Whether introducing glass fragments on a print, thereby blurring the line between image and physical
object, such as in Impossible
Objects # 4, or
casting a
hybrid material she developed called puffy glass, Srinivasan's experimental contributions to the field are undeniable.
Employing the full range of sculptural techniques — from moulding,
casting, carving and modelling to assemblage and bricolage, she creates strange,
hybrid objects and explores the territories between animal, human and inanimate forms.