«Light Painting» is the artist's first solo exhibition in China and it solicits the audience to contemplate
the hybrid role of the artist as creator, consumer and animator in today's image - based economy — as well as the networked and mediated nature of images within contemporary art's ecosystem.
Not exact matches
For his March 2018 show at the Whitney Museum, he takes on a
hybrid role between exhibition designer, curator and
artist to focus on the history
of American modernist ballet.
Over the past decade, Mauss has pursued a
hybrid mode
of working that merges the
roles of curator,
artist, and scholar.
«For this exhibition, Nick Mauss (b. 1980, New York, NY) explores the history
of American modernist ballet, continuing a
hybrid mode
of working he has pursued for a decade in which the
roles of curator,
artist, choreographer, scholar, and performer converge.
Speaking
of the collection, he said: «I expand my use
of coiled construction, which allows me to work in a number
of roles simultaneously (designer,
artist, craftsman, etc.) with minimal concern for the distinctions or boundaries imposed on the work once it leaves the studio, often resulting in work that is
hybrid or plural in nature.
For this exhibition, Nick Mauss (b. 1980, New York, NY) explores the history
of American modernist ballet, continuing a
hybrid mode
of working he has pursued for a decade in which the
roles of curator,
artist, scholar, and performer converge.