Light Years: Conceptual Art and the Photograph, 1964 — 1977 is the first exhibition to explore how artists of this era used photography as
a hybrid image field that navigated among painting and sculpture, film, and book arts as well as between fine art and the mass media.
Not exact matches
Early
images looks promising and it will
field the first
hybrid drivetrain in the series, paving the way for other manufacturers to follow suit.
Whether introducing glass fragments on a print, thereby blurring the line between
image and physical object, such as in Impossible Objects # 4, or casting a
hybrid material she developed called puffy glass, Srinivasan's experimental contributions to the
field are undeniable.
This has created a strategy where the work as a whole is a series of relational forms or
fields of opportunities rather than separate and limited objects, and thus creates a system of references,
hybrids, negotiation and reinterpretations from work to work,
image to
image.
The work as a whole is a series of relational forms or
fields of opportunities rather than separate and limited objects, and thus creates a system of references,
hybrids, negotiation and reinterpretations from work to work,
image to
image.