Sentences with phrase «hybrid practice of painting»

The University Museum of Contemporary Art is pleased to present an exhibition of digital prints, lithographs, and mixed - media maquettes by the Brooklyn - based artist Caitlin Cherry, who is known for her hybrid practice of painting and sculptural installation.

Not exact matches

The artist's practice, which encompasses painting, collage, photography, video, sculpture, and performance art, often centers around a mythical cast of human, animal, and hybrid characters, who live in a world that exists somewhere between fantasy and reality.

Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics, all hybrid juxtapositions of the handmade.

The collaborative works created for this exhibition is the outcome of four disparate painting practices, creating hybrid works which question notions of authorship and challenges each artist's individual practice.

Jessica Jackson Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics — all hybrid juxtapositions of the handmade.

Clayton Colvin Clayton Colvin has developed a practice of painting that is both challenging and seductive, using a hybrid of figurative and abstract approaches to create delicate, fantastic, and concrete spaces - the immediate and intimate nature of drawing infusing his paintings and ceramics with an hypnotic mix of familiarity and mystery.

In a fugue of abstraction and representation, depth and surface, micro and macro, the remarkable slippage between gestural waves of paint and fantastically rendered figures, creatures and objects, these epically scaled paintings evolve Cooke's fundamental interest in the theory and practice of painting to a compelling hybrid state of generation and destruction.

Recognized for a diverse practice that draws inspiration from architectural space and natural materials, Moyer fashions compelling hybrids that abstract the languages of painting and sculpture.

In treating painting as a hybrid, open practice that combines elements of painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting as a hybrid, open practice that combines elements of painting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting, sculpture, collage, and installation art, the artists in Stretching Painting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingPainting extend a distinguished historical trajectory associated with minimal and post-minimal art, while expanding our sense of what paintingpainting can be.

His practice — which involves a hybrid of photography, painting and sculpture — constantly investigates issues relating to the commodification of the «art object» itself.

Bahmanipour's interdisciplinary practice spans from installation to painting and video based works, examining hybrid dialogues between Western and Eastern perspectives in search of deconstructing cultural truisms.

Tamar Halpern's hybrid practice negates notions of the digital archive, incorporating fragmentary analog and digital content in a highly physical process of photographing, collaging, painting, ripping, masking and displacing in works that defy classification.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arOf these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic arof light and sound as well as the interactive qualities of kinetic arof kinetic art.

Influenced by colonial art as well as native indigenous artistic practices, Gustavo Ortiz's paintings are distinctly Latin American in their hybrid blend of both European and South American heritage.

By synthesizing and fusing genres from a multitude of extant cultural sources, the works ultimately produce a hybrid language of social practice, painting and sculpture inviting the viewer to engage in discourse and discussion.

These sculpture - painting hybrids have become a defining part of Gilliam's practice and inflect all of his work with an ongoing exploration of the depth, physicality, and resonance of color.

Each finished painting is a hybrid of two practices and styles — an exchange between artists — a fact Daignault highlights by giving the artists a small painted copy of their work.