Writer's Digest and Digital Book World survey.

Yes, as a self - published author you have almost limitless freedom, but Booktrope's hybrid model in which you get to PICK your own book / project manager, editor, proofreader and cover designer (unless you're part of an imprint like Gravity, then you have a shortlist to choose from — but it's an awesome shortlist!)

«Hybrid publishing companies behave just like traditional publishing companies in all respects, except that they publish books using an author - subsidized business model, as opposed to financing all costs themselves, and in exchange return a higher - than - industry - standard share of sales proceeds to the author.

Like you said, every project is different, and I also believe we'll see more hybrid authors in the future.

An increasing number of top - tier authors like Saffi and Catherine are moving to the «hybrid» model, with an equal number of self - and traditionally published titles and a career aided by an agent / manager.

Some of those authors will allow publishers to pick them up whole (like Amanda), some will resist and keep a piece of the cake, staying «hybrid» (Hugh).

According to Sylvia Day, hybrid authors have the capacity to reverse the trend that traditional publishers are less likely to invest in certain genres like paranormal romance.