Included will be sculpture,
hybrids of sculpture / furniture, related objects, accessories, and photographs.
Hybrids of sculpture and furniture, along with bold constructions blend biomorphic forms with elaborately crafted symbolism.
Her contemporary Jean Shin, is a good comparison in
this hybrid of sculpture and painting, where the focus on palette and arrangement of color acts to define itself as painting.
This piece,
a hybrid of sculpture and painting at Marianne Boesky Gallery, takes the formally rigorous experiments of Piet Mondrian into the third dimension, adding physical weight and heft to shapes that the Dutch artist treated with such verve on canvas.
Francis Morris, the Director of Tate Modern, has spoken about the increasing difficulty to persuade institutions to send their most prized works abroad, and managing to get the rarely seen Monogram, 1955 - 59 — an outlandish
hybrid of sculpture and painting featuring a stuffed Angora goat — from the Moderna Museet in Stockholm is a sizeable coup.
Operating in a conceptual space populated by artists like James Casebere and Thomas Demand, Chris Gentile's recent work is
a hybrid of sculpture and photography that asks interesting questions about the nature of both.
For over 60 years, she created
a hybrid of sculpture and painting which was highly inventive and unmistakably contemporary.
As
a hybrid of sculpture and furniture, the elements can be assembled to form shelves, chairs and other furniture or configured to suit the available space.
Not exact matches
To make the point, he uses Nicola Hicks's Maquette Head for Crouching Minotaur, a bust
of the bull - human
hybrid, and Louise Bourgeois's
sculpture, Nature Study, which amalgamates human and animal body parts into a confusing, headless whole.
The crowded installation
of huge abstract paintings, reliefs,
sculptures, and painting -
sculpture hybrids, augmented by works on paper, tracks the New York artist's fifty - seven - year career.
Then came a series
of hybrid dishes developed by Raúl Cárdenas Osuna in collaboration with Chef Diego Becerra and MoMA's Lynn Bound, each served on limited - edition placemats reproducing images selected by Xaviera Simmons from the museum's library and archives (one was Yayoi Kusama's 1969 unannounced nude performance in the
sculpture garden).
Initially conceived to document the artist's 2014 exhibition at David Zwirner in New York — his first with the gallery, debuting new sculptural work, a critically acclaimed video, and a much - discussed animatronic
sculpture — the publication ultimately exists as a
hybrid between an exhibition catalogue and a stand - alone expression
of Wolfson's vision.
The artist's practice, which encompasses painting, collage, photography, video,
sculpture, and performance art, often centers around a mythical cast
of human, animal, and
hybrid characters, who live in a world that exists somewhere between fantasy and reality.
Color Field pioneer Sam Gilliam, for example, first applied acrylic paint to raw, unprimed canvas by staining it like a piece
of fabric, as realized in the
sculpture - painting
hybrid Hedge Sky.
The works looked like the type
of painting - and -
sculpture hybrids popular now, but they were made in the 1970s by Michelle Stuart, an 82 - year - old artist who signed with Tonkonow in 2010, after about a decade without representation.
Ichwan Noor is a Yogyakarta - based artist (Jakarta, Indonesia, 1964) renowned for his large - scale
sculptures of hybrid human, animal and technological forms.
Like the Minimalists, materiality and the physical object are central to Deschenes» work, yet her images and geometric
sculpture - photograph
hybrids do not erase the evidence
of the artist's hand.
Among these is a selection
of his iconic Combines,
hybrids between painting and
sculpture, which include Monogram 1955 - 59, travelling to the UK for the first time in over half a century, and Bed 1955.
Hybrids of poetry, painting, and
sculpture, Jablon's works are crafted from found materials and texts, created from vibrant swathes
of paint, sequins, mirrors, and tiles.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or
sculpture in favor
of video, art - science
hybrids, updated junk
sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.
Widely regarded as one the most influential and significant artists in post-war Poland and Paris, Alina Szapocznikow (1926 - 1973) has helped to deconstruct and re-imagine traditional
sculpture, solidifying her pioneering vision
of the human body, and her distinctively radical
hybrids of the organic and inorganic.
Celebrated percussion ensemble Talujon perform Engelen's recent work «Falten», a
hybrid of score and
sculpture.
When dealing with an artist as subtle as Arturo Herrera, the manner
of interpretation is by nature complex, further complicated by what at first seems like wildly varied and distinct bodies
of work, each adopting the formal affectations
of the medium at hand: architectural interventions, collage, abstract paintings, biomorphic abstractions,
hybrid paintings, photography,
sculpture, mail art.
A
hybrid of theater, sound, painting, and
sculpture, the installation invited the audience to develop a «score» for handling these amplified objects.
The
sculpture Kookabura — a human - bird - man - machine
hybrid balanced on its long tail — is made from the leathery palm fronds found at the base
of the trunk, with each piece
of armor held together with acorn «rivets.»
A selection from Larry Achiampong's collection
of Ghanaian Highlife vinyl records, and his sampling and re-presenting
of this musical legacy in Meh Mogya (2011) and More Mogya (2012 - 13), are included alongside Zak Ové's
hybrid pieces blending hi - fi and African
sculpture.
The Giant Triple Mushroom (2015)
sculptures combine enlarged cross-sections
of three different species, fungal
hybrids that seem at once empirical and surreal.
