Last but not least, seven deleted / extended scenes, presented in the New Line house style (
i.e. anamorphic widescreen, DD 5.1), include optional commentary from Scott.
Not exact matches
The Techniscope format was a cheap way to get a
widescreen image by only using half as much film as true CinemaScope (
i.e.,
anamorphic) requires, and this presentation seems to reflect the reduced effective resolution of the material, evincing a softness around the edges that's sometimes exacerbated by missed focus.
The
anamorphic widescreen CinemaScope ratio was invented as a part of an industry - wide response to the rise of television, a way of asserting the superiority of the filmic image to the televisual one, on the literal logic that bigger (
i.e., wider) is better.