Sentences with phrase «hybrid authors who»

What surprised us were the hybrid - published and former hybrid authors who report making no money from their indie titles, despite having a number of books published.

In his mind, he has more respect for hybrid authors who «self - publish for a little bit more control.»

I expect as this process of digital change continues publishers and authors (some of them self publishers, some of them hybrid authors who both self publish and use traditional publishers and some of them pure line traditionally published [though I expect these to be a smaller and smaller band over time]-RRB- will work together not less frequently, but more frequently and in multiple ways rather than in the more straightforward ways of the past (the emerging value web I discus here).

Are you surrounding yourselves with other indie and hybrid authors who are moving forward instead of being stuck in the present (let alone always looking to the past)?

First off — I'm not the only one doing this and there are more hybrid authors who make a lot more money than this — a lot more.

I'm one of those hybrid authors who has been traditionally published and have taken the Indie route as well.

and hybrid authors who recognize that.

I am one of those — a hybrid author who has used traditional publishers and self publishing — and the reasons others cite line up with my own,

There's nothing wrong with being a hybrid author who both indie and traditional publishes.

I'm a hybrid author who was first published by a small digital press (they also have POD, but that's digital technology as well.)

Melissa, who writes fiction under the pseudonym Melissa Yi, is a hybrid author who writes both fiction and non-fiction.

However, when I wrote The Experiencers (my first novel) and consulted on the subject of trad versus indie publishing with a hybrid author who has been writing books since the 1970s, he made a good case for me to go indie.

Sherry Thomas is a hybrid author who writes historical romance, historical mystery, and young adult fantasy.

I'm a hybrid author who isn't doing as well at Amazon with my backlist as I wish — and am all for hybrid / indie authors.

Michelle is a hybrid author who is choosing to go indie with her new series based on Greek mythology, Elementals.

Several of them landed publishing deals with publishers and one of them became a hybrid author who self - published and traditionally published their book at the same time.

Rachel Shane is a prolific hybrid author who writes in multiple genres, including young adult, romance, and nonfiction.

You are a hybrid author who has published a number of different ways, could you tell us a bit more about that?

I'm a hybrid author who sat in the traditional room.

USA Today bestseller Vanessa Kelly is a hybrid author who publishes traditionally for Kensington and Grand Central, and as an indie.

Not exact matches

Martin Ross, another of the paper's authors, who works at the Aerospace Corp. in El Segundo, Calif., explains that hybrid motors favoured by space tourism companies are safer, cheaper to run, and quicker to refuel than the liquid or solid rocket boosters that have dominated rocketry thus far.

In an article to appear in the journal Energy Policy, the authors find that urban drivers who can frequently charge their vehicles (every 20 miles) can reduce gas consumption, greenhouse gas emissions, and expenses with a plug - in hybrid with a battery pack sized for about seven miles of electric travel.

Nowadays self - publishing authors and hybrid authors (those who self - publish some books and have traditionally published others) have a plethora of options when it comes to hiring freelancers for their editing, cover and formatting needs, or working with up front companies that handle design and distribution while the author retains all of their rights and receives royalties.

Who responded (indie, trad published, hybrid, small press, etc.) and how many authors were interviewed?

I'm hoping to become a hybrid author — someone who publishes both independently and traditionally.

More than half of authors who already were self - published, as well as hybrid authors, were hoping to publish with traditional publishers, at 53.5 percent and 57.8 percent, respectively.

Because of these trends, I'm guessing that ten years from now, all authors will be hybrids or indies, and there won't be ANY authors who are solely traditional.

And we have many authors who are taking a «hybrid» path and are publishing both with traditional houses and also self - pubbing.

I have other friends who take the hybrid route, publishing with both traditional publishers and as indie authors.

While there is some limited evidence that these hybrid authors do better on average than those who exclusively pursue one or the other means.

The focus is the author: whether it's a hybrid author with multiple books published, a brand new author or one who wants to make their reverted backlist available in digital for the very first time.

She did become my confidante and mentor, and when the timing was right, I was thrilled that she jumped at the chance to present me to Lisa Hagan, literary agent, who signed me on the spot (this was after I self - published my first three books, developed a large author platform, sexual abuse advocacy, signed with a (now - defunct) hybrid publisher, wrote another book, directed an imprint, and have two works in progress and another series in the hopper).

Part of IBPA's intent, Angela said, is to help authors identify «reputable» hybrid publishers and distinguish them from general service providers who help writers self - publish.

Every author who wants to sell books — whether they're using a traditional, self - publishing, or hybrid model — needs a strong platform in place before their book is published.

Publishers benefit from hybrid publishing because they can sign authors who have already self - published and established an audience.

In a session immediately following this panel, hybrid author Dana Beth Weinberg, who helped author the resulting report, said one thing publishers need to take away from this data is the need to rethink and restructure their contracts with authors, not just their tangible book contracts, but in a more social realm in terms of how they perceive of and treat their authors.

Traditionally published authors unsurprisingly receive the lowest royalty percentage, hybrid authors were next, followed by self - published authors who make the highest royalties.

I find it very interesting that there are many new types of publishers who — for one reason or another — are calling themselves «hybrid publishers» and still attempt to charge authors some kind of «package» of services.

Some authors who had been successful with traditionally published books, but who wanted to branch out into a different genre, went «hybrid» — still doing some books with their traditional publishers but also doing some «indie» publishing of their own.

Given that many authors now follow the hybrid Reeses Approach, it is a good idea to include a clause in any agreement signed that explicitly states that those books which the author directly e-publishes on their own instead of traditionally publishing through the agent and a publisher who will produce physical copies are exempt.

Self - published authors responding, Weinberg writes, numbered 1,636; traditionally published authors accounted for 774 responses; «hybrids» who publish both ways, numbered only 598.

The term «hybrid author» refers to someone who both self - publishes and traditionally publishes, not an author who uses a hybrid publisher.)

Mr. Hart goes on to say that he really wants to become a «hybrid» author — that is, one who seeks a mix of traditionally published and self - published arrangements for his various works.

The best hybrid publishers are those that conduct some level of gatekeeping or curation (i.e., not everyone who knocks on the door is accepted as an author), offer some value that authors would have a hard time securing on their own (such as brick - and - mortar distribution), and pay better royalties than a traditional publishing deal.

However, as an award - winning self - published author and editor for Midnight Publishing who works primarily with indie authors and small presses, I wanted to share my own opinion and insight on why you should self - publish or consider being a hybrid author (self - publishing and going the traditional route).

A hybrid author is a writer who has a traditional publishing contract and is also self - publishing other works.

In the Digital World link below — you'll see that those authors who are making the majority of income are hybrids.

Looking forward to seeing everyone, especially traditionally published authors who are looking at going hybrid.

In a survey compiled by the 2013 Digital Book World and Writer's Digest, research showed that authors who identified as «hybrid» made more money, published more books, and achieved greater «success.»

Making matters more complicated, «hybrid authors» are not authors who work with hybrid publishing companies.