Adopting a varied command
of performance,
sculpture, video, and drawing, Mayer's work is a
hybrid of media culture.
The remarkable Brutalist (recently Grade II listed) bus station, the derelict Odeon cinema, the abandoned Coroner's Court and the former Working Men's Club will all be used as locations for the commission — a
hybrid form
of fiction,
sculpture, performance and film.
These organic,
hybrid sculptures, animated by the light streaming in through the windows, evoke the mystery and beauty
of the natural world.
Gallery, «Flash Records», New York NY Kling & Bang Gallery, «Hrafnhildur Arnadottir & New York Artists», Reykjavik, Iceland Photography Museum, «The Kate Moss Show», Amsterdam, Netherlands Momenta Art, «The Inhumane Society», Brooklyn NY
Sculpture Center, «Denial is a River», New York NY Barbara Gladstone Gallery, «Dereconstruction», New York NY Schirn Kunsthalle, «Jugend von Heite / Youth
of Today», Frankfurt, Germany Haifa Museum
of Art, «Mixed Emotions», Haifa, Israel Museum Boijmans Van Beuningen, «Dark», Rotterdam, Netherlands Migros Museum für Gegenwartskunst, «While Interwoven Echoes Drip into a
Hybrid Body», Zurich, Switzerland
1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years
of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum
of Art, Tokyo; Miyagi Museum
of Art, Sendai, Japan; Fukuyama Museum
of Art, Hiroshima, Japan; National Museum
of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End
of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery
of New South Wales, Sydney, Australia; travelled to National Gallery
of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue)
Hybrid Neutral, Modes
of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University
of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College
of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art
of the Late 80s: The Binational, Museum
of Fine Arts and Institute
of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum
of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and
Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum
of Contemporary Art, Chicago (catalogue)
In this early stage, Pape explored the degree to which she could introduce spatial ambiguity into the notion
of painting by making elements
of the work three - dimensional and experimenting with either hanging the work flat on the wall or setting it off against it in such a way that it appeared as a
hybrid between painting and
sculpture.
Her
hybrid practice
of sculpture, video installation, and...
Ranging from the slow motion erotics
of collision to high speed ethanol ambitions, masculine relics
of bodies past to feminized
hybrids of bikinied futures, AutoBody figures the car as an extension
of the body, laying bare the contemporary relationship between
sculpture and performance.
Juror, Lisa D. Freiman, Senior Curator and Chair
of the Department
of Contemporary Art, Indianapolis Museum
of Art, Indianapolis, IN, mentions in her essay that, «Most
of the works by Midwest artists chosen... challenge traditional definitions
of painting or
sculpture and instead explore a
hybrid state that incorporates aspects
of both...» We hope you will pick - up a copy and let us know what you think!
Sally is exhibiting a mixed media
sculpture which is a
hybrid of her body and her poodle Errol as well as a number
of drawings
of Errol playing.
«TAKE ONE SHAPE» showcases a
hybrid of painting and
sculpture, a refined visual vocabulary
of form and colour.
Works such as Lunar V (Moon V), ca. 1973, show a
hybrid of painting and
sculpture that has as its constant the research
of an erotic sensuality.
Work in every form will be presented from painting, drawing, photography, printmaking, new forms, and
sculpture to
hybrids of the same, along with installation, video, and performance.
What about Lucy McKenzie's recent destabilizing
of luxury and interior design through her trompe l'oeil
sculpture / furniture
hybrids?
Collection, as Walter Hopps observed, is probably the first
of Rauschenberg's works to evince all the characteristics
of a Combine, that
hybrid of painting and
sculpture that the artist developed in the 1950s.1 Yet, despite the challenge to conventional categories posed by its collage and the addition
of objects that transgress the limits
of frame and picture plane, Collection stands primarily as a reflection on the contemporary status
of painting.
The recent large - scale retrospective
of Mike Kelley's work at MoMA PS1 may have something to do with this: Kelley's stage - set -
hybrid sculptures and hysterically melodramatic videos have had a widespread influence on an entire generation
of artists.
WHAT: Pratt's Fine Arts Department will open all seven studio buildings that house its expansive graduate program to the public on Friday, April 15 from 5 to 10 p.m. Work in every form will be presented from painting, drawing, photography, printmaking, and
sculpture to
hybrids of the same, along with installation, video, and performance.
A
hybrid of performance, installation art and
sculpture, these unique occurrences have resolutely demanded audience participation.
She once again returns to the use and representation
of vessels in her
hybrid painting -
sculpture ceramic pieces.
On view at the gallery is one
of Kwak's musical beauty instruments used in the Salon, along with a selection
of sculptures that explore the potential for self - reflection and bodily transmutation through
hybrid forms and a variety
of materials.
Working in the wake
of American antecedents such as Robert Rauschenberg and Cy Twombly — who brought a certain sense
of freedom to bear on their evident romance with European art and aesthetics — Schnabel made audaciously scaled paintings and
sculptures whose richly
hybrid sources were expressed in an attitude
of baroque excess combined with improvisational daring.
Based on historic music venues, these shrines are sound -
sculpture hybrids that capture the visual and social history
of jazz in America.
Also on view are works from «Simple Fractions,» «Replacing,» «
Hybrids,» and «Stack»
sculptures, giving a comprehensive look at the artist's oeuvre, filled with hints
of Arte Povera, Minimalism, Gutai, and Pop Art